Thomas
Churchyard
A Suffolk Gentleman: The Life and Art of Thomas Churchyard Thomas Churchyard (1737-1823) occupies a fascinating, somewhat understated position in the landscape of 18th and early 19th-century British art. He wasn’t a revolutionary figure pushing boundaries or a court painter immortalizing power; instead, he was …
A portrait built from Thomas Churchyard's own colours
Every 10 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
