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カタログ掲載情報

Sofonisba

1649. .

図1. Lorenzo Pasinelli, Sofonisba, 1649. ご指定の複製画のイメージ: , .

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§ 2抽象

アーティストの略歴

Discover Lorenzo Pasinelli: A late Baroque Italian painter known for Mannerist style & Bologna's rich art scene. Explore his works, collaborations, & influential pupils.

§ 3解説

§ 4アーティスト

Lorenzo Pasinelli

Lorenzo Pasinelli

1629 - 1700, Italy

Lorenzo Pasinelliについてのクイック・ファクト

  • Full Name: Lorenzo Pasinelli
  • Nationality: Italian
  • Date Of Birth: 1629
  • Date Of Death: 1700
  • Place Of Birth: Bologna, Papal States
  • Notable Artworks:
    • St. Anthony Miracle
    • Pompey’s Wife Swoons at the Sight of his Bloody Garments
    • Mars Receiving Weapons from Jupiter
  • Artistic Movement Or Style: Late Baroque
  • Artists Who Influenced This Artist:
    • Simone Cantarini
    • Paolo Veronese
  • Artists Or Movements Influenced By This Artist: ['Carlo Cignani']

作家プロフィール

The Radiant Legacy of Lorenzo Pasinelli

In the sun-drenched, culturally vibrant streets of late seventeenth-century Bologna, a master was quietly forging a visual language that would bridge the elegant artifice of Mannerism with the sweeping emotional grandeur of the Baroque. Lorenzo Pasinelli, born on September 4, 1629, emerged not merely as a painter of his era, but as a visionary capable of synthesizing disparate artistic traditions into a singular, luminous style. His life and work represent a profound dialogue between the meticulous precision of the Renaissance legacy and the theatrical, emotive power that defined the Baroque period.

Pasinelli’s journey began within the prestigious studio of Simone Cantarini, where he first learned the importance of disegno—the disciplined art of drawing and anatomical accuracy. This early training instilled in him a reverence for detail and psychological depth that would remain a cornerstone of his technique. However, the artist’s spirit was too expansive to be contained by a single school. His subsequent travels to Rome served as a transformative crucible; there, under the guidance of Giovanni Andrea Sirani, he encountered a more dramatic, emotionally charged aesthetic. This exposure to the Roman workshop allowed Pasinelli to infuse his compositions with a sense of movement and theatricality that would soon captivate the patrons of Italy.

A Synthesis of Color and Grandeur

What truly distinguishes Pasinelli’s oeuvre is his remarkable ability to transcend stylistic boundaries, creating works that feel both classically grounded and vibrantly modern for their time. While his foundations were rooted in Mannerist precision, he looked toward the masters of the Venetian school, particularly Paolo Veronese, to inform his use of color. His canvases are often characterized by an unusual richness of palette and scenes thronged with ponderous, richly vested figures that seem to breathe with a life of their own. This mastery of light and opulent coloring gave his work a monumental quality, suggesting a divine or heroic scale even in more intimate subjects.

His rise to prominence was marked by significant commissions that demonstrated both his technical skill and his narrative prowess. One of his most celebrated early triumphs was Samson and Delilah, a piece commissioned by Senator Caldrini that earned him the high praise of the esteemed Sirani family. As his reputation grew, so did the scale of his endeavors. He became a sought-after decorator for the great palaces of Europe, executing magnificent frescoes in the Palazzo d'Accursio and contributing to the royal residences in Mantua and Turin. These large-scale works, often created in collaboration with specialists like the quadratura master Andrea Seghizzi, showcased his ability to command vast architectural spaces through sweeping, allegorical narratives.

The Enduring Impression of a Bolognese Master

As he matured, Pasinelli established himself alongside Carlo Cignani as one of the preeminent masters in Bologna. His subject matter frequently drew from the profound depths of the Old Testament and ancient history, choosing themes that allowed for intense dramatic tension and emotional resonance. Whether depicting the Entry of Christ into Jerusalem or more somber, reflective portraits like The Penitent Magdalene, his work consistently engaged with the humanist and theological preoccupations of the seventeenth century.

The historical significance of Lorenzo Pasinelli lies in his role as a stylistic bridge. He did not merely follow the trends of his time; he curated them, blending the grace of the past with the energy of the present. His ability to paint for a diverse range of patrons—from local Bolognese senators to distant collectors in central Europe and England—speaks to the universal appeal of his aesthetic. Though he passed away on March 4, 1700, the luminous traces of his brushwork remain a testament to an artist who mastered the art of capturing both the earthly splendor and the divine light of the Baroque age.

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§ 7この文献の引用方法

AllPaintingsStore.com, “Lorenzo Pasinelli, Sofonisba (1649)”, https://allpaintingsstore.com/ja/art/lorenzo-pasinelli-sofonisba-wd-aa-lcwrvvl8-en/ArtistReproduction/ (参照日 21 10月 2026).

§ 8複製画

手描き油彩複製画

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注文書余白に詳細が記載されており、現在の内容は以下の通りです。

Sofonisba

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複製画サイズ一覧

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

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重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

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