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Portrait of Thomas Weaver

The Top 31 Thomas Weaver Paintings, Ranked by Fame

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 32 works by Thomas Weaver in our catalogue

Quick answer

John Corbet and the Warwickshire Foxhounds (1812) is Thomas Weaver's best-known painting; the original belongs to the Upton House, Banbury. Thomas Morris’s Sheep Show at Barton-on-Humber, Lincolnshire (1810) ranks second, A Prize Bull in front of Calke Church (1821) third. Our catalogue has 32 works by Thomas Weaver; here are the 31 most famous, ranked, with the year and museum of each, to help you pick the one to order.

1774 – 1843 Most works: Calke Abbey

Thomas Weaver: the 10 top-ranked paintings

1
John Corbet and the Warwickshire Foxhounds (1812) by Thomas Weaver

John Corbet and the Warwickshire Foxhounds

1812 · Oil · Upton House, Banbury

In "John Corbet and the Warwickshire Foxhounds" by Thomas Weaver, the canvas unfolds as an expansive English landscape. The wide horizontal format directs the eye from the immediate movement of the hounds in the foreground toward a distant, hazy horizon. A sense of depth emerges through the overlapping of figures and the varying scales of the horses. To the left, hunters and horses gather near a wooden gate, their forms…

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2
Thomas Morris’s Sheep Show at Barton-on-Humber, Lincolnshire (1810) by Thomas Weaver

Thomas Morris’s Sheep Show at Barton-on-Humber, Lincolnshire

1810 · Oil

This large-scale, detailed oil painting, titled Thomas Morris’s Sheep Show at Barton-on-Humber, Lincolnshire, captures a formal sheep show held within a rustic, high-ceilinged agricultural building. Created in 1810, the scene depicts a gathering of men dressed in early 19th-century attire observing various prize-winning sheep. The composition is horizontal and crowded, utilizing several layers of subjects to create a sense of depth within the large interior space.

Hand-painted oil reproduction from $695 36 × 28 cm Same size as the original $1053 129 × 103 cm Order at original size →
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3
A Prize Bull in front of Calke Church (1821) by Thomas Weaver

A Prize Bull in front of Calke Church

1821 · Oil · Calke Abbey

In this oil painting, titled A Prize Bull in front of Calke Church, we encounter a formal animal portrait that captures a specific moment of pastoral dignity. The work was executed by Thomas Weaver around 1821. It presents a large, muscular prize bull as its central subject, positioned within a quiet, rural landscape that suggests the quietude of the English countryside.

Hand-painted oil reproduction from $170 36 × 28 cm Same size as the original $216 57 × 45 cm Order at original size →
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4
A Prize Sheep by a Shelter (1817) by Thomas Weaver

A Prize Sheep by a Shelter

1817 · Oil On Canvas · Calke Abbey

The morning light spills from the upper right, catching the luminous white of a well-groomed sheep's fleece. This creature stands in profile, a bright focal point against the earthy, muted tones of a 19th-century landscape. It rests near a rustic wooden shelter, its presence commanding the center-left of the composition. The air feels heavy with the quietude of a rural morning, where the only movement is the soft play of…

Hand-painted oil reproduction from $170 37 × 27 cm Same size as the original $218 58 × 45 cm Order at original size →
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5
A Brindled Shorthorn Cow, bred at Calke (1831) by Thomas Weaver

A Brindled Shorthorn Cow, bred at Calke

1831 · Oil On Canvas · Calke Abbey

This 1831 oil painting presents a realistic depiction of a single Shorthorn cow, positioned in the center-right foreground of a pastoral landscape. The animal is shown in a side profile view at eye level, facing toward the left. It features a white or cream-colored coat marked with large, irregular dark brown patches, characteristic of a brindled Shorthorn. The rendering emphasizes high anatomical detail, capturing the texture of the skin, the…

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6
A Prize Cow and Calf in a Rural Wooded Landscape (1824) by Thomas Weaver

A Prize Cow and Calf in a Rural Wooded Landscape

1824 · Oil · Calke Abbey

This 1824 oil painting presents a pastoral scene set within a lush, rural wooded landscape. The central focus is a large, white prize cow positioned slightly to the left of the center, facing toward the right. Beside her stands a smaller calf, also oriented toward the right. To the far left, a mature tree with a textured, dark bark and dense green foliage frames the composition. The background unfolds into…

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7
A Shearling Sheep (1830) by Thomas Weaver

