Quick answer
The most famous Wilhelm Morgner painting is Goats (1911). The Lumberjack (1911) and Soest Farmer (1912) are numbers two and three. Out of the 39 works by Wilhelm Morgner in our catalogue, these are the 39 most famous, ranked, each with its year and museum, so you can choose the painting to order.
Top 10 Wilhelm Morgner paintings, ranked
Wilhelm Morgner paintings ranked 11 to 39
Museums holding Wilhelm Morgner's originals
The 2 museums that hold the most of the paintings on this page.
| Museum | City | Works by Wilhelm Morgner | Paintings from this list |
|---|---|---|---|
| Dortmund | 1 | Entry of Christ into Jerusalem | |
| Frankfurt | 1 | Astrale Komposition VI |
Wilhelm Morgner by year: the top paintings
5 years, 1909 to 1913: that is the span of the dated Wilhelm Morgner paintings on this page, shown year by year.
Works per year
Select a year to see its paintings.
Wilhelm Morgner paintings: common questions
What is the most famous painting by Wilhelm Morgner?Show answer
Goats (1911) ranks first, followed by The Lumberjack (1911) and Soest Farmer (1912).
What was Wilhelm Morgner's age when Goats was painted?Show answer
Wilhelm Morgner was 20: Goats is dated 1911, and Wilhelm Morgner was born in 1891.
Which are the top 10 Wilhelm Morgner paintings?Show answer
Goats, The Lumberjack, Soest Farmer, The Lumberjack with the Crucified, Self-Portrait XV, Mother with Child, Schulte Stands at Open Door, Man with Blue Car in Ornamental Landscape, Striding Woman in Landscape and The Porter. Year and museum for each are in the ranking above.
How many works by Wilhelm Morgner do you list?Show answer
39 works by Wilhelm Morgner are in our catalogue, dated 1909 to 1913.
Where are the original Wilhelm Morgner paintings kept?Show answer
Mainly in Museum Ostwall (Dortmund) and Städel Museum (Frankfurt). See the museum table above for the full list.
Which period produced Wilhelm Morgner's most famous paintings?Show answer
In 1911: 15 of the 39 paintings ranked here date from that time, including Goats.
Which are the earliest and latest famous Wilhelm Morgner paintings?Show answer
Earliest on this page: Schulte Stands at Open Door (1909). Latest: Ascension (1913).
Which movement is Wilhelm Morgner associated with?Show answer
Expressionism, based on the paintings ranked on this page.
Can I order a Wilhelm Morgner reproduction?Show answer
Yes. Every painting on this page can be ordered as a hand-painted oil reproduction or a print. Open the painting, choose the size and place your order.
About the artist: Wilhelm Morgner
The Brief, Radiant Life of Wilhelm Morgner
In the fleeting dawn of the twentieth century, few voices resonated with as much raw, spiritual intensity as that of Wilhelm Morgner. Born on January 27, 1891, in the Westphalian town of Soest, Morgner’s life was a short but brilliant arc of creative evolution, cut tragically short by the ravages of war. His early years were marked by a profound tension between duty and desire; while his mother, an artistically inclined woman, envisioned a future for him in the pulpit as a Protestant minister, the young Morgner felt the irresistible pull of the canvas. This internal struggle between the structured expectations of his upbringing and the chaotic beauty of modern art would eventually fuel the expressive power of his work.
Morgner’s journey into the heart of the avant-garde began in 1908, when, guided by the wisdom of Otto Modersohn, he moved to the renowned artists' colony of Worpswede. It was here, under the mentorship of the Expressionist painter Georg Tappert, that Morgner’s artistic identity truly began to coalesce. Tappert did more than teach technique; he opened a window into the burgeoning world of modernism, introducing his pupil to the radical possibilities of en plein aire painting and the vibrant energy of contemporary movements. As Morgner matured, his early works—often characterized by a heavy, somber realism and dark moods—began to shed their weight, gradually transforming into something far more ethereal and luminous.
A Symphony of Color and Abstraction
As Morgner moved toward the great art centers like Berlin, his style underwent a breathtaking metamorphosis. The influence of Pointillism, Futurism, and the haunting emotional depth of Vincent van Gogh began to permeate his brushwork. He did not merely observe these movements; he assimilated them, distilling their essence into a personal language of pure color and spiritual inquiry. His fascination with the interplay of light and pigment led him away from the literal depiction of rural laborers and landscapes toward an increasingly abstract realm. For Morgner, color was not just a descriptive tool but a vessel for the divine, a means to convey profound spiritual truths that transcended the physical world.
This period of intense experimentation saw his work featured in some of the most prestigious and radical publications and exhibitions of the era, including:
- Der Sturm: The legendary magazine that served as a beacon for the international avant-garde.
- Die Aktion: A platform for the most provocative voices of German Expressionism.
- The Sonderbund Exhibition in Cologne: A monumental gathering of modern art that solidified his standing among his peers.
- The Blauer Reiter in Munich: Where his work caught the eye of masters like Franz Marc, who was reportedly deeply impressed by Morgner's vision.
A Legacy Forged in Fire and Memory
The trajectory of Morgner’s meteoric rise was violently interrupted by the onset of World War I. Conscripted into military service, he found himself thrust onto the battlefields of the Western and Eastern Fronts. The physical and psychological toll of the conflict stripped him of the ability to work in oils, yet even amidst the devastation of war, his creative spirit refused to be extinguished. He turned to the more portable mediums of watercolor and drawing, continuing to document the world through a lens of fragmented, expressive beauty. His service, which earned him the Iron Cross, ultimately led to his untimely death near Langemark, Belgium, in August 1917, at the age of only twenty-six.
Though his life was tragically brief, Wilhelm Morgner left behind a legacy that continues to captivate the modern soul. He remains a pivotal figure in the German Expressionist movement, representing a bridge between the heavy realism of the nineteenth century and the spiritual abstraction of the twentieth. His ability to find the sacred within the spectrum of color serves as a poignant reminder of the power of art to transcend even the darkest of human experiences. Today, his works stand as luminous fragments of a lost era, echoing with the vibrant, unfulfilled potential of a true visionary.





