Naive Art
Ameri-can (Irja Bodén)
Ameri-can is a work of Irja Bodén. It belongs to the Naive Art movement. It is kept at ArtsWestchester in White Plains, United States of America.
Ameri-can: key details
- Title
- Ameri-can
- Artist
- Irja Bodén
- Artist born in
- Kiruna, Sweden
- Where to see it
- ArtsWestchester, White Plains, United States of America
- Movement
- Naive Art
- Subject
- ceramic sculpture, marine life art, whimsical scene, ice cream cone, childhood dreams, american folklore
Where is Ameri-can today?
ArtsWestchester
White Plains, United States of America
ArtsWestchester: A Cultural Beacon in White Plains ArtsWestchester stands as a testament to the enduring power of artistic expression and community engagement, nestled in the heart of downtown White Plains, New York. Founded in 1965, this pioneering arts council has blossomed into Westchester County’s foremost champion for creativity—a vibrant multi-arts center and gallery dedicated to fostering local talent and enriching the cultural landscape. Contemporary & Modern Art: ArtsWestchester distinguishes itself through its unwavering focus on showcasing cutting-edge artistic endeavors.
Ameri-can: image files
Protected by copyright: these files are for personal reference, not a licence to republish.
Irja Bodén, Ameri-can, ArtsWestchester.
Colours checked against the original, file retouched by a digital expert.
Buy the high-resolution imageQuestions about Ameri-can
Where can I see the original "Ameri-can" by Irja Bodén?
"Ameri-can" by Irja Bodén is on display at the ArtsWestchester, White Plains, United States of America. The museum listing refers to the original work, not to reproductions.
What subjects appear in "Ameri-can" by Irja Bodén?
The subjects of "Ameri-can" are ceramic sculpture, marine life art, whimsical scene, ice cream cone, childhood dreams, american folklore, naive art style, scandinavian design.
Can the image of "Ameri-can" by Irja Bodén be freely reproduced?
"Ameri-can" by Irja Bodén is still protected by copyright. This status governs how the image of the work may be reproduced.
Which artist is "Ameri-can" attributed to?
"Ameri-can" was created by Irja Bodén. The information on this page describes Irja Bodén's original work.
What style does "Ameri-can" belong to?
"Ameri-can" is a work of Naive Art. The movement indicates the artistic tradition the work is part of.
What stage of Irja Bodén's development does "Ameri-can" represent?
Within Irja Bodén's career, "Ameri-can" falls in the Contemporary. The phase helps compare it with the artist's other works.
Is "Ameri-can" held in the country of its creator?
No - the artwork is kept abroad. The birth country of Irja Bodén is Sweden, and the museum holding the original of "Ameri-can" is in United States of America.
How does "Ameri-can" fit into Irja Bodén's themes and style?
"Ameri-can" shares with Irja Bodén's other works its Naive Art style and the recorded themes: nordic folklore & whimsy, childhood innocence explored, american nostalgia subtly, sustainable art practices, playful, dreamlike imagery, exploring regional identity, part of a ceramic series.
Where does "Ameri-can" stand among Irja Bodén's recurring subjects?
Irja Bodén's recurring themes include nordic folklore & whimsy, childhood innocence explored, american nostalgia subtly, sustainable art practices, playful, dreamlike imagery, exploring regional identity, part of a ceramic series; "Ameri-can" focuses on ceramic sculpture, marine life art, whimsical scene, ice cream cone, childhood dreams, american folklore, naive art style, scandinavian design.
About Irja Bodén
Sweden
Irja Bodén
The Sculpted Echoes of Kiruna Irja Bodén’s artistic consciousness is deeply rooted in the stark, evocative landscapes of Kiruna, Sweden. Growing up within the profound influence of the Arctic Circle, she was nurtured by a world defined by dramatic textures and rhythmic seasonal shifts. This northern heritage serves as more than just a biographical detail; it is the very marrow of her creative practice. The rugged beauty of Scandinavia, characterized by its immense geological presence and the biting clarity of its light, instilled in her an enduring fascination with materiality and the narrative potential of form.