Surrealism · 1971
Laurel's Rabbit (Joseph Cornell, 1971)
Laurel's Rabbit is a work of Joseph Cornell (1903–1972). It dates from 1971. It belongs to the Surrealism movement. It measures 23 × 18 cm.
- 1971
- 23 × 18 cm
Laurel's Rabbit: key details
- Title
- Laurel's Rabbit
- Artist
- Joseph Cornell (1903–1972)
- Artist born in
- Nyack, United States
- Date
- 1971
- Dimensions
- 23 × 18 cm
- Movement
- Surrealism
Laurel's Rabbit: image files
Protected by copyright: these files are for personal reference, not a licence to republish.
Joseph Cornell, Laurel's Rabbit (1971).
Colours checked against the original, file retouched by a digital expert.
Buy the high-resolution imageQuestions about Laurel's Rabbit
When was "Laurel's Rabbit" made?
"Laurel's Rabbit" dates from 1971. The date places the work within Joseph Cornell's career and its era.
How big is the original "Laurel's Rabbit"?
The original "Laurel's Rabbit" by Joseph Cornell measures 23 x 18 cm.
Is "Laurel's Rabbit" by Joseph Cornell in the public domain?
Regarding copyright, "Laurel's Rabbit" is still protected by copyright.
Which artist is "Laurel's Rabbit" attributed to?
The artist behind "Laurel's Rabbit" is Joseph Cornell. The work is catalogued under Joseph Cornell's name.
What art movement does "Laurel's Rabbit" by Joseph Cornell belong to?
The movement associated with "Laurel's Rabbit" by Joseph Cornell is Surrealism. This classification situates the work among related artists and artworks.
At what age did Joseph Cornell make "Laurel's Rabbit"?
Joseph Cornell was 68 years old when creating "Laurel's Rabbit" in 1971. The age is computed from the artist's birth year, 1903.
What explains the copyright situation of "Laurel's Rabbit" by Joseph Cornell?
"Laurel's Rabbit" by Joseph Cornell is still protected by copyright. Copyright duration runs from the artist's death, which occurred in 1972.
About Joseph Cornell
1903–1972, United States
Joseph Cornell
A World Within Worlds: The Enigmatic Art of Joseph Cornell Joseph Cornell, born on Christmas Eve in 1903 in Nyack, New York, remains one of the most singular and profoundly affecting figures in American art. His life was a study in contrasts – a deeply private existence interwoven with an astonishingly imaginative artistic output. He wasn’t driven by grand manifestos or a desire for widespread acclaim; instead, Cornell cultivated a quiet, intensely personal vision that transformed discarded objects into portals to other realms. Early influences were subtle but significant.