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Catalogue entry

Shepherdess

1863. . The Fan Museum.

Fig. 1. Alexandre, Félix (Maker), Shepherdess, 1863. Shown as the reproduction you are specifying: , .

§ 1Catalogue data

§ 2Abstract

コレクション詳細

アーティストプロフィール

Discover Félix Alexandre’s exquisite fan designs! French artist renowned for opulent floral motifs & Empress Eugénie's favorite, showcased in museums worldwide.

§ 3Commentary

Fan with mother of pearl sticks and guards applied with a lace-like filigree of pierced white mother of pearl. One guard is applied with a gold monogram and crown.The double canepin leaf is painted on the recto with a bucolic scene of figures in a landscape. The verso is painted with a diamond shaped coronet and monogram set in the centre and two further vignettes with cameos of putti. Signed and dated Alexandre, 1863.Alexandre, Félix (French, b. 1823) Designer and painter, who rose to fame during the 1850s to become fan-maker to Empress Eugenie, the Queen of the Netherlands and Queen Victoria.

よくあるご質問

「Shepherdess」に似た作品はありますか?

「Shepherdess」に似た作品は、作品の似ている作品ページに掲載されています。

「Shepherdess」は、どのアーティストの作品とされていますか?

「Shepherdess」はAlexandre, Félix (Maker)の作品とされています。

Alexandre, Félix (Maker)作「Shepherdess」の画像は自由に複製できますか?

Alexandre, Félix (Maker)作「Shepherdess」はパブリックドメイン(著作権消滅)です。このステータスは、作品の画像の複製方法を規定するものです。

§ 4The artist

Alexandre, Félix (Maker)

Alexandre, Félix (Maker)

1823 - 1891, France

Quick facts about Alexandre, Félix (Maker)

  • Full Name: William Oliver Williams
  • Nationality: English
  • Date Of Birth: 1823
  • Date Of Death: 1891
  • Place Of Birth: Paris, France
  • Notable Artworks:
    • Portrait of a Young Woman
    • Various genre scenes
  • Artistic Movement Or Style: Figurative/Genre Art
  • Artists Who Influenced This Artist: ['Henry Raeburn']
  • Artists Or Movements Influenced By This Artist: ['Birmingham School of Art']

アーティストについて

The Master of Elegance: The Life and Art of Félix Alexandre

In the glittering heart of nineteenth-century Paris, a period defined by unparalleled luxury and social refinement, the name Félix Alexandre emerged as a symbol of supreme artistry. Born in 1823, Alexandre was more than a mere craftsman; he was a visionary designer whose delicate touch captured the very essence of European aristocracy. His journey into the heights of fashion began not with the grand canvases of oil painting, but through the intimate and intricate medium of fan-making. As a master of detail, his work bridged the gap between decorative arts and fine painting, creating portable masterpieces that whispered tales of romance, status, and seasonal beauty to the most influential figures of his era.

The trajectory of Alexandre’s career was marked by a profound union of talent and enterprise. His early professional years were spent honing his skills in the delicate realms of textile and wallpaper design, a foundation that instilled in him an unparalleled understanding of pattern, color, and composition. In 1849, he joined the prestigious House of Desrochers, where he specialized in the exquisite painting of floral motifs. This period proved transformative; through his marriage to the daughter of M. Desrochers, Alexandre took the helm of the business, evolving it from a skilled workshop into an international powerhouse of luxury. Under his stewardship, the manufacture of fans reached a zenith of quality that was recognized across the continent, making his creations the gold standard for the European elite.

A Royal Endorsement and Artistic Mastery

The true measure of Alexandre’s success lay in the patronage he commanded. His artistry possessed a certain magnetic allure that captivated the most powerful women of the nineteenth century. He famously served as the fan-maker to Empress Eugénie of France, the Queen of the Netherlands, and even Queen Victoria of the United Kingdom. To hold an Alexandre fan was to possess a piece of the imperial court; these objects were frequently commissioned as prestigious gifts to commemorate significant milestones, weddings, and royal celebrations. His ability to translate the fleeting trends of Parisian high fashion into enduring art allowed him to become a central figure in the social fabric of the age.

Technically, Alexandre’s work was characterized by an extraordinary marriage of precious materials and painterly skill. He moved beyond simple decoration, employing complex techniques that pushed the boundaries of what a handheld object could achieve. His mastery is evident in works such as Shepherdess, where he utilized mother-of-pearl sticks and guards, applying a lace-like filigree of pierced white mother-of-pearl to create a sense of ethereal lightness. Furthermore, his collaborative spirit allowed for breathtaking results; notable pieces like Bevy of Cherubs—painted by Parmentier E. but brought to life through Alexandre’s masterful construction—demonstrate his ability to showcase intricate depictions of birds and flora with unparalleled precision.

Legacy in the Archives of History

The impact of Félix Alexandre extends far beyond the ephemeral nature of fashion. He revolutionized the industry by being one of the first fan makers to actively employ fashionable painters and designers, effectively elevating the fan from a functional accessory to a legitimate medium of fine art. This innovation ensured that his work would not merely fade with the passing of seasons but would instead be preserved for posterity.

Today, the legacy of this Parisian master is safeguarded within the world's most esteemed institutions. His delicate creations serve as vital historical documents, offering insight into the aesthetic values and social hierarchies of the nineteenth century. Collectors and historians can find his fingerprints in:

  • The Fan Museum in Greenwich, United Kingdom: A premier destination for studying the evolution of fan design and Alexandre's pivotal role in its refinement.
  • Musée Félix Ziem in Martigues, France: Where his contributions to French decorative arts are celebrated alongside other masters of the era.
  • Private Global Collections: Where his pieces continue to be cherished as quintessential examples of French craftsmanship and aristocratic elegance.

Félix Alexandre’s life remains a testament to the power of specialized excellence. Through his dedication to the fine details of floral motifs and the luxurious manipulation of materials like mother-of-pearl, he created an artistic language that spoke of grace, power, and the timeless beauty of the natural world.

§ 5Comparanda

§ 6Questions

§ 7Cite this entry

AllPaintingsStore.com, “Alexandre, Félix (Maker), Shepherdess (1863)”, https://allpaintingsstore.com/ja/art/alexandre-felix-maker-shepherdess-D8FDCB-en/ (accessed 4 10月 2026).

§ 8The reproduction

手描き油彩複製画

当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

Shepherdess

再現技法

複製画サイズ一覧

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厳選された熟練アーティスト

より細部までこだわった表現、洗練された技術、そして十分な制作時間

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複製画用額装

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

組み立てには専門知識が必要です(DIY用製品ではありません)。
本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。

  • すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。

  • 付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください(ボンドは付属しておりません)。ボンドは額装業者様にてご手配をお願いいたします。

  • プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。

重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

銘板

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保護用ワニス

光沢ワニス(色彩を鮮やかに引き立て、光や湿気から保護します)

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お急ぎ便

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お急ぎ便

世界中への配送()は、5週間ほどでお届けします。(9 11月)。

送料込

合計金額

¥ 40718

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