Preview
Send
Share
Details
Guide
Download
Similars
X-Ray
Diaporama
Q&A
StatsAsleep
Read More
The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.
This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.
Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. (
Buy Hand Made Painting Switch to Digital Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (30 October)
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
100-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Glass option is only available in size under 110 CM
Asleep
Giclée / Art Print
Reproduction Size
-
Total Price
$ 65
A Dream in Fragmented Form: Exploring Picasso’s ‘Asleep’
Pablo Picasso's 1932 painting, *Asleep*, offers a captivating glimpse into both the artist’s personal life and his evolving artistic style. This work is not merely a portrait; it’s an intimate exploration of love, desire, and the fragmented nature of perception that defines Cubism. The subject is Marie-Thérèse Walter, Picasso's mistress and muse during this period – a relationship that profoundly influenced his art.Subject & Context: A Muse in Repose
Marie-Thérèse Walter appears as a reclining figure, bathed in a dreamlike state. The painting was created at a pivotal moment in Picasso’s life and career. While married to Olga Khokhlova, his affair with the much younger Marie-Thérèse provided him with both personal solace and artistic inspiration. She became a recurring motif in his work, often depicted with a sensual, almost ethereal quality. *Asleep* is particularly poignant as it captures a moment of vulnerability and peacefulness, contrasting with the more dynamic and sometimes anguished depictions found elsewhere in his oeuvre.Style & Technique: Cubism’s Sensuous Side
While firmly rooted in Cubism, *Asleep* demonstrates a softer, more lyrical approach than some of Picasso's earlier, more analytical works. The fragmentation is present – the face and body are deconstructed into geometric shapes – but these forms are rendered with flowing lines and a rich color palette. The use of oil on canvas allows for layered textures and vibrant hues. Notice the bold contrasts between shades of purple, red, yellow, and black against the striking green background. This isn’t the harsh angularity often associated with Cubism; instead, it's a more fluid and sensuous interpretation, emphasizing curves and contours even within the fractured forms. The thick brushstrokes contribute to an impasto-like texture, adding depth and visual interest.Symbolism & Emotional Impact
The reclining pose itself is laden with symbolism, evoking themes of rest, vulnerability, and perhaps even surrender. The bright yellow halo around Marie-Thérèse’s head could be interpreted as a symbol of adoration or an aura of dreamlike serenity. The fragmented forms, while characteristic of Cubism, can also be seen to represent the complexities of human emotion and the subjective nature of perception. *Asleep* doesn't offer a literal representation; it presents a feeling – a sense of intimacy, longing, and quiet contemplation. The painting’s emotional impact is one of peacefulness tinged with melancholy, reflecting perhaps the secret nature of Picasso’s relationship with Walter.Historical Significance & Legacy
Created in 1932, *Asleep* falls within a crucial period of Picasso's artistic development – a time when he was pushing the boundaries of Cubism and exploring new ways to represent the human form. It exemplifies his ability to synthesize different styles and techniques, creating works that are both intellectually stimulating and emotionally resonant. The painting remains a powerful testament to Picasso’s genius and continues to inspire artists and art lovers today. Its enduring appeal lies in its unique blend of formal innovation and emotional depth – a captivating portrayal of love, beauty, and the mysteries of the human psyche.- Dimensions: 130 × 97 cm
- Medium: Oil on Canvas
- Movement: Cubism
Questions & Answers
What does "Asleep" by Pablo Picasso bring to an interior?
The romantic atmosphere of "Asleep" by Pablo Picasso matches its recommended space: a living room.
Can I examine "Asleep" in more detail?
The X-Ray view of "Asleep" by Pablo Picasso is on the artwork's X-Ray page: an interactive examination of the image through eleven optical layers.
How intense are the colors in "Asleep" by Pablo Picasso?
The colors in "Asleep" by Pablo Picasso have a vivid intensity.
Related Artworks
Artist Biography
The boy from Málaga
A child's first words in Málaga were “piz, piz,” a small attempt at saying pencil. This early pull toward the lead and paper was nurtured by his father, José Ruiz y Blasco, who taught him the basics of figure drawing and oil painting. The boy learned to copy the masters and draw from plaster casts under a disciplined eye. As he grew, the family moved through A Coruña and Barcelona. These years were marked by the quiet weight of loss, particularly the death of his sister, Conchita, from diphtheria when she was only seven. Such shadows would later find their way into the heavy, blue-green tones of his early work.
By thirteen, he was already taking entrance exams for advanced classes in Barcelona, finishing in a week what took others a month. His hands moved with a precision that even his father noticed, once seeing him paint over an unfinished sketch of a pigeon with such accuracy that the instructor realized the student had surpassed him. He eventually moved to Paris, a city where he would spend much of his adult life, constantly shifting his focus from one way of seeing to another.
Shifting palettes and fractured forms
The early twentieth century saw his work move through distinct phases of color and mood. There was the Blue Period, where the canvases were filled with beggars, the blind, and the lonely, rendered in somber shades of blue. This gave way to the Rose Period, a time when pinks, oranges, and reds appeared, often featuring the figures of circus performers like harlequins and acrobats. These years showed a man reacting to his own life and the world around him through the temperature of his palette.
In 1907, the way he handled space changed fundamentally with Les Demoiselles d'Avignon. Influenced by African masks and Iberian sculpture, he began to break objects into geometric shapes. Alongside Georges Braque, he developed Cubism. This involved two main stages:
- Analytic Cubism: A method of fragmenting objects into muted, geometric pieces as if dissecting the form itself.
- Synthetic Cubism: An approach that brought in collage elements like newspaper clippings and fabric scraps to add texture and new layers.
A life of constant change
His work never settled into a single way of being. He explored Neoclassicism with large, monumental figures and later engaged with the imagery of Surrealism, using distorted perspectives to tap into the subconscious. The violence of the Spanish Civil War left its mark on his canvas in 1937 through Guernica. This large oil painting used a stark palette of black, white, and grey to show the suffering of a bombed town, featuring a gored horse, a bull, and screaming women. It remains a heavy, monochromatic response to the chaos of war.
In his later years, he continued to experiment with ceramics, sculpture, and printmaking. He even created large-scale public works, such as the 1967 steel sculpture in Chicago, which was inspired by the head of his Afghan Hound, Kabul. He died in Mougins, France, leaving behind a massive collection of work that spans over seventy-six years of experimentation.
Pablo Picasso
1881 - 1973 , Spain
Quick Facts
- Full Name: Pablo Diego José Ruiz Picasso
- Nationality: Spanish
- Date Of Birth: 1881
- Date Of Death: 1973
- Place Of Birth: Malaga, Spain
- Notable Artworks:
- Les Demoiselles d'Avignon
- Guernica
- The Old Guitarist
- La Vie
- Family of Saltimbanques
- Artistic Movement Or Style: Cubism, Surrealism
- Artists Who Influenced This Artist:
- Velázquez
- Goya
- Matisse
- Artists Or Movements Influenced By This Artist:
- Cubism
- Modern art
Related Articles
Cubist Expression: A Professional Guide to Integrating Geometric Abstraction into Modern Hospitality Design
Elevate hospitality interiors with Cubist art. Our expert guide explores integrating geometric abstraction into hotel design through high-quality, large-scale oil reproductions and custom multi-panel commissions tailored for professional designers and procurement managers.