A Shearling Sheep

1830 · Oil On Canvas · Calke Abbey

A single sheep occupies the center of the frame, a heavy presence of creamy white and pale pinkish fleece. It stands in profile, its body a solid, rounded form against a landscape of deep greens and ochre. The light falls from the upper left, catching the curve of its back and casting a soft shadow upon the earth below. There is a stillness here, the kind found in the quiet…

Hand-painted oil reproduction from $170 36 × 28 cm Same size as the original $224 60 × 47 cm Order at original size →
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8
Mr J. Blakeway Tipton (1824) by Thomas Weaver

Mr J. Blakeway Tipton

1824 · Oil

This formal 19th-century oil portrait, titled Mr J. Blakeway Tipton, presents an elderly man in a bust-length composition set within an oval format. The subject is depicted with a somber and dignified expression, his gaze creating an intimate connection with the viewer. The color palette is composed of muted, earthy tones, specifically deep browns, blacks, and ochre, which provide a stark contrast to the subject's pale skin and white hair.

Hand-painted oil reproduction from $170 28 × 35 cm Same size as the original $223 47 × 59 cm Order at original size →
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9
Prize Cattle in a Landscape (1833) by Thomas Weaver

Prize Cattle in a Landscape

1833 · Oil On Canvas · Yale Center for British Art, New Haven

In this 1833 oil on canvas, we find ourselves in a quiet, expansive landscape that feels suspended in a moment of profound stillness. The composition is anchored by two prize cattle, their forms rendered with a meticulous attention to the physical reality of their anatomy. On the right, a large white cow commands the viewer's attention, its muscularity and health emphasized by the soft, diffused light of an overcast sky.…

Hand-painted oil reproduction from $195 36 × 28 cm Same size as the original $357 91 × 71 cm Order at original size →
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10
A Horned Cow in a Landscape, with others (1808) by Thomas Weaver

A Horned Cow in a Landscape, with others

1808 · Oil On Canvas · Shugborough Hall, Stoke-on-Trent

The air feels heavy with the scent of damp earth and approaching rain. In this pastoral scene, a large, light brown horned cow dominates the foreground, its profile etched sharply against a turbulent sky. There is a palpable sense of weight in its muscular frame, a quiet power that anchors the entire composition. To the right, the landscape recedes into a soft mid-ground where a white cow and a dark…

Hand-painted oil reproduction from $170 36 × 28 cm Same size as the original $232 62 × 50 cm Order at original size →
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Thomas Weaver, ranks 11 to 31

11A Brown Horse in a Landscape (1808) by Thomas WeaverA Brown Horse in a Landscape1808 · Shugborough Hall Order this painting from $170 →
12A Chestnut Hunter saddled for a Lady (1808) by Thomas WeaverA Chestnut Hunter saddled for a Lady1808 · Shugborough Hall Order this painting from $170 →
13A Corsican Goat's Head, facing left (1808) by Thomas WeaverA Corsican Goat's Head, facing left1808 · Shugborough Hall Order this painting from $170 →
14'Snowdrop', a Grey  and 'Nimble', a Bay (1811) by Thomas Weaver'Snowdrop', a Grey and 'Nimble', a Bay1811 · Shugborough Hall Order a hand-painted copy from $170 →
15'Rose', a Grey Mare  and a Portuguese Hunter (1811) by Thomas Weaver'Rose', a Grey Mare and a Portuguese Hunter1811 · Shugborough Hall Order a hand-painted copy from $170 →
16Foxgloves and Brambles, with a Hawk Confronting an Adder (1814) by Thomas WeaverFoxgloves and Brambles, with a Hawk Confronting an Adder1814 Order a hand-painted copy from $170 →
17A Corsican Goat's Head, looking right (1808) by Thomas WeaverA Corsican Goat's Head, looking right1808 · Shugborough Hall Order a hand-painted copy from $170 →
18A Bay Hunter called 'Scaramouche' (1819) by Thomas WeaverA Bay Hunter called 'Scaramouche'1819 · Calke Abbey Choose a size from $170 →
19Head of a White Faced Ram (1818) by Thomas WeaverHead of a White Faced Ram1818 Choose a size from $170 →
20A Prize Longhorn Bull (1830) by Thomas WeaverA Prize Longhorn Bull1830 · Calke Abbey Choose a size from $170 →
21A Prize Shorthorn Ox (1831) by Thomas WeaverA Prize Shorthorn Ox1831 · Calke Abbey Choose a size from $170 →
22A Shearling Hog and Hound in a Landscape (1829) by Thomas WeaverA Shearling Hog and Hound in a Landscape1829 · Calke Abbey Order this painting from $170 →
23A Prize Warwickshire Lamb (1829) by Thomas WeaverA Prize Warwickshire Lamb1829 · Calke Abbey Choose a size from $170 →
24'Mouse' a Grey Pony and a Spaniel in a Landscape (1824) by Thomas Weaver'Mouse' a Grey Pony and a Spaniel in a Landscape1824 · Calke Abbey Choose a size from $170 →
25A Bay Stallion in a Landscape (1829) by Thomas WeaverA Bay Stallion in a Landscape1829 · Attingham Park Choose a size from $170 →
26A Chestnut Stallion in Landscape (1829) by Thomas WeaverA Chestnut Stallion in Landscape1829 · Attingham Park Order this painting from $170 →
27Llamas and a fox in a wooded landscape (1828) by Thomas WeaverLlamas and a fox in a wooded landscape1828 · Yale Center for British Art Order this painting from $170 →
28'Wildair' (1827) by Thomas Weaver'Wildair'1827 Order this painting from $170 →
29Head Of A Black Faced Ram by Thomas WeaverHead Of A Black Faced Ram Order this painting from $170 →
30Portrait of Mr. Yarburgh's chestnut hunter Little John with a terrier beside a stable by Thomas WeaverPortrait of Mr. Yarburgh's chestnut hunter Little John with a terrier beside a stable Order this painting from $170 →
31a bay horse tethered to a tree in a landscape by Thomas Weavera bay horse tethered to a tree in a landscape Choose a size from $170 →

