1924. Oil On Canvas.
§ 1Catalogue data
§ 2Abstract
コレクション詳細
Bold geometric shapes and primary colors define this striking De Stijl masterpiece Counter composition V by Theo van Doesburg from 1924, offering a perfect opportunity to bring abstract harmony into your home collection.
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アーティストプロフィール
テオ・ファン・ドースブルク（1883-1931）は、De Stijlと新造形主義の創始者であり、革新的な芸術家です。彼の幾何学的抽象、バウハウスへの影響、そして現代美術、建築、デザインに与えた永続的な影響を発見してください。
§ 3Commentary
The Geometry of Tension
Step closer and observe how the canvas breathes through its very lack of traditional form. In Counter composition V, created in 1924, there is no attempt to mimic the physical world or provide a window into a landscape. Instead, we find ourselves facing a deliberate arrangement of nine colored shapes. A large red rectangle dominates the center, anchoring the composition with its weight. To its left, a smaller yellow rectangle sits in quiet proximity, while to the right, a blue square is framed by a thin white border. Below these primary elements, two black rectangles—one larger than the other—are also bordered in white, resting against a light gray background. The lines are clean, and the colors remain flat, stripped of any shading or perspective.
The arrangement feels balanced yet restless. There is a subtle energy here that comes from the way these shapes interact without the use of traditional intersecting lines. It is an exercise in equilibrium, where each block of color holds its ground against the others. The eye moves across the gray expanse, caught by the sudden shifts between the primary hues and the dark, heavy presence of the black forms.
A Departure from the Vertical
To understand this work, one must consider the friction that birthed it. This piece belongs to a period of profound change within the De Stijl movement. While much of the era's art relied on the rigid stability of horizontal and vertical lines, this specific composition introduces a sense of rotation. The rectangles and squares appear tilted at exactly forty-five degrees, a technique that defines the artist's move toward Elementarism. This shift was more than a stylistic choice; it was a reaction to the perceived limitations of Neoplasticism. By rotating the elements, the artist sought to inject a dynamic movement into the work, breaking away from the static nature of purely orthogonal compositions.
< p>This method creates a subtle illusion of depth and motion that contradicts the flatness of the paint itself. The inclusion of a single small grey shape at the bottom right edge further disrupts the expected primary palette, adding a quiet note of complexity to the arrangement. It is a study in how much change can be introduced before the fundamental harmony of the composition is lost. Through these tilted planes, the artist explores a new visual language, one that favors energy and rotation over the strict, unmoving grids of his contemporaries.よくあるご質問
テオ・ファン・ドースブルフ作「Counter composition V」において、感情と贈り物のシーンはどのように結びついているのでしょうか？
「Counter composition V」はTranquilな情緒を湛えており、おすすめのギフトとしてCorporate Giftが挙げられます。
テオ・ファン・ドースブルフ作「Counter composition V」は、縦長、横長、それとも正方形の構図ですか？
テオ・ファン・ドースブルフ作「Counter composition V」はSquareの構図です。プリントサイズを選択する前に、縦横比をご確認いただくことをお勧めします。
テオ・ファン・ドースブルフ作「Counter composition V」の制作年はいつですか？
「Counter composition V」は1924年に制作されました。この制作年は、テオ・ファン・ドースブルフのキャリアおよびその時代の文脈において、本作を位置づけるものです。
プリント版に切り替え
いずれかの辺が105 cm（約41インチ）を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。
