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カタログ掲載情報

Mappa

Textile, 217.0 x 163.0 cm. MAXXI国立21世紀芸術博物館.

図1. Alighiero E Boetti, Mappa. ご指定の複製画のイメージ: , .

§ 1カタログデータ

寸法
217.0 x 163.0 cm

§ 2抽象

作品解説

Alighiero e Boetti’s ‘Mappa,’ a stunning hand-embroidered tapestry depicting the 1970s geopolitical landscape with vibrant flags and stark color divisions, offers a unique artistic perspective on global power dynamics. Explore this iconic Arte Povera piece and bring its world view home.

アーティストの略歴

Discover Alighiero e Boetti (1940-1994), a leading Arte Povera artist renowned for his 'Mappa' embroidered maps & explorations of chance, order, and identity.

§ 3解説

Mappa: A Geopolitical Tapestry of Power and Time

  • Subject: Alighiero Boetti’s “Mappa” is far more than a decorative textile; it's a meticulously crafted cartographic representation of the world as understood at the dawn of the 1970s. The artwork functions as a complex geopolitical map, visually encoding the distribution of global power through the strategic placement and color coding of nations’ flags. It’s a poignant commentary on humanity’s attempts to impose order upon the natural world, and a meditation on the vastness of time relative to human endeavor.
  • Style & Technique: The tapestry exemplifies Boetti's embrace of *Arte Povera*, an Italian art movement that championed the use of ordinary, readily available materials – in this case, meticulously embroidered textiles – to challenge traditional notions of artistic value and representation. Each flag is painstakingly stitched by Afghan embroiderers, a deliberate choice that highlights the collaborative nature of the artwork and elevates the craft itself to a profound statement about global interconnectedness. The technique relies on precise needlework, creating a textured surface that invites close examination and reveals the labor involved in its creation.

Historical Context & Conceptual Framework

Created in Kabul around 1970, “Mappa” emerged from a specific historical moment – a period of intense geopolitical tension between the United States and the Soviet Union. The stark division of the world into two opposing blocs is immediately apparent: North America and Eurasia are rendered in bold reds and whites, symbolizing the ideological and military dominance of these superpowers. This deliberate color coding isn’t merely aesthetic; it's a powerful visual metaphor for the Cold War’s defining characteristic – a world fractured along political lines. The artwork subtly yet powerfully conveys the sense that humanity was caught within a system of imposed boundaries, reflecting Boetti’s broader philosophical concerns with the artificiality of human constructs.

Symbolism & Narrative Layers

  • Continental Divisions: The segmentation of the globe into continents – North America, South America, Europe, Asia, Africa, and Oceania – is a fundamental element of the work’s design. Each continent is treated as a distinct entity, further emphasized by the individual flags representing its constituent nations.
  • Color as Code: The strategic use of color—red for dominant powers, white for others—is not arbitrary. It represents a complex system of encoding geopolitical information, inviting viewers to interpret the map’s meaning beyond a simple geographical representation.
  • Time and Scale: Beyond its immediate political commentary, “Mappa” also engages with profound questions about time. The sheer scale of the tapestry juxtaposed against the relatively brief span of human history serves as a powerful reminder of our place within the vastness of geological time.

Emotional Impact & Collector’s Value

“Mappa” is more than just a reproduction; it's an investment in a piece of art history and a testament to Alighiero Boetti’s unique vision. The artwork evokes a sense of both awe and unease, prompting reflection on the complexities of global politics, the fragility of peace, and the enduring power of human ambition. Its intricate detail and symbolic richness make it a captivating subject for collectors and interior designers seeking to infuse their spaces with intellectual depth and artistic significance. The hand-painted reproduction faithfully captures the original’s nuanced beauty and powerful message, ensuring that this seminal work by Alighiero Boetti remains accessible and relevant for generations to come.

Q&A

「Mappa」は、Alighiero E Boettiのキャリアにおけるどの時期の作品でしょうか?

Alighiero E Boettiの画業において、「Mappa」はMature Periodに制作されたものです。この時期の作品を知ることで、同アーティストの他の作品との比較検討が可能になります。

「Mappa」をフルスクリーンのスライドショーで鑑賞することはできますか?

スライドショーはこちら:Alighiero E Boetti作「Mappa」のスライドショーページ。

「Mappa」は、Alighiero E Boettiの代表作の一つでしょうか?

