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Catalogue entry

Mischief

1879. .

Fig. 1. George Fuller, Mischief, 1879. Shown as the reproduction you are specifying: , .

§ 1Catalogue data

§ 2Abstract

作品解説

アーティストの略歴

Discover George Fuller (1822-1884), an American painter known for evocative portraits & scenes of rural life. Explore his works in Boston & New York.

§ 3Commentary

The painting "Mischief" by George Fuller is a remarkable work of art that showcases the artist's skill and technique. Created in 1879, this oil on panel painting is a testament to Fuller's ability to capture the essence of his subjects. The painting is currently displayed at the Akron Art Museum in the United States.

Artist Background

George Fuller was an American figure and portrait painter, born on January 17, 1822, in Deerfield, Massachusetts. He began his career as a painter at a young age and went on to study with notable artists such as Henry Kirke Brown. Fuller's work is characterized by its attention to detail and its ability to capture the subtleties of human emotion.

The Painting "Mischief"

The painting "Mischief" is a beautiful example of Fuller's work. The subject of the painting is a woman with brown hair, wearing a black dress and sporting a mischievous grin. The painting is done in oil on panel and measures 12 x 15 inches. The level of detail and realism in the painting is impressive, making it a standout piece in Fuller's oeuvre. The "Mischief" painting is a must-see for anyone interested in American art and the work of George Fuller. Its unique blend of realism and emotion makes it a standout piece in the world of art. Whether you are an art enthusiast or simply looking to add a beautiful piece to your collection, "Mischief" is sure to impress.
The Akron Art Museum is a premier institution for American art, and "Mischief" is just one of the many notable works on display. With its rich history and stunning collection, the museum is a must-visit destination for anyone interested in art and culture.

Q&A

George Fuller作「Mischief」を異なる照明の下で見ることはできますか?

George Fuller作「Mischief」のX線解析ページは、X線写真のような表示を含む、作品画像の11層にわたる光学レイヤーをスライドして閲覧できるインタラクティブ・ビューアです。

George Fuller作「Mischief」の色調は、鮮やかですか、それとも落ち着いていますか?

「Mischief」の色彩は、彩度がMutedです。

George Fuller作「Mischief」の手描き複製画はどこで購入できますか?

George Fuller作「Mischief」の手描き複製画は、こちらの手描き油彩複製画ページから直接ご注文いただけます:リネンキャンバスに手描きされた油彩複製画(受注制作)

§ 4The artist

George Fuller

George Fuller

1822 - 1884

Quick facts about George Fuller

  • Full Name: George Fuller
  • Nationality: American
  • Date Of Birth: 1822
  • Date Of Death: 1884
  • Place Of Birth: Deerfield, Massachusetts
  • Notable Artworks:
    • The Gatherer of Simples
    • Psyche
    • A Nun at Confession
  • Artistic Movement Or Style: Figure painting
  • Artists Who Influenced This Artist: ['Henry Kirke Brown']
  • Artists Or Movements Influenced By This Artist: ['Impressionism']

作家プロフィール

George Fuller: Weaver of Dreams in American Painting

George Fuller (1822-1884) wasn’t a name that immediately resonates within the halls of art history, yet his canvases hold a peculiar and enduring power. He was an American painter who carved out a distinctive niche for himself—a master of evocative portraits and scenes steeped in the quiet beauty of rural America, often imbued with a haunting sense of melancholy and the ethereal quality of dreams. His work, largely overlooked during his lifetime, now reveals itself as a significant contribution to 19th-century American art, particularly within the Boston Art Club and the broader context of Victorian sensibilities.

Born in Deerfield, Massachusetts, Fuller’s early life was marked by familial resistance to his artistic aspirations. His parents, farmers with traditional values, viewed painting as a frivolous pursuit. Despite this opposition, he pursued his passion relentlessly, beginning with formal training under Henry Kirke Brown in Boston and later honing his skills within the rigorous environment of the National Academy of Design in New York City. This period exposed him to established artistic conventions while simultaneously fueling his desire to develop a unique visual language.

