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カタログ掲載情報

Brewing Tea

1918. , 40.0 x 137.0 cm.

図1. Wu Changshuo, Brewing Tea, 1918. ご指定の複製画のイメージ: , .

§ 1カタログデータ

寸法
40.0 x 137.0 cm

§ 2抽象

作品解説

Explore 'Brewing Tea' by Wu Changshuo (1918). A serene Chinese ink wash painting blending calligraphy & landscape. Admire its timeless literati style & tranquil beauty.

アーティストの略歴

Explore the art of Wu Changshuo – a Chinese calligrapher & painter renowned for flower-bird paintings, seal carving, & his unique integration of styles. Discover his legacy!

§ 3解説

Wu Changshuo created a distinctive style that fused the classical epigraphic approach to painting with the popular style of Ren Yi (1840–1895) and continued the literati ideal of uniting poetry, calligraphy, and painting in a single work of art.Wu"s image of a scholar seated beside a qin (zither) savoring freshly brewed tea celebrates the timeless literati ideals of refinement, withdrawal, and self-cultivation. Wu chose a traditional subject and blunt calligraphic brushwork when many artists were turning to the West for subject matter and style, reflecting his belief in the Chinese tradition as an enduring resource for the modern artist. Wu"s poem reads:Watching the bubbling spring water,Sitting beside the stony edge of the lake,Old pines resemble ancient sages,A qin lies by a man from the past.(Wen Fong, trans., Between Two Cultures: Late-Nineteenth- and Early-Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art [New York: The Metropolitan Museum of Art, 2001], p. 71)

Q&A

Wu Changshuo作「Brewing Tea」にはどのような主題が描かれていますか?

「Brewing Tea」に描かれている主題はchinese landscape, tea ceremony scene, scholar's retreat, pine tree symbolism, zen philosophy, calligraphy art, traditional chinaです。

「Brewing Tea」をフルスクリーンのスライドショーで鑑賞することはできますか?

スライドショーはこちら:Wu Changshuo作「Brewing Tea」のスライドショーページ。

Wu Changshuo作「Brewing Tea」の制作年代と様式について教えてください。

「Brewing Tea」は、Literati Paintingの作品として1918年に制作されました。制作年と様式は、美術史におけるこの作品の位置付けを明確にするものです。

§ 4アーティスト

Wu Changshuo

Wu Changshuo

1844 - 1927, China

Wu Changshuoについてのクイック・ファクト

  • Full Name: Wu Changshuo (吴昌硕)
  • Nationality: Chinese
  • Date Of Birth: 1844
  • Date Of Death: 1927
  • Place Of Birth: Zhuzhou, China
  • Notable Artworks:
    • Brewing Tea
    • Peach Fruit of Three Thousand Years
    • Spring Offerings
  • Artistic Movement Or Style: Shanghai School
  • Artists Who Influenced This Artist: ['Zhao Zhiqian']
  • Artists Or Movements Influenced By This Artist: ['Sir John Everett Millais']

作家プロフィール

Wu Changshuo: Bridging Calligraphy and Landscape – A Legacy of Tranquility

Wu Changshuo (吳昌碩; 1844-1927), born wu junqing, stands as a pivotal figure in late Qing Dynasty Chinese art, celebrated primarily for his masterful fusion of calligraphy and landscape painting—a technique that profoundly shaped the aesthetic sensibilities of his era and continues to inspire artists today. Born in Zhuzhou, Zhejiang Province, Wu’s artistic journey began amidst the intellectual fervor of his family, fostering an early appreciation for scholarly pursuits and the expressive power of written language.
  • Early Influences & Calligraphy Training: Wu's formative years were marked by rigorous training in calligraphy, specifically focusing on early scripts like Xiao Shu (小學), which instilled in him a deep understanding of brushwork, composition, and tonal harmony—principles that would permeate his subsequent artistic endeavors.
  • Move to Suzhou & Imperial Service: Recognizing the importance of environment for creative growth, Wu relocated to Suzhou, Jiangsu Province, establishing himself as a respected artist and scholar. He served briefly as an imperial official in Liaoning during the Qing Dynasty’s waning years, gaining invaluable experience navigating the complexities of court patronage.
Wu Changshuo's artistic breakthrough arrived in his thirties when he embarked on a sustained exploration of landscape painting—a genre that had experienced a revival after centuries of decline. Unlike many contemporaries who adhered to rigid conventions, Wu championed a distinctive approach characterized by spontaneity and emotional resonance. He deliberately avoided meticulous detail, prioritizing instead the conveyance of mood and atmosphere through subtle brushstrokes and tonal variations. This stylistic preference aligned him squarely with the burgeoning Shanghai School movement, which sought to liberate painting from academic constraints and embrace expressive freedom.
  • The Shanghai School & Floral Bird Painting: Wu Changshuo’s commitment to capturing the essence of nature—particularly flowers and birds—became his trademark. He meticulously studied avian anatomy and floral morphology, translating scientific observation into breathtaking artistic representations. His paintings are renowned for their luminous color palettes and delicate rendering techniques, reflecting a profound connection with the natural world.
  • Seal Art & Artistic Philosophy: Wu Changshuo viewed calligraphy and seal carving as inseparable disciplines—each informing and enriching the other. He established the Xiling Seal Art Society, fostering collaboration among Suzhou-based seal artists and promoting a shared aesthetic vision. His seals are characterized by elegant simplicity and understated beauty, embodying his belief that artistic expression should be guided by contemplation and harmony.

Recognition & Legacy

Wu Changshuo’s exceptional talent garnered him considerable acclaim both domestically and internationally. Particularly noteworthy was his admiration in Japan, where his paintings were recognized as masterpieces of Chinese landscape art—a testament to the enduring influence of Wu's artistic vision. His work continues to resonate with audiences today, serving as an exemplar of stylistic innovation and emotional depth within the broader context of Qing Dynasty art history. He remains a cornerstone figure in understanding the evolution of Chinese painting and its profound connection to philosophical ideals.
  • Notable Works: Among Wu Changshuo’s celebrated paintings are “Brewing Tea,” “Peach Fruit of Three Thousand Years,” and “Spring Offerings”—each demonstrating his mastery of tonal harmony and expressive brushwork. These pieces exemplify the Shanghai School's ethos of capturing fleeting moments of beauty and conveying profound emotional states.

Further Exploration

For a deeper understanding of Wu Changshuo’s artistic contributions, consider examining his influence on subsequent generations of Chinese painters—particularly Qi Baishi (漆白石), who adopted Wu's stylistic principles and championed the pursuit of lyrical beauty. Also explore Pan Tianshou (潘天壽), another influential artist whose work similarly embraced spontaneity and emotional resonance.

§ 5関連作品

§ 6よくあるご質問

§ 7この文献の引用方法

AllPaintingsStore.com, “Wu Changshuo, Brewing Tea (1918)”, https://allpaintingsstore.com/ja/art/wu-changshuo-brewing-tea-D2VQSJ-en/ArtistReproduction/ (参照日 8 10月 2026).

§ 8複製画

手描き油彩複製画

当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

注文書余白に詳細が記載されており、現在の内容は以下の通りです。

Brewing Tea

再現技法

複製画サイズ一覧

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至高の熟練アーティスト

より細部までこだわった表現、洗練された技術、そして十分な制作時間

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複製画用フレーム

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

組み立てには専門知識が必要です(DIY用製品ではありません)。
本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。

  • すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。

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  • プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。

重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

キャプション

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世界中への配送()は、5週間ほどでお届けします。(12 11月)。

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合計金額

¥ 40794

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