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Atelier · Est. 2015 · Paris, France
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The travels of Marco Polo Series

A mesmerizing landscape of red umbrella figures blending East and West perspectives by Lee Ungno from his 1980 Marco Polo series offers a unique window into a mysterious world for your private collection.

Explore Yi Eungro's (Lee Ungno) innovative art: Korean-French painter blending Eastern & Western styles, known for abstract ink collages & crowd paintings.

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The travels of Marco Polo Series

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Quick Facts

  • Artistic style: Fusion of East and West perspectives
  • Location: Lee Ungno Museum
  • Title: The travels of Marco Polo Series
  • Artist: Yi Eungro
  • Year: 1980
  • Subject or theme: Mysterious landscapes and travel

Artwork Description

A Journey Through the Imagined Orient

In the evocative depths of The Travels of Marco Polo Series, we encounter a world where the boundaries between historical chronicle and personal dreamscape dissolve. Created by the master Lee Ungno in 1980, this particular piece serves as a window into a lost narrative—a fragment of a grand, seventy-nine-painting odyssey that was intended for a book never published. This sense of "unseen history" lends the work an aura of profound mystery. As we gaze upon the composition, we are not merely looking at a landscape, but rather participating in the artist's internal pilgrimage through an unknown world, where the spirit of the Venetian explorer meets the contemplative soul of a Korean master.

The painting presents a mesmerizing visual metaphor, utilizing the form of red umbrellas to populate a surreal terrain. These vibrant crimson shapes, adorned with delicate black calligraphy, are arranged in such a way that they evoke the silhouettes of standing figures. This clever use of trompe l'oeil and symbolic abstraction creates a rhythmic dance across the canvas, where objects transform into people, and landscapes transform into memories. The scattered arrangement of these "human" umbrellas suggests a bustling yet ghostly procession, inviting the viewer to wonder about the travelers who inhabit this dreamlike space.


The Synthesis of East and West

Technically, this work is a breathtaking testament to Lee Ungno’s ability to bridge disparate artistic traditions. The composition utilizes a bird’s-eye view, a hallmark of traditional East Asian landscape painting, which allows the eye to wander through receding triangular forms that mimic distant mountains or islands. This creates an immense sense of depth and atmospheric perspective, pulling the viewer into a vast, unfolding horizon. Yet, there is a distinct Western sensibility in the way the artist manipulates color and form to create a sense of structural weight and modern abstraction.

The interplay between the sharp, geometric triangles and the organic, fluid shapes of the umbrellas creates a tension that is both intellectually stimulating and visually soothing. For the collector or interior designer, this piece offers a sophisticated balance; it possesses the quiet dignity of traditional ink-wash aesthetics while maintaining a bold, contemporary graphic quality. The striking contrast of the vibrant red against the more muted, atmospheric background ensures that the work commands attention in any curated space, acting as a focal point that sparks conversation and deep reflection.


An Emotional Resonance for the Modern Collector

Beyond its technical brilliance, the emotional impact of this piece lies in its themes of exploration and the beauty of the unknown. There is a certain melancholy in knowing these works remained hidden from the public eye for so long, yet that very obscurity adds a layer of preciousness to the viewing experience. It feels like discovering a secret map or a forgotten diary entry. The work evokes feelings of wanderlust, curiosity, and a profound respect for the layers of history that shape our perception of the world.

Whether displayed in a minimalist contemporary gallery or a richly textured classical study, a high-quality reproduction of this masterpiece brings with it a sense of scholarly depth and artistic prestige. It is an invitation to step away from the frantic pace of modern life and enter a realm where time is measured by the slow movement of shadows across a distant mountain and the silent stories written on a crimson canopy. To own such a piece is to hold a fragment of a magnificent, unfinished journey.


Artist Biography

**early life and training**

lee ungno, also known as yi eungro, was a korean-born french painter and printmaker born in séoul, south korea in 1904. his early life was marked by a brief stint at the hongseong botong hakyo (홍성보통학교, 홍城초등학교, 洪城普通學校), after which he dedicated himself to studying painting under yeomjae song tae-hoe from 1920.

**artistic career in korea and japan**

lee ungno's artistic career began in earnest when he moved to seoul in 1922, becoming an apprentice to celebrated calligrapher-painter-photographer haegang kim gyu-jin. he primarily learned to paint the four gentlemen in the 'haegang style.' notably, his inkwash painting of a bamboo, mukjuk (묵죽, 墨竹, ink bamboo), won a prize in the 3rd annual joseon art exhibition. lee ungno consecutively won prizes in the joseon art exhibition throughout the colonial period. however, he believed that eastern ink painters should modernize their style. in the early 1930s, lee began producing inkwash landscapes influenced by new, modern eastern ink painting styles and naturalistic renditions found in western-style paintings.

**international recognition and later life**

after training in traditional inkwash painting in korea from the 1920s to the 1930s, lee gradually experimented with western-style painting techniques in japan. his works from the 1950s showcase creative attempts at merging eastern medium and brushstrokes with western perspective and forms. lee ungno relocated to france in 1958, where he fully established his standing as an abstract artist. he is most known for his series of ink and paper collage, abstract letters, and crowd paintings that developed during his stay in france.
  • view yi eungro's artworks on AllPaintingsStore: [https://AllPaintingsStore.com/@/yi-eungro](https://AllPaintingsStore.com/@/yi-eungro)
  • explore the musée national jean-jacques henner, a museum featuring a vast collection of art pieces, including those inspired by eastern styles: [https://AllPaintingsStore.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia](https://AllPaintingsStore.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia)
  • discover more about the ilkhanid art movement, which also blends eastern and western influences: [https://AllPaintingsStore.com/art.nsf/o/a@d3cq2m](https://AllPaintingsStore.com/art.nsf/o/a@d3cq2m)
**legacy** lee ungno is credited for forming part of the first generation of korean abstract artists and contributing to the diversification in the use of eastern material in modern and contemporary art. the lee ungno museum, opened in 2007 in daejeon, south korea, preserves, displays, and promotes artworks and materials related to the artist. **sources:** * [https://AllPaintingsStore.com/@/yi-eungro](https://AllPaintingsStore.com/@/yi-eungro) * [https://en.wikipedia.org/wiki/yi_eungro](https://en.wikipedia.org/wiki/yi_eungro)
yi eungro

yi eungro

1904 - 1989 , South Korea

Quick Facts

  • Artistic Movement Or Style: Eastern & Western Expressionism
  • Artists Or Movements Influenced By This Artist: ['Haegang Style']
  • Artists Who Influenced This Artist: ['Yeomjae Song Tae-hoe']
  • Date Of Birth: January 12, 1904
  • Date Of Death: January 10, 1989
  • Full Name: Yi Eungro (Lee Ungno)
  • Nationality: Korean-French
  • Notable Artworks: ['Composition']
  • Place Of Birth: Seoul, South Korea
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