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カタログ掲載情報

Empty Chair

1981. Painting, 45.0 x 60.0 cm. Souls Grown Deep.

図1. Nellie Mae Rowe, Empty Chair, 1981. ご指定の複製画のイメージ: , .

§ 1カタログデータ

寸法
45.0 x 60.0 cm

§ 2抽象

作品解説

A vibrant scene of figures and nature unfolds in this 1981 painting by Nellie Mae Rowe, capturing a soulful atmosphere through her unique folk art style that invites you to bring this piece of history into your home.

アーティストの略歴

Discover Nellie Mae Rowe (1900-1982), a self-taught African American artist from Georgia celebrated for her vibrant drawings, collages, dolls & installations. Her work explores race, gender, folklore, and domestic life – now recognized as vital Ameri

§ 3解説

In

Q&A

Nellie Mae Rowe作「Empty Chair」は、どのような感情を伝えていますか?

Nellie Mae Rowe作「Empty Chair」は、Reflectiveな情緒を伝えています。

Empty Chairの制作年である1981年は、Nellie Mae Roweのキャリアにおけるどの時期にあたりますか?

1981年という制作時期は、Nellie Mae Roweの画業におけるLate Periodに「Empty Chair」を位置づけています。

Nellie Mae Rowe作「Empty Chair」は、どの時代に制作されたものですか?

Nellie Mae Rowe作「Empty Chair」の制作年代はModernです。この分類により、美術史における本作の位置付けが明確になります。

§ 4アーティスト

Nellie Mae Rowe

Nellie Mae Rowe

1900 - 1982, Georgia

Nellie Mae Roweについてのクイック・ファクト

  • Full Name: Nellie Mae Rowe
  • Nationality: American
  • Date Of Birth: 1900
  • Date Of Death: 1982
  • Place Of Birth: Fayetteville, Georgia
  • Notable Artworks:
    • Woman Scolding Her Companion
    • Empty Chair
    • Rocking Chair
  • Artistic Movement Or Style: Self-taught folk art

作家プロフィール

Nellie Mae Rowe: A Life Woven in Color and Resilience

Nellie Mae Rowe (July 4, 1900 – October 18, 1982) remains a quietly revolutionary figure in American art. Born in Fayetteville, Georgia, during the final year of the nineteenth century, her story is one of profound self-discovery forged within the constraints of racial segregation and domestic labor. More than simply an artist, Rowe was a creator who transformed her humble home into a vibrant, idiosyncratic “Playhouse,” a testament to her ingenuity, joy, and unwavering spirit. Her work—a captivating blend of drawings, collages, altered photographs, hand-sewn dolls, and sculptural installations—now commands attention for its raw emotional honesty, its celebration of Black culture, and its radical assertion of self-expression in a world that often sought to diminish it.

Early Life and the Seeds of Creativity

Rowe’s childhood was shaped by the realities of rural Georgia life. She grew up on her family's farm, assisting with agricultural labor alongside her siblings. Despite limited formal education – she left school after fourth grade – Rowe possessed an innate artistic sensibility. From a young age, she found solace and expression in drawing, transforming scraps of paper and discarded materials into miniature worlds filled with figures and scenes from her daily life. Her mother, Luelle Swanson, a skilled seamstress and quilter, instilled in her the value of craft and creativity, teaching her to create dolls and quilts—skills that would later inform Rowe’s distinctive artistic practice. The early hardships she experienced – including the loss of her father and subsequent work as a domestic servant – undoubtedly fueled her desire to reclaim agency and define herself through art.

The "Playhouse" and a World Constructed from Found Objects

Following her husband's death in 1936, Rowe moved with him to Vinings, Georgia, where they built a small cottage that became the heart of her artistic world. This home—dubbed the “Playhouse”—was not merely a dwelling; it was an immersive installation, meticulously decorated with a staggering array of found objects. Rowe repurposed discarded materials – chewing gum, fabric scraps, buttons, and even household detritus – transforming them into whimsical dolls, intricate sculptures, and vibrant drawings that adorned every surface. This process wasn’t simply decorative; it was a deeply personal act of reclamation, a way to assert her identity and create a space of joy and beauty amidst the limitations of her circumstances. As she herself described, “I started doing it way ago, right after my husband died. He died in ‘48 and then people just started to bring in this, bring in the dolls, and bringing me things. I take nothing, you know, take nothing and make something out of it.”

Themes and Influences: Folklore, Domesticity, and Black Identity

Rowe’s art is profoundly rooted in African-American folklore, spiritual traditions, and the realities of domestic life. Her figures—often rendered with bold colors and expressive features—depict family members, neighbors, and herself, capturing a sense of warmth, resilience, and quiet dignity. The dolls she created are particularly significant, embodying a range of personalities and emotions – some playful and mischievous, others wise and contemplative. Her work subtly explores themes of race, gender, and the complexities of Southern identity, offering a counter-narrative to the often-stereotyped portrayals of Black women in mainstream art. The influence of her mother’s quilting traditions is also evident in her use of color, pattern, and texture, creating a visual language that is both deeply personal and culturally resonant.

Recognition and Legacy: A Folk Art Icon

Despite working largely outside the established art world for much of her life, Nellie Mae Rowe's unique vision has been increasingly recognized in recent decades. Her work was included in the seminal 1986 exhibition “American Folk Art” at the Corcoran Gallery of Art in Washington, D.C., and she is now considered one of the most important figures in American folk art. Major museums—including the Metropolitan Museum of Art, the Morgan Library & Museum, the American Folk Art Museum, the Baltimore Museum of Art, the Dallas Museum of Art, the High Museum of Art, the Milwaukee Art Museum, the Minneapolis Institute of Art, the Smithsonian American Art Museum, and the Schomburg Center for Research in Black Culture—have acquired her works, ensuring their preservation and accessibility to a wider audience. Her story serves as an inspiring example of artistic self-discovery, demonstrating that creativity can flourish even within challenging circumstances. Nellie Mae Rowe’s legacy continues to resonate today, reminding us of the power of art to transform lives and challenge conventional notions of beauty and value.

Useful Links

§ 5関連作品

§ 6よくあるご質問

§ 7この文献の引用方法

AllPaintingsStore.com, “Nellie Mae Rowe, Empty Chair (1981)”, https://allpaintingsstore.com/ja/art/nellie-mae-rowe-empty-chair-D4D5FE-en/ArtistReproduction/ (参照日 9 10月 2026).

§ 8複製画

手描き油彩複製画

当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

注文書余白に詳細が記載されており、現在の内容は以下の通りです。

Empty Chair

再現技法

複製画サイズ一覧

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至高の熟練アーティスト

より細部までこだわった表現、洗練された技術、そして十分な制作時間

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複製画用フレーム

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

組み立てには専門知識が必要です(DIY用製品ではありません)。
本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。

  • すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。

  • 付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください(ボンドは付属しておりません)。ボンドは額装業者様にてご手配をお願いいたします。

  • プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。

重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

キャプション

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世界中への配送()は、5週間ほどでお届けします。(13 11月)。

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合計金額

¥ 40773

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