Abraham
Willaerts
Santi di Tito: A Counterpoint to Mannerism Santi di Tito (1536-1603) emerges from the vibrant, often turbulent, artistic landscape of 16th-century Italy as a pivotal figure bridging the late Mannerist period and the nascent Baroque. Born in Sansepolcro, a small town in Umbria, Santi’s career …
A portrait built from Abraham Willaerts's own colours
Every 12 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
