Henry Rice
1815. Oil On Canvas, 67.0 x 55.0 cm. メトロポリタン美術館.
§ 1Catalogue data
Oil On Canvas
WallArt
Neoclassical
1815
67.0 x 55.0 cm
メトロポリタン美術館
§ 2Abstract
コレクション詳細
Admire 'Henry Rice' by Gilbert Stuart Newton – a captivating 1815 portrait showcasing romantic British art. Explore this exquisite black & white piece today!
アーティストプロフィール
Gilbert Stuart Newton (1795-1835): British Romantic artist famed for portraits of Washington Irving & literary scenes inspired by Shakespeare, poetry & romance. RA academician.
§ 3Commentary
The Enigmatic Figure: Gilbert Stuart Newton’s “Henry Rice”
Gilbert Stuart Newton's 1815 portrait, "Henry Rice," is more than a simple likeness; it’s a window into the burgeoning landscape of early America and the complex relationships between settlers, indigenous peoples, and the evolving American identity. The painting captures a man of considerable presence – Henry Rice – not merely as an individual, but as a pivotal figure in Minnesota's territorial development. Newton, trained under his renowned uncle Gilbert Stuart, masterfully employs the conventions of Neoclassical portraiture, yet imbues the image with a subtle intensity that transcends mere formality.
Gilbert Stuart Newton - Self Portrait
A Man of Two Worlds: Rice’s Life and Context
Henry Rice's life was inextricably linked to the dramatic transformation occurring in the Upper Midwest. Born in Nova Scotia, he became a key player in the fur trade, forging crucial alliances with the Ho-Chunk (Winnebago) and Ojibwe tribes. His role extended far beyond simple commerce; he served as a negotiator for treaties, shaping the political and territorial boundaries of what would become Minnesota. The portrait itself reflects this duality – Rice is presented as both a respected tribal leader’s confidante and a representative of American authority. His beard and mustache, meticulously rendered by Newton, speak to his age and experience, while his direct gaze conveys an undeniable strength and shrewdness.
Newton's artistic lineage further illuminates the painting’s significance. Trained by Gilbert Stuart, a titan of American portraiture, Newton inherited a tradition of capturing character and conveying status through careful observation and refined technique. However, Newton subtly diverges from his uncle’s style, injecting a greater sense of drama and psychological depth into his subjects.
The Language of Portraiture: Technique and Symbolism
Newton's masterful use of light and shadow establishes a formal yet engaging composition. The dark background emphasizes Rice’s figure, drawing the viewer’s attention to his face and posture. Note the subtle modeling of the fabric of his suit – a detail indicative of Newton’s meticulous approach to rendering texture. The arrangement of the figures in the background—a man behind him and another further away—suggests a scene of deliberation or perhaps even a moment of quiet authority. These secondary elements add layers of narrative, hinting at Rice's role as a mediator between cultures.
The portrait’s monochromatic palette – primarily shades of gray and brown – evokes the somber tones often associated with historical portraits from this period. This choice contributes to the painting’s sense of gravitas and reinforces its depiction of a man deeply involved in matters of state and diplomacy. The inclusion of the dark background, reminiscent of a study room or office, further emphasizes Rice's role as a figure of importance and decision-making.
A Legacy Preserved: Reproduction and Interpretation
Reproductions of “Henry Rice” offer a remarkable opportunity to connect with a pivotal moment in American history. AllPaintingsStore’s faithful reproductions capture the painting’s nuanced details and atmospheric quality, allowing viewers to appreciate Newton's artistry and the story of Henry Rice—a man who played an instrumental role in shaping the destiny of Minnesota. This portrait is not simply a depiction of a historical figure; it’s a testament to the complex interplay of cultures and the enduring legacy of early American exploration and settlement.
よくあるご質問
Gilbert Stuart Newton作「Henry Rice」 に似た作品を見つけるにはどうすればよいですか?
「Henry Rice」に似た作品は、作品の似ている作品ページに掲載されています。
「Henry Rice」は、Gilbert Stuart Newtonの他の作品群とどのような共通点を持っていますか?
「Henry Rice」は、Gilbert Stuart Newtonの他の作品と同様に、Neoclassical様式と、描き続けられてきたテーマであるneoclassical influence, portraiture tradition, 19th-century society, formal, dignified pose, british aristocratic themes, historical subject matter, newton's romantic styleを共有しています。
「Henry Rice」の詳細を確認することはできますか?
