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      アトリエ · 2015年設立 · フランス、パリ
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      Catalogue entry

      Hawk Attacking Wild Duck

      1737. , 195.0 x 129.0 cm. ウォールスコレクション.

      Fig. 1. Jacques Charles Oudry, Hawk Attacking Wild Duck, 1737. Shown as the reproduction you are specifying: , .

      § 1Catalogue data

      § 2Abstract

      コレクション詳細

      Magnificent 1737 painting 'Hawk Attacking Wild Duck' by Jacques-Charles Oudry! A stunning Rococo scene of nature’s drama. Hand-painted reproduction available.

      アーティストプロフィール

      Discover Jacques-Charles Oudry’s exquisite animal paintings & hunt scenes! A master of Rococo art, known for his naturalistic depictions & royal commissions.

      § 3Commentary

      § 4The artist

      Quick facts about Jacques Charles Oudry

      • Full Name: Jacques-Charles Oudry
      • Nationality: French
      • Date Of Birth: 1720
      • Date Of Death: 1778
      • Place Of Birth: Paris, France
      • Notable Artworks:
        • Hawk Attacking Wild Duck
        • A portrait of a brown and white Toy Spaniel in a landscape
      • Artistic Movement Or Style: Rococo
      • Artists Who Influenced This Artist: ['Jean-Baptiste Oudry']
      • Artists Or Movements Influenced By This Artist: ['Barbizon School']

      アーティストについて

      The Aristocratic Eye: Jacques-Charles Oudry and the Rococo Celebration of Nature

      Jacques-Charles Oudry, born in Paris in 1720 and passing away in 1778, stands as a pivotal figure bridging the traditions of Flemish animal painting with the refined elegance of the French Rococo. While often categorized solely as an *animalier*, this designation scarcely captures the breadth of his talent or the significant role he played within the artistic circles of Louis XV’s court. Oudry wasn't merely depicting creatures; he was crafting narratives, embodying aristocratic leisure, and elevating a genre previously considered secondary to the status of history painting. His life unfolded during a period of shifting aesthetic values, where lightness, grace, and an appreciation for the natural world began to eclipse the more somber tones of the Baroque era.

      Early Training and the Influence of Flemish Masters

      Oudry’s artistic journey commenced under the tutelage of his father, Jacques Oudry I, a respected painter specializing in still life and animal subjects. This familial grounding proved crucial, instilling within him a meticulous attention to detail and an early mastery of technique. However, it was his apprenticeship with Jean-Baptiste Pater – himself influenced by Flemish masters like Frans Snyders and Paul de Vos – that truly shaped his artistic direction. Pater’s vibrant compositions featuring playful animals in idyllic landscapes resonated deeply with the burgeoning Rococo sensibility. Oudry absorbed this influence, developing a similar facility for capturing movement, texture, and the inherent charm of the animal kingdom. He initially worked extensively as a copyist, honing his skills by reproducing works from the royal collections, particularly those of the Flemish painters. This rigorous training provided him with an unparalleled understanding of anatomy, color theory, and composition – foundations that would later distinguish his own unique style.

      Royal Commissions and the Height of His Career

      Oudry’s talent soon attracted the attention of the court. In 1743, he was accepted into the Académie Royale de Peinture et Sculpture, a testament to his growing reputation. However, it was his appointment as *peintre ordinaire du roi* (official painter to the king) in 1752 that propelled him to prominence. This position afforded him access to the royal menagerie at Versailles and numerous commissions depicting scenes of hunting, falconry, and domestic animals. These weren’t simply records of sporting activities; they were carefully constructed allegories celebrating the pleasures of aristocratic life. His paintings for the *Cabinet des Singuliers* at Versailles, a series showcasing exotic birds and mammals, exemplify this approach. Each animal is rendered with astonishing realism, yet presented within an idealized setting that speaks to wealth, power, and refined taste. The meticulous detail extended beyond mere representation; Oudry’s understanding of animal behavior was remarkable, lending authenticity and vitality to his compositions. He also undertook significant tapestry designs for the Gobelins Manufactory, further disseminating his style and imagery throughout France's elite circles.

      Beyond Hunting Scenes: A Broader Artistic Scope

      While Oudry is most celebrated for his hunting scenes, limiting him to this genre overlooks the diversity of his artistic output. He also produced portraits – often incorporating animals as symbolic elements – still lifes demonstrating a keen eye for texture and light, and even mythological paintings where animals played prominent roles. His portraiture, though less numerous than his animal studies, reveals a sensitivity to character and an ability to capture the nuances of human expression. Furthermore, his work wasn’t solely confined to canvas; Oudry was also a skilled engraver, producing prints that further popularized his designs among a wider audience. He even ventured into stage design, creating elaborate backdrops for courtly performances. This versatility underscores his position as a truly multi-faceted artist capable of excelling in various mediums and genres.

      Legacy and Historical Significance

      Jacques-Charles Oudry’s influence extended far beyond the confines of 18th-century France. His naturalistic depictions of animals, combined with his Rococo sensibility, profoundly impacted subsequent generations of artists. He helped elevate animal painting to a new level of respectability, paving the way for later *animaliers* like Jean-Léon Gérôme and Rosa Bonheur. More broadly, Oudry’s work embodies the spirit of the Rococo – its celebration of pleasure, elegance, and an idealized vision of nature. His paintings offer a fascinating glimpse into the aristocratic world of pre-revolutionary France, capturing not only the beauty of the animal kingdom but also the values and aspirations of the elite who commissioned them. He remains a significant figure in art history, celebrated for his technical mastery, artistic versatility, and enduring contribution to the Rococo aesthetic.

      § 5Comparanda

      § 6Questions

      § 7Cite this entry

      AllPaintingsStore.com, “Jacques Charles Oudry, Hawk Attacking Wild Duck (1737)”, https://allpaintingsstore.com/ja/art/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/ (accessed 2 10月 2026).

      § 8The reproduction

      手描き油彩複製画

      当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

      It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

      Hawk Attacking Wild Duck

      再現技法

      複製画サイズ一覧

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      厳選された熟練アーティスト

      より細部までこだわった表現、洗練された技術、そして十分な制作時間

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      複製画用額装

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      いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

      組み立てには専門知識が必要です(DIY用製品ではありません)。
      本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。

      • すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。

      • 付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください(ボンドは付属しておりません)。ボンドは額装業者様にてご手配をお願いいたします。

      • プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。

      重要:
      コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

      銘板

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