imants
tillers
The Crucible of a Generation: Francis Bacon and the 1950s The decade of the 1950s witnessed a seismic shift in the landscape of Western art, a rebellion against established norms fueled by post-war anxieties and a profound reevaluation of human experience. Within this turbulent environment …
A portrait built from imants tillers's own colours
Every 1 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