「Mappa」の注目度はIconicに分類されます。

§ 4アーティスト

Alighiero E Boetti

Alighiero E Boetti

1940 - 1994

Alighiero E Boettiについてのクイック・ファクト

  • Name: Alighiero e Boetti
  • Movement: Arte Povera, Conceptual Art
  • Birth_Date: 1940
  • Death_Date: 1994
  • Birth_Place: Turin, Italy
  • Nationality: Italian
  • Date Of Birth: 1940
  • Date Of Death: 1994
  • Influenced_By:
    • Wols
    • Lucio Fontana
    • Hermann Hesse
    • Paul Klee
  • Notable_Works: Mappa, Tavola pitagorica, Lampada annuale

作家プロフィール

Alighiero e Boetti: Life and Art

Early Life and Influences

Alighiero Fabrizio Boetti, known as Alighiero e Boetti, was born in Turin, Italy, in 1940. His parents were Corrado Boetti, a lawyer, and Adelina Marchisio, a violinist. He initially pursued studies at the business school of the University of Turin but soon abandoned them to dedicate himself to art.
  • Early theoretical interests included philosophy, alchemy, and esoterics.
  • He admired authors like Hermann Hesse and painter Paul Klee.
  • Boetti also showed a continuing interest in mathematics and music throughout his life.
His early artistic exposure came through discovering the works of German painter Wols and Argentine-Italian artist Lucio Fontana’s cut canvases. His initial paintings, however, were reminiscent of Nicolas de Staël.

Artistic Development & Arte Povera

In 1962, Boetti moved to Paris where he met art critic Annemarie Sauzeau, whom he married in 1964 and with whom he had two children. Working in Turin during the early 1960s alongside artists like Luciano Fabro, Mario Merz, Giulio Paolini, and Michelangelo Pistoletto, Boetti became a key figure in the Arte Povera movement.
  • Arte Povera emphasized using humble materials and techniques to challenge traditional art values.
  • Boetti experimented with unconventional materials like plaster, masonite, plexiglass, and light fixtures.
  • His first solo show was in 1967 at the Turin gallery of Christian Stein.

Key Themes & Artistic Strategies

Boetti’s work is characterized by several recurring themes:
  • Twinning: This concept led him to add ‘e’ (and) between his names, exploring duality and self-identity.
  • Chance & Order: He often incorporated elements of chance into his work alongside structured systems like grids and maps.
  • Non-Western Cultures: Extensive travels to Guatemala, Ethiopia, Sudan, Afghanistan, and Pakistan deeply influenced his art.
He employed unique strategies such as using ballpoint pens and even the postal system in his artistic process.

Major Works & Achievements

  • Mappa (1971-1994): A series of embroidered maps of the world, created with the help of Afghan artisans.
  • Lampada annuale (Yearly Lamp) (1966): A light bulb in a mirrored box that randomly illuminates for eleven seconds each year.
  • Tavola pitagorica (Pythagorean Table): Explores mathematical permutations and visual patterns.
  • Lavori postali (Postal Works) (1969-70): Series of letters sent to prominent figures in the art world, often returned undelivered due to imaginary addresses.

Historical Significance & Legacy

Alighiero e Boetti’s work challenged conventional notions of authorship and artistic control. His exploration of chance, order, and cultural exchange continues to resonate with contemporary artists. He died in Rome in 1994 at the age of 53 from a brain tumor. Boetti's legacy lies in his innovative approach to conceptual art and his ability to blend intellectual rigor with aesthetic beauty. His work remains highly influential, exhibited globally, and continues to inspire new generations of artists and thinkers.

§ 5関連作品

§ 6よくあるご質問

作品詳細

  • Movement: Arte Povera
  • Artist: Alighiero e Boetti
  • Artistic style: Embroidery, Flagwork
  • Subject or theme: World map, Power dynamics
  • Medium: Tapestry

§ 7この文献の引用方法

AllPaintingsStore.com, “Alighiero E Boetti, Mappa”, https://allpaintingsstore.com/ja/art/alighiero-e-boetti-mappa-D4N8M9-en/ArtistReproduction/ (参照日 8 10月 2026).

§ 8複製画

手描き油彩複製画

当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

注文書余白に詳細が記載されており、現在の内容は以下の通りです。

Mappa

再現技法

複製画サイズ一覧

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至高の熟練アーティスト

より細部までこだわった表現、洗練された技術、そして十分な制作時間

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複製画用フレーム

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

組み立てには専門知識が必要です(DIY用製品ではありません)。
本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。

  • すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。

  • 付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください(ボンドは付属しておりません)。ボンドは額装業者様にてご手配をお願いいたします。

  • プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。

重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

キャプション

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保護用ワニス

光沢ワニス(色彩を鮮やかに引き立て、光や湿気から保護します)

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作品をカスタマイズ

カスタマイズの例:顔をお客様の写真に差し替える、ペットを追加する(例:猫を犬に変更)、背景に隠しメッセージを入れる、背景の風景や要素を変更する。

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お急ぎ便

世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(5 11月)。品質には一切の妥協を許しません。

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お急ぎ便

世界中への配送()は、5週間ほどでお届けします。(12 11月)。

込み

合計金額

¥ 40794

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