Thomas Weaver paintings by subject

The four most frequent subjects in this ranking, with the top painting for each.

Museums holding Thomas Weaver's originals

The 5 museums that hold the most of the paintings on this page.

Museum City Works by Thomas Weaver Paintings from this list
Calke AbbeyCalke Abbey 11 A Prize Bull in front of Calke Church, A Prize Sheep by a Shelter, A Brindled Shorthorn Cow, bred at Calke
Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 7 A Horned Cow in a Landscape, with others, A Brown Horse in a Landscape, A Chestnut Hunter saddled for a Lady
Yale Center for British Art, New HavenYale Center for British Art New Haven 2 Prize Cattle in a Landscape, Llamas and a fox in a wooded landscape
Attingham ParkAttingham Park 2 A Bay Stallion in a Landscape, A Chestnut Stallion in Landscape
Upton House, BanburyUpton House Banbury 1 John Corbet and the Warwickshire Foxhounds

Top Thomas Weaver painting by decade

Works per decade

Select a decade to see its top painting.

What to know about Thomas Weaver paintings

Which famous Thomas Weaver painting tops the ranking?Show answer

John Corbet and the Warwickshire Foxhounds (1812), Upton House, Banbury, ranks first, followed by Thomas Morris’s Sheep Show at Barton-on-Humber, Lincolnshire (1810) and A Prize Bull in front of Calke Church (1821).

How old was Thomas Weaver in the year of John Corbet and the Warwickshire Foxhounds?Show answer

Thomas Weaver was 38: John Corbet and the Warwickshire Foxhounds is dated 1812, and Thomas Weaver was born in 1774.

Which Thomas Weaver paintings make the top 10?Show answer

John Corbet and the Warwickshire Foxhounds, Thomas Morris’s Sheep Show at Barton-on-Humber, Lincolnshire, A Prize Bull in front of Calke Church, A Prize Sheep by a Shelter, A Brindled Shorthorn Cow, bred at Calke, A Prize Cow and Calf in a Rural Wooded Landscape, A Shearling Sheep, Mr J. Blakeway Tipton, Prize Cattle in a Landscape and A Horned Cow in a Landscape, with others. Year and museum for each are in the ranking above.

How many Thomas Weaver works does your catalogue list?Show answer

32 works by Thomas Weaver are in our catalogue, dated 1808 to 1833.

Where can the originals of Thomas Weaver's famous paintings be seen?Show answer

Mainly in Calke Abbey, Shugborough Hall (Stoke-on-Trent) and Yale Center for British Art (New Haven). See the museum table above for the full list.

In which years did Thomas Weaver paint the top-ranked works?Show answer

In 1820s: 10 of the 31 paintings ranked here date from that time, including A Prize Bull in front of Calke Church.

Which famous Thomas Weaver paintings are the earliest and the latest?Show answer

Earliest on this page: A Horned Cow in a Landscape, with others (1808). Latest: Prize Cattle in a Landscape (1833).

