2005. Encaustic, 300.0 x 500.0 cm. Kunsthaus Zürich.
§ 1カタログデータ

- 300.0 x 500.0 cm
本作品の著作権について
このページに掲載されている作品は著作権法によって保護されており、当社の許可なく同一の複製物を制作または販売することは法律で禁じられています。この保護は、以下のような国際条約に基づき執行されます。 ベルヌ条約 および、以下の条項に定められたものを含む各国の法律により、 米国著作権法 第17編。
敬意を払った法的な代替手段として、私たちはオリジナルにインスピレーションを与えられた、カスタムの手描きアートワークを提供しています。私たちの熟練したプロのアーティストは、元の作品が持つスタイル、情緒、そして芸術的なエッセンスを注意深く研究し、独自の創作物でありながら、同じ感性を呼び起こすような、新しくユニークな作品を作り上げます。
この手法は、著作権で保護された作品の複製や複写を伴わないため、著作権法に完全に準拠しています。これは単なる模倣ではなく、創造的な再解釈です。元の作品からインスピレーションを受けつつも、それとは異なる、全く新しい絵画を生み出すものです。
§ 2抽象
作品解説
Sigmar Polke’s ‘Levitation,’ created in 2005, is a monumental black and white photograph depicting a painterly image featuring astonished witnesses and hinting at hidden depths beyond the frame. It exemplifies Polke's signature blend of experimental techniques and subversive commentary.
アーティストの略歴
実験的な技法、体制への批判的な眼差し、そして芸術と日常生活の融合で知られるドイツの画家・写真家、ジグマール・ポルケ(1941-2010)の革新的な世界を探求しましょう。
§ 3解説
A Vision Suspended in Time: The Enigmatic World of Sigmar Polke
In the vast landscape of contemporary art, few names resonate with as much mystery and technical audacity as Sigmar Polke. His masterpiece, Levitation, created in 2005, serves as a profound meditation on the very nature of perception. At first glance, the viewer is met with a seemingly banal tableau—a table laden with objects that ground the scene in reality—yet this familiarity is quickly subverted by an underlying sense of existential weight. A group of figures stands before this arrangement, their faces captured in a moment of shared perplexity and quiet observation. It is a scene that feels simultaneously frozen in a cinematic still and vibrating with the tension of an unfolding drama, inviting those who gaze upon it to question what is truly visible and what remains hidden beneath the surface of our daily lives.
The emotional resonance of Levitation lies in its ability to evoke a sense of profound displacement. Polke, whose early life was shaped by the tumultuous migrations of post-war Europe, infused his work with a lifelong skepticism toward fixed truths. In this monumental canvas, measuring an imposing 300 x 500 cm, that skepticism transforms into a haunting beauty. The artwork does not merely depict a moment; it captures the feeling of being suspended between memory and reality, between the tangible world we touch and the ephemeral shadows of history that haunt our collective consciousness.
The Alchemy of Decay: Technique and Texture
To encounter Levitation is to witness a masterclass in the manipulation of medium. Polke’s distinctive style is a breathtaking blend of photographic realism and painterly abstraction, achieved through the demanding technique of encaustic. By layering beeswax, resin, and pigment, he creates a surface that possesses an almost organic vitality. This process allows for a luminous quality that seems to glow from within, yet it is simultaneously interrupted by subtle distress and fractures. These intentional imperfections imbue the work with an inherent sense of decay, mirroring the artist's preoccupation with the passage of time and the inevitable transformation of all things.
For the discerning collector or interior designer, this texture offers an unparalleled sensory experience. The way light interacts with the resinous layers creates a dynamic visual field that changes as one moves around the piece. It is not a static image but a living entity. This layering process serves as a metaphor for memory itself—built upon layers of experience, some bright and clear, others obscured by the weathered patina of time. The result is a work of art that demands presence, offering a sophisticated depth that elevates any space it inhabits.
Historical Echoes and Symbolic Depth
The historical context of Levitation adds a layer of poignant gravity to its visual splendor. Produced in the wake of the September 11th attacks, the painting reflects Polke’s broader engagement with global instability and the fragility of established narratives. By drawing inspiration from filmic conventions, he utilizes the language of mass media to heighten the emotional impact, prompting viewers to consider how much of our "reality" is actually a construction of the images we consume. The figures in the painting, caught in their moment of observation, act as proxies for the viewer, reflecting our own anxieties and our search for meaning in an increasingly fractured world.
Symbolically, the artwork operates on multiple planes. The table, with its collection of objects, represents the material world, while the title Levitation suggests a spiritual or psychological transcendence—a lifting away from the mundane into the realm of pure thought and perception. For those seeking to bring a piece of art history into their homes, this reproduction offers more than mere decoration; it provides a gateway to a complex dialogue about existence, loss, and the enduring power of the human gaze. It is an investment in a profound intellectual and aesthetic experience that continues to challenge and inspire.
Q&A
「Levitation」は、Post-Impressionismを代表する有名な作品でしょうか?
Post-Impressionism運動において、「Levitation」はIconicの知名度を誇ります。
「Levitation」は、作者の母国に保管されていますか?
いいえ、作品は国外に保管されています。「Levitation」はスイスに所蔵されていますが、ジグマール・ポルケの出生地はポーランドです。
「Levitation」の主題は、ジグマール・ポルケが普段扱うテーマとどのように関連していますか?
「Levitation」はpainting, reflection, gravity, artist, witnesses, fabric, perspectiveを描いていますが、ジグマール・ポルケのこれまでの主要なテーマはexperimentation, perception, surrealism, philosophical inquiry, critique, social commentary, protest, iconic imageです。この二つを比較することで、本作が作家の恒常的な主題とどのように結びついているかが浮き彫りになります。



いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。



