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カタログ掲載情報

Untitled (D2X6EX)

1848. , 103.0 x 35.0 cm.

図1. Yamamoto Baiitsu, Untitled (D2X6EX), 1848. ご指定の複製画のイメージ: , .

§ 1カタログデータ

寸法
103.0 x 35.0 cm

§ 2抽象

アーティストの略歴

Discover Yamamoto Baiitsu (1783-1856), a renowned Edo period Japanese painter celebrated for serene landscapes & floral motifs. Explore his iconic works.

§ 3解説

§ 4アーティスト

Yamamoto Baiitsu

Yamamoto Baiitsu

1783 - 1856

作家プロフィール

A Life Immersed in the Beauty of Nature: Yamamoto Baiitsu

Yamamoto Baiitsu, born in Nagoya in 1783 during Japan’s Edo period, wasn't initially destined for a life wielding brush and ink. His father, Yamamoto Yumigiemon, was a respected sculptor serving the Tokugawa lords of the Owari domain – a lineage steeped in craftsmanship but not necessarily painting. However, Baiitsu’s path gracefully diverged, leading him to become one of the most celebrated artists of his time, renowned for his delicate depictions of flowers and landscapes imbued with a profound sense of tranquility. His journey reflects a fascinating intersection of artistic traditions and personal refinement within the vibrant cultural landscape of Edo Japan. While details of his early training remain somewhat scarce, it’s known that Baiitsu received instruction in various styles, laying the foundation for his unique aesthetic voice. A particularly significant relationship blossomed with Nakabayashi Chikuto (1776-1853), a fellow painter with whom he shared a close friendship and artistic exchange, undoubtedly influencing his development.

The Blossoming of a Style: Influences and Artistic Development

Baiitsu’s art is deeply rooted in the traditions of *Nanga* (literati painting) and *Shijo-ha* (Four Schools), styles that emphasized scholarly pursuits, poetic expression, and a reverence for nature. He skillfully blended these influences with his own keen observations and sensitivity to detail. Unlike many artists who focused on grand historical or mythological scenes, Baiitsu found beauty in the intimate world around him – a single branch of plum blossoms, a cluster of peonies, a serene garden scene bathed in soft light. His early works demonstrate a mastery of traditional techniques, but he gradually moved away from strict adherence to established conventions, developing a more personal and refined style characterized by its subtle elegance and understated grace. He wasn’t merely *representing* nature; he was capturing its essence, its fleeting moments of beauty, and the emotions it evoked. This shift towards emotional resonance is a hallmark of his mature work.

Peonies, Plum Blossoms, and Poetic Landscapes: Major Achievements

Baiitsu’s oeuvre primarily consists of paintings in ink and light color on silk or paper. He excelled in depicting flowers – particularly peonies, plum blossoms, and orchids – each imbued with symbolic meaning deeply embedded within Japanese culture. Peonies represented wealth and prosperity, while plum blossoms symbolized resilience and the arrival of spring. His landscapes, often featuring gardens, pavilions, and distant mountains, were not simply topographical representations but rather poetic evocations of specific places or states of mind. Two paintings stand out as particularly significant achievements: his “Snowy Landscape” and “Peonies and Willows,” both designated as Important Cultural Property by the Japanese government. These works exemplify his mastery of brushwork, composition, and color, showcasing a remarkable ability to convey atmosphere and emotion with minimal detail. His skill in capturing the delicate textures of petals, leaves, and branches is breathtaking, inviting viewers into a world of quiet contemplation.

A Legacy of Serenity: Historical Significance

Yamamoto Baiitsu’s work occupies a unique position within the history of Japanese painting. He wasn't part of any major school or movement but rather forged his own path, blending tradition with personal expression to create a style that was both refined and deeply moving. His paintings resonated with a growing appreciation for *wabizabi* – the acceptance of transience and imperfection – which became increasingly prominent during the late Edo period. Baiitsu’s influence extended beyond his immediate circle of students. His emphasis on capturing the essence of nature, rather than simply its appearance, paved the way for later generations of Japanese artists who sought to express their own emotional responses to the world around them. Today, his works are highly prized for their beauty, tranquility, and enduring appeal, offering a glimpse into the aesthetic sensibilities of Edo Japan and the artist’s profound connection to the natural world. He died in 1856 leaving behind a legacy that continues to inspire awe and admiration.

Further Exploration

  • Explore examples of *Nanga* painting to understand Baiitsu's foundational influences.
  • Research the symbolism of flowers in Japanese art, particularly peonies, plum blossoms, and orchids.
  • Investigate the concept of *wabizabi* and its impact on Edo period aesthetics.
  • Study other artists associated with the *Shijo-ha* school to compare and contrast their styles.

§ 5関連作品

§ 6よくあるご質問

§ 7この文献の引用方法

AllPaintingsStore.com, “Yamamoto Baiitsu, Untitled (D2X6EX) (1848)”, https://allpaintingsstore.com/ja/art/yamamoto-baiitsu-untitled-d2x6ex-D2X6EX-en/ArtistReproduction/ (参照日 8 10月 2026).

§ 8複製画

手描き油彩複製画

当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

注文書余白に詳細が記載されており、現在の内容は以下の通りです。

Untitled (D2X6EX)

再現技法

複製画サイズ一覧

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至高の熟練アーティスト

より細部までこだわった表現、洗練された技術、そして十分な制作時間

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複製画用フレーム

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

組み立てには専門知識が必要です(DIY用製品ではありません)。
本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。

  • すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。

  • 付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください(ボンドは付属しておりません)。ボンドは額装業者様にてご手配をお願いいたします。

  • プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。

重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

キャプション

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