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Catalogue entry

Saint Michael

1476. Acrylic On Canvas, 90.0 x 26.0 cm. National Gallery.

Fig. 1. Carlo Crivelli, Saint Michael, 1476. Shown as the reproduction you are specifying: , .

§ 1Catalogue data

Dimensions
90.0 x 26.0 cm

§ 2Abstract

Collectible Description

Marvel at Carlo Crivelli's 'Saint Michael,' a dynamic depiction of the Archangel battling Satan! This 1476 panel showcases masterful foreshortening and dramatic detail, capturing a pivotal moment in spiritual warfare.

Artist Biography

Carlo Crivelli (1435-1495) was a Venetian Renaissance painter known for his detailed late Gothic style, 'trompe l'oeil' techniques & devotional works like Madonnas. Explore his art and legacy.

§ 3Commentary

A Vision of Heavenly Conflict

Carlo Crivelli's "Saint Michael," painted around 1476, isn’t merely a depiction of an angel battling a demon; it’s a meticulously crafted tableau of spiritual warfare, brimming with Renaissance artistry and profound symbolism. This panel, once part of a larger altarpiece intended for the church of San Domenico in Ascoli Piceno, Italy, immediately draws the eye into a dynamic scene where youthful Michael, radiating aristocratic beauty yet possessing an undeniable ferocity, confronts the writhing embodiment of evil beneath his feet. The composition isn’t simply about physical combat; it's a carefully orchestrated visual argument between order and chaos, light and darkness, good and sin.

Crivelli, deeply influenced by the Venetian artistic traditions of Vivarini and Mantegna, masterfully employs techniques that elevate this scene beyond simple religious illustration. Notice the masterful use of foreshortening – a signature element of Crivelli’s style – which dramatically compresses the space, pulling the viewer into the heart of the battle. The devil's head, positioned prominently at the bottom of the panel, is rendered with unsettling detail, highlighting his grotesque features and desperate struggle. Conversely, Michael’s face holds an expression of serene determination, a subtle contrast to the chaotic energy surrounding him.

The Archangel: A Symbol of Divine Authority

Saint Michael isn't just any angel; he is the Archangel, the chief warrior in God’s army. Within Christian iconography, he represents divine justice, protection, and victory over evil. The halo surrounding his head, a common symbol of holiness, emphasizes his elevated status. His armor, rendered with exquisite detail – polished metal reflecting light, intricate stitching – speaks to his martial prowess and unwavering commitment to defending humanity from demonic influence. The shield he holds aloft isn’t just a defensive tool; it's a visual declaration of God’s authority and Michael’s role as its representative.

Historically, the figure of Michael has deep roots in Jewish tradition, where he served as Israel’s protector and advocate. This connection is reflected in the painting’s composition – the devil beneath Michael isn't simply a monstrous foe; he represents the forces arrayed against God’s chosen people. The scene thus resonates with themes of faith, struggle, and ultimately, triumph over adversity—a narrative that has captivated audiences for centuries.

Renaissance Technique and Emotional Resonance

Crivelli's skill as a painter is evident in the meticulous rendering of textures – the smooth sheen of Michael’s armor, the rough scales of the devil, the folds of his garments. He utilizes tempera on poplar wood, a technique favored during this period for its luminosity and ability to capture intricate detail. The use of vibrant colors—rich blues, reds, and golds—further enhances the painting's visual impact, creating a sense of drama and intensity. Beyond technical mastery, Crivelli imbues the scene with an emotional resonance that transcends mere representation; it speaks to the timeless struggle between good and evil, hope and despair.

The panel’s enduring appeal lies in its ability to evoke both awe and contemplation. It's a reminder of humanity’s vulnerability in the face of darkness, but also of the unwavering strength and protection offered by divine grace. “Saint Michael” is more than just a painting; it’s a powerful testament to the enduring themes of faith, courage, and the eternal battle between light and shadow.

Questions & Answers

What size is "Saint Michael" by Carlo Crivelli in real life?

The original "Saint Michael" by Carlo Crivelli measures 90 x 26 cm.

How many people view "Saint Michael"?

A Stats page exists for "Saint Michael". It charts the monthly visits of the artwork and of the artist's other works, with country and language breakdowns.

What is the recommended use of a print of "Saint Michael"?

The recommended use of a print of "Saint Michael" is statement.

§ 4The artist

Carlo Crivelli

Carlo Crivelli

1435 - 1495, Italy

Quick facts about Carlo Crivelli

  • Full Name: Carlo Crivelli
  • Nationality: Italian
  • Date Of Birth: 1435
  • Date Of Death: 1495
  • Place Of Birth: Venice, Italy
  • Notable Artworks:
    • Madonna and Child
    • Saint Bartholomew
    • Saint Roch
  • Artistic Movement Or Style: Late Gothic/Renaissance
  • Artists Who Influenced This Artist:
    • Jacobello del Fiore
    • Vivarini
    • Squarcione
    • Mantegna
  • Artists Or Movements Influenced By This Artist: ['Giovanni Bellini']

Artist Biography

early life and training

carlo crivelli, an italian renaissance painter, was born in venice around 1430-35. he came from a family of painters and received his artistic formation in venice and padua. crivelli's early training is believed to have been under jacobello del fiore, who was still active in 1436. he also studied at the school of vivarini in venice.

career and style

crivelli spent his early years in the veneto, absorbing influences from vivarini, squarcione, and mantegna. by 1458, he left the veneto and spent most of his career in the march of ancona, developing a distinctive personal style that contrasts with that of his venetian contemporary giovanni bellini. crivelli's work is characterized by a conservative late gothic decorative sensibility, marked by a linear quality, attention to detail, and the use of "trompe l'oeil" techniques.

notable works and collaborations

* carlo crivelli's painting "madonna and child enthroned" (106 x 55 cm, museum of fine arts, budapest, hungary) is a prime example of his style. * he collaborated with his younger brother vittorio crivelli on several projects. * pietro alemanno, a painter who immigrated to the march of ancona from germany/austria, was his pupil and collaborator.

museums and collections

* the pinacoteca di brera in milan, italy, features several of crivelli's works, including "pietà" (128 x 241 cm). * the museum san giovanni in bragora in venice, italy, has a collection of artworks from various periods and styles, including some attributed to crivelli.

crivelli's legacy continues to inspire art enthusiasts and scholars alike, with his work remaining a testament to the enduring power of conservative late gothic decorative sensibility.

§ 5Comparanda

§ 6Questions

Quick Facts

  • Notable elements: Foreshortening, three-D effects
  • Influences:
    • Crivelli
    • Vivarini
  • Dimensions: 90.5 x 26.5 cm
  • Medium: Egg tempera on wood
  • Location: National Gallery, London

Art Quiz

There is only one correct answer for each question.

Question 1:
What biblical figure is depicted being struck by Michael’s sword in this painting?
Question 2:
According to the description, what artistic technique is prominently featured in Crivelli's depiction of Michael and Satan?
Question 3:
In what century was this painting created, as indicated in the provided information?
Question 4:
The painting is based on a scene from the Book of Revelation, where Michael battles against whom?
Question 5:
What is a key characteristic of Carlo Crivelli's artistic style, as mentioned in the artist information?

§ 7Cite this entry

AllPaintingsStore.com, “Carlo Crivelli, Saint Michael (1476)”, https://allpaintingsstore.com/en/art/carlo-crivelli-saint-michael-D3U48Z-en/ArtistReproduction/ (accessed 5 October 2026).

§ 8The reproduction

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

Saint Michael

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Professional assembly required - this is not a DIY product.
The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

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Total Price

$ 258

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