1472. Tempera On Panel, 97.0 x 34.0 cm. Metropolitan Museum of Art.
§ 1Catalogue data

- 97.0 x 34.0 cm
§ 2Abstract
Collectible Description
Experience Carlo Crivelli's 1472 St George, a masterpiece of Venetian Gothic illusionism with intricate gold leafing; discover this timeless piece today.
Artist Biography
Carlo Crivelli (1435-1495) was a Venetian Renaissance painter known for his detailed late Gothic style, 'trompe l'oeil' techniques & devotional works like Madonnas. Explore his art and legacy.
§ 3Commentary
Carlo Crivelli: A Master of Venetian Gothic
Carlo Crivelli (1435–1495) stands as one of the most distinctive figures in Renaissance Venice, a painter who stubbornly clung to late Gothic stylistic conventions while simultaneously absorbing influences from masters like Vivarini and Squarcione. Unlike his contemporaries—Giovanni Bellini notably—Crivelli eschewed the opulent grandeur favored by Venetian artistic circles, prioritizing instead a meticulous attention to detail and a profound exploration of spiritual themes.
The Legacy of Vivarini and Early Gothic Influence
His formative years were spent under Jacobello del Fiore in Venice and at the Vivarini school, absorbing the linear precision and decorative exuberance characteristic of Venetian Gothic art. This early training instilled in him a deep appreciation for intricate ornamentation and a masterful command of pigment—skills that would define his artistic output throughout his career. The Vivarini style’s emphasis on planar surfaces and stylized drapery directly impacted Crivelli's approach to composition and color.
A Singular Venetian Style: Trompe l'oeil and Emotional Depth
By 1458, Crivelli abandoned Venice for Ancona, where he established himself as a prolific artist and developed a strikingly personal style. This distinctive aesthetic—characterized by “trompe l’œil” techniques—contrasted sharply with Bellini’s more naturalistic tendencies. Crivelli wasn't merely replicating reality; he sought to evoke emotion and convey spiritual contemplation through illusionistic painting, creating immersive visual experiences for his viewers.
“Saint George”: Symbolism and Artistic Technique
"Saint George," painted circa 1472, exemplifies Crivelli’s artistic prowess. The artwork is a tempera on panel, executed with gold leaf—a technique that reflects the prevailing Venetian tradition of lavish decoration. The painting depicts Saint George slaying the dragon, a motif deeply rooted in Christian symbolism representing triumph over evil and divine protection. Observe the meticulous rendering of St. George's armor, reflecting the influence of Vivarini’s style, and note the expressive gestures conveying courage and determination.
The composition is balanced, with St. George dominating the frame while allowing for a rich tapestry of textural detail—the shimmering gold leaf, the textured drapery, and the intricate depiction of the dragon's scales—to engage the viewer’s senses. Crivelli’s masterful use of color—primarily reds and blues—creates an atmosphere of solemn grandeur, reinforcing the painting’s spiritual significance.
A Monument to Venetian Gothic Tradition
"Saint George" remains a testament to Crivelli's unwavering commitment to Gothic stylistic principles while simultaneously demonstrating his artistic innovation. It stands as a beacon of Venetian art history—a captivating example of how artists can fuse technical mastery with profound emotional resonance.
Questions & Answers
How was "St George" made, and how big is it?
The medium of "St George" by Carlo Crivelli is tempera on panel, and its recorded dimensions are 97 x 34 cm.
Where does "St George" stand among Carlo Crivelli's recurring subjects?
Carlo Crivelli's recurring themes include vivarini influence, gothic detail, christian heroism, spiritual focus, trompe l'oeil technique mastery; "St George" focuses on st george, dragon slaying, medieval armor, gold leafing, christian symbolism, renaissance art.
Is "St George" by Carlo Crivelli a portrait, landscape or square composition?
"St George" by Carlo Crivelli has a tall format. The format describes the proportions of the composition.



For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.