Gilbert Stuart Newton作「Henry Rice」のX線ビューは、作品のX線解析ページでご覧いただけます。11層の光学レイヤーを通じて画像をインタラクティブに解析できる、詳細な検証機能です。
§ 4The artist
Gilbert Stuart Newton
1795 - 1835
アーティスト情報
- Name: Gilbert Stuart Newton
- Movement: Romanticism
- Birth_Date: 1795
- Death_Date: 1835
- Birth_Place: Halifax, Nova Scotia
- Nationality: British
- Date Of Birth: 1795
- Date Of Death: 1835
- Influenced_By: Gilbert Stuart (uncle)
- Notable_Works:
- Don Quixote in his Study
- Captain Macheath upbraided by Polly and Lucy
- Yorick and the Grisette
- The Window or the Dutch Girl
- Portia and Bassanio
アーティストについて
Gilbert Stuart Newton: Life & Legacy
Early Life and Family Background
- Birth and Origins: Gilbert Stuart Newton was born on September 2, 1795, in Halifax, Nova Scotia. He was the youngest of twelve children.
- Family Connections: His father, Henry Newton, was a customs official, and his mother, Ann, held a significant artistic lineage – she was the daughter of Gilbert Stuart, the renowned American portrait painter.
- Early Years & Return to America: The family initially resided in Boston but returned to Charlestown near Boston in 1803 following his father’s death.
Artistic Training and Influences
- Initial Path & Uncle's Guidance: Though initially intended for a commercial career, Newton was apprenticed to his uncle, Gilbert Stuart, marking the beginning of his artistic journey.
- European Studies: He traveled to Europe with an elder brother and studied painting in Florence. Later visits to Paris (1817) introduced him to artists like Charles Robert Leslie, Washington Allston, and David Wilkie.
- Royal Academy & Formal Training: Newton continued his education at the Royal Academy in London after a period spent in the Netherlands.
Artistic Style and Major Themes
- Romantic Sensibilities: Newton’s work is generally categorized within the Romantic movement, characterized by emotional intensity and dramatic narratives.
- Literary & Poetic Inspirations: He became particularly known for paintings inspired by literature and poetry. Subjects drawn from works like *Don Quixote* and Shakespeare were prominent in his oeuvre.
- Portraiture & Genre Scenes: While he painted portraits, including those of notable figures such as Washington Irving, Newton also excelled in genre scenes depicting moments from literary narratives.
Key Achievements and Recognition
- Royal Academy Affiliation: Newton was elected an Honorary Academician of the National Academy of Design (1827), an Associate of the Royal Academy (1829), and a full Academician in 1832.
- Exhibitions & Patronage: He regularly exhibited at the Royal Academy from 1818 onwards, gaining recognition and attracting patrons like the Marquis of Lansdowne.
- Public Collections: His works found their way into prominent public collections, including the National Gallery and the South Kensington Museum (now V&A).
Later Life and Legacy
- Mental Health & Final Years: Shortly after his election to the Royal Academy, Newton began to suffer from mental illness. He was admitted to an asylum at Chelsea where he continued to paint until his death on August 5, 1835.
- Burial Site: He is buried in St Mary’s Church Wimbledon, London.
- Historical Significance: Though overshadowed by his uncle Gilbert Stuart, Newton carved a niche for himself as a skilled and imaginative artist of the Romantic period. His literary-inspired paintings offer insights into the cultural tastes and artistic trends of 19th-century Britain.
§ 5Comparanda
関連作品
§ 6Questions
§ 7Further reading
Cite this entry
AllPaintingsStore.com, “Gilbert Stuart Newton, Henry Rice (1815)”, https://allpaintingsstore.com/ja/art/gilbert-stuart-newton-henry-rice-D2UPX7-en/ArtistReproduction/ (accessed 1 10月 2026).
§ 8The reproduction
手描き油彩複製画
当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え
デジタル画像販売へ切り替え)
It is specified on the order sheet in the margin; the present state of that sheet reads as follows.
Henry Rice
再現技法
複製画サイズ一覧
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厳選された熟練アーティスト
より細部までこだわった表現、洗練された技術、そして十分な制作時間
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複製画用額装
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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。
組み立てには専門知識が必要です(DIY用製品ではありません)。
本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。
すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。
付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください(ボンドは付属しておりません)。ボンドは額装業者様にてご手配をお願いいたします。
プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。
重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。
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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。