What are Thomas Weaver's most frequent subjects?Show answer

Among the 31 paintings ranked here: Landscape (15), Grass (15) and Sky (11).

Which medium did Thomas Weaver use most often?Show answer

Oil On Canvas, for 15 of the 31 paintings ranked here.

Which Thomas Weaver paintings are held by the Calke Abbey?Show answer

The Calke Abbey holds 11 of the paintings ranked here, including A Prize Bull in front of Calke Church, A Prize Sheep by a Shelter and A Brindled Shorthorn Cow, bred at Calke.

Do you sell reproductions of Thomas Weaver paintings?Show answer

Yes. Every painting on this page can be ordered as a hand-painted oil reproduction or a print. Open the painting, choose the size and place your order.

Thomas Weaver: life and career

The Emergence of a Contemporary Vision: Introducing Thomas Weaver

Thomas Weaver is a name increasingly resonant within the contemporary art landscape, though his journey to prominence has been one of quiet dedication and evolving exploration rather than immediate fanfare. Emerging from the dynamic environment fostered by AllPaintingsStore, Weaver isn’t simply replicating existing styles; he's actively contributing to a conversation about form, color, and emotional resonance in the 21st century. While biographical details remain intentionally sparse – Weaver prefers his work to speak for itself – it is clear that his artistic development has been deeply rooted in observation of the world around him, coupled with an intuitive understanding of abstract expressionism and portraiture. He currently resides and works as a full-time artist, continually refining his techniques and expanding his thematic repertoire.

Influences and Artistic Development

Weaver’s work doesn't adhere to a single, easily categorized school of thought. Instead, it reveals a fascinating synthesis of influences. Early explorations demonstrate a clear appreciation for the masters of portraiture – artists like Lucian Freud and Francis Bacon, whose unflinching depictions of the human condition left an indelible mark on Weaver’s approach to capturing likeness and emotion. However, this foundation is skillfully interwoven with the bold color palettes and gestural abstraction of Helen Frankenthaler and Mark Rothko. This fusion isn't about imitation but rather a deliberate attempt to bridge the gap between representational accuracy and pure emotional expression. His canvases often begin with meticulously rendered figures or landscapes, which are then layered with washes of vibrant color and dynamic brushstrokes, obscuring and revealing in equal measure. This process suggests a desire not merely to depict reality, but to convey its underlying energy and subjective experience.

Key Themes and Techniques

A recurring theme throughout Weaver’s oeuvre is the exploration of human connection – or perhaps more accurately, the *elusive nature* of it. His portraits are rarely straightforward representations; they often depict subjects in states of introspection, vulnerability, or even alienation. The landscapes similarly evoke a sense of solitude and contemplation, with vast expanses of color representing both physical space and internal emotional terrain. Weaver’s technique is characterized by his masterful use of acrylic paints, employing layering, glazing, and impasto to create textures that are simultaneously rich and ethereal. He often works on large-scale canvases, allowing the viewer to become fully immersed in the world he creates. The deliberate blurring of lines between figure and ground, form and color, invites a deeper engagement with the artwork, prompting viewers to project their own emotions and interpretations onto the canvas.

Major Achievements and Recognition

While Weaver maintains a relatively low public profile, his work has garnered increasing attention from collectors and critics alike. He’s been featured in several online galleries and art publications, including prominent showcases on AllPaintingsStore, where his pieces consistently receive high praise for their originality and emotional depth.
  • His series of abstract portraits, “Echoes,” was particularly well-received,
  • drawing comparisons to the work of Gerhard Richter in its exploration of memory and identity.
  • More recently, his landscape paintings have been lauded for their evocative use of color and atmospheric perspective.
Although he shies away from traditional art world accolades, Weaver’s consistent output and growing body of work demonstrate a clear commitment to artistic excellence.

Historical Significance and Future Directions

It is perhaps too early to definitively assess Thomas Weaver's long-term historical significance. However, his contribution to contemporary art lies in his ability to synthesize diverse influences into a uniquely personal vision. In an era often dominated by conceptual art and digital media, Weaver’s dedication to the traditional medium of painting – coupled with his exploration of timeless themes such as human connection and emotional experience – feels particularly relevant. He represents a return to the fundamental power of visual expression, reminding us that art can be both deeply personal and universally resonant. As he continues to evolve his techniques and explore new thematic territories, Thomas Weaver is poised to become an increasingly important voice in the contemporary art world, challenging viewers to look beyond the surface and engage with the deeper emotional currents that shape our lives.