Fuller’s career began as an itinerant portraitist, a common path for artists seeking recognition and sustenance. He traveled extensively throughout New England and the Midwest, capturing the likenesses of prominent figures – merchants, lawyers, and members of the local elite. These early portraits established his technical proficiency but hinted at a deeper yearning to explore broader themes and landscapes. Crucially, he also spent time in Illinois working on the construction of the railroad, an experience that profoundly shaped his perspective on the American frontier and its evolving relationship with nature.

The Rural Vision: Themes and Techniques

Fuller’s most celebrated work centers around scenes of rural life—not the idealized pastoralism often depicted by his contemporaries, but a more nuanced and introspective portrayal. He frequently featured solitary figures – women gathering herbs, children playing in fields, or men resting after a day's labor – set against expansive landscapes rendered with a delicate sensitivity to light and atmosphere. These weren’t simply depictions of daily routines; they were imbued with a profound sense of loneliness, contemplation, and the passage of time.

His technique was characterized by a loose, expressive brushstroke—a hallmark of the Hudson River School painters but tempered by a distinctly personal style. Fuller favored muted color palettes – browns, greens, grays, and blues – to create a sense of atmospheric depth and mood. He skillfully employed light and shadow to evoke a dreamlike quality, blurring the boundaries between reality and imagination. His compositions often featured asymmetrical arrangements and unconventional perspectives, further contributing to the paintings’ unsettling yet captivating allure.

Notable works like *The Gatherer of Simples* (1878-83) exemplify this approach. The painting depicts a woman collecting herbs in a misty field, her face partially obscured by shadow, creating an aura of mystery and solitude. Similarly, *Head*, painted in 1880, is a study in psychological depth, capturing the subject’s inner thoughts and emotions through subtle shifts in expression and gesture.

Influences and Context

Fuller's artistic development was shaped by a confluence of influences. The Hudson River School, with its emphasis on landscape painting and romantic ideals, undoubtedly played a role. However, he also drew inspiration from the Symbolist movement emerging in Europe—particularly the use of symbolism to convey deeper meanings and emotions. Furthermore, his time spent traveling through the American West exposed him to Native American cultures and landscapes, which subtly informed his artistic vision.

His work resonated within the Boston Art Club, a prominent institution that fostered a vibrant community of artists during the late 19th century. Fuller’s paintings were regularly exhibited at the club's annual shows, gaining him recognition among his peers and attracting the attention of collectors. The Victorian era, with its fascination with spirituality, melancholy, and the supernatural, provided fertile ground for Fuller’s introspective themes.

Legacy and Significance

Despite not achieving widespread fame during his lifetime, George Fuller's work has gained increasing recognition in recent decades. His paintings are now appreciated for their evocative atmosphere, psychological depth, and subtle commentary on the human condition. He stands as a significant figure in American art history—a painter who captured the quiet beauty of rural America with a unique blend of technical skill and emotional sensitivity.

Fuller’s legacy extends beyond his individual paintings. His exploration of themes such as loneliness, contemplation, and the relationship between humanity and nature continues to resonate with contemporary viewers. His work serves as a poignant reminder of the power of art to evoke profound emotions and invite us to contemplate the mysteries of life.

§ 5Comparanda

§ 6Questions

§ 7Cite this entry

AllPaintingsStore.com, “George Fuller, Mischief (1879)”, https://allpaintingsstore.com/ja/art/george-fuller-mischief-AQZQTS-en/ArtistReproduction/ (accessed 5 10月 2026).

§ 8The reproduction

手描き油彩複製画

当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

Mischief

再現技法

複製画サイズ一覧

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至高の熟練アーティスト

より細部までこだわった表現、洗練された技術、そして十分な制作時間

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複製画用フレーム

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

組み立てには専門知識が必要です(DIY用製品ではありません)。
本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。

  • すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。

  • 付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください(ボンドは付属しておりません)。ボンドは額装業者様にてご手配をお願いいたします。

  • プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。

重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

キャプション

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保護用ワニス

光沢ワニス(色彩を鮮やかに引き立て、光や湿気から保護します)

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世界中への配送()は、5週間ほどでお届けします。(9 11月)。

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