Is Jackson's Bridge, Cumberland under copyright?

No, this artwork is in the public domain.

Purchase a reproduction of Jackson's Bridge, Cumberland

Artwork Description

The painting Jackson's Bridge, Cumberland by Frederick Waters Watts is a captivating depiction of a picturesque scene in Cumberland. Measuring 101 x 137 cm, this oil on canvas piece is part of the Government Art Collection in London, United Kingdom. The painting features a man standing on rocks near a river with mountains in the background, creating a sense of depth and movement.

The Artist's Style and Inspiration

Frederick Waters Watts was known for his landscape paintings, often capturing the beauty of the natural world. His style is characterized by the use of warm colors and soft brushstrokes, which creates a sense of tranquility and serenity in his works. The painting Jackson's Bridge, Cumberland is no exception, with its soothing colors and peaceful atmosphere. Some notable features of the painting include:

The majestic mountains in the background, which add an element of grandeur to the scene
The river flowing through the landscape, creating a sense of movement and depth
The trees scattered throughout the image, further enhancing the overall atmosphere of tranquility

Handmade oil painting reproductions of Jackson's Bridge, Cumberland can be found on AllPaintingsStore.com, allowing art lovers to own a piece of this beautiful landscape. Other notable paintings by Frederick Waters Watts and similar artists can also be found on the website, such as Skiddaw, Cumberland, a Summer Evening with a Stage Coach by Philip Jacques De Loutherbourg.
For more information on Frederick Waters Watts and his works, visit the AllPaintingsStore.com artist page. To learn more about the Government Art Collection, visit their website or check out the Wikipedia page.

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Artist Biography

Frederick Waters Watts (1800 - 1862): A Constableian Vision of English Landscape

Frederick Waters Watts, a British landscape painter born in Bath, Somerset, in 1800, remains an enigmatic figure within Victorian art history. Despite the relative scarcity of biographical details—primarily stemming from incomplete records concerning his parentage and death date—Watts’ artistic legacy endures as a testament to his profound influence on Constable and his masterful execution of atmospheric landscapes that capture the serene beauty of rural England. His life was marked by an unwavering dedication to capturing the essence of nature, resulting in paintings that resonate with a quiet dignity and contemplative spirit.

Early Life and Training: Watts’ formative years were shrouded in obscurity. Born October 7, 1800, he was baptized F. Waters Watts at St Albans Abbey in Hertfordshire—a detail that underscores the challenges faced by historians attempting to reconstruct his personal history.
Royal Academy Admission and Artistic Influences: Watts entered the Royal Academy Schools in London in 1817, securing a silver medal in 1821 and continuing to exhibit there until his death in 1860. Crucially, he identified John Constable as his primary artistic inspiration—a connection that profoundly shaped his stylistic approach.
Constable’s Impact: Watts' admiration for Constable extended beyond mere aesthetic preference; it permeated his technique and compositional sensibilities. Like Constable, Watts prioritized “en plein air” painting—working outdoors directly from observation—and sought to convey the subtle nuances of light and atmosphere in his canvases. The Mill at Dedham, Constable’s iconic depiction of a rural mill scene, served as a benchmark for Watts' own explorations of landscape.

Watts’ artistic output spanned decades, producing approximately 380 paintings—primarily landscapes—that exemplify the Romantic preoccupation with sublime beauty and emotional resonance. His subjects ranged from riverside scenes bathed in golden light to expansive vistas encompassing rolling hills and wooded valleys. Notable works include “At The Old Forge,” a meticulously rendered depiction of a rural mill incorporating Constableian elements, and “A Suffolk Landscape,” which captures the tranquil charm of the Suffolk countryside. These paintings are characterized by a delicate brushwork, muted color palettes, and an emphasis on capturing the mood of the moment—reflecting Watts’ commitment to conveying not merely visual information but also psychological depth.

Museum Collections: Watts' paintings can be found in several prominent museums across Europe, including the Suermondt-Ludwig Museum in Aachen, Germany, where they contribute to a diverse collection of artworks spanning various artistic movements.

Watts’ legacy extends beyond his individual achievements as an artist; he represents a pivotal figure in establishing English landscape painting as a genre characterized by sensitivity and intellectual engagement. His unwavering devotion to Constable's principles solidified the Romantic tradition's focus on capturing the sublime—the awe-inspiring grandeur of nature—and influenced subsequent generations of painters who sought to emulate his masterful technique and evocative vision. Watts died July 4, 1870, in Hampstead Heath, London, succumbing to complications arising from diabetes. Despite the paucity of biographical information surrounding his life, Watts’ enduring artistic contribution ensures that his name will forever be associated with the serene beauty and contemplative spirit of Victorian landscape painting—a testament to his profound connection with Constable and his unwavering commitment to capturing the essence of rural England.

frederick waters (william) watts

1800 - 1870 , United Kingdom

Quick Facts

Artistic Movement Or Style: Romantic Landscape Painting
Artists Or Movements Influenced By This Artist: ['Romantic Landscape Painting']
Artists Who Influenced This Artist: ['John Constable']
Date Of Birth: October 7, 1800
Date Of Death: July 4, 1870
Full Name: Frederick Waters Watts
Nationality: British
Notable Artworks:
- A Shepherd and his Flock Crossing a Bridge
- Untitled (1392)
Place Of Birth: Bath, United Kingdom