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      Atelier · Est. 2015 · Paris, France
      AllPaintingsStore
      allpaintingsstore.com
      Catalogue entry

      Diana

      1943. Oil On Canvas, 41.0 x 36.0 cm. Arts Council Collection.

      Fig. 1. David Bomberg, Diana, 1943. Shown as the reproduction you are specifying: , .

      § 1Catalogue data

      § 2Abstract

      Collectible Description

      Vibrant 1943 portrait of Diana by David Bomberg captures moody drama with striking red accents; discover this expressive mid-century masterpiece today.

      Artist Biography

      David Bomberg (1890-1957): From Cubist beginnings to expressive landscapes, explore the journey of this influential British painter & 'Whitechapel Boy'.

      § 3Commentary

      A Study in Crimson Reflection

      David Bomberg’s Diana, painted in 1943, immediately draws the viewer into a moment of profound introspection. The central figure, clad in a striking red jacket, commands attention against a warm, almost incandescent orange background. Her posture—hand delicately placed near her face, suggesting contemplation or perhaps a momentary veil over deep thought—lends an air of enigmatic grace to the composition. Bomberg, a key member of the vibrant 'Whitechapel Boys,' captures not just a likeness, but a palpable state of being. The interplay between the vivid red garment and the surrounding autumnal glow creates an immediate visual tension, anchoring the viewer's gaze to the woman’s downward, thoughtful expression.

      The Echoes of Modernism in Bomberg's Hand

      To appreciate Diana is to understand the trajectory of early 20th-century British modernism. While Bomberg’s training exposed him to the structured lessons of Cézanne and the dynamism of avant-garde movements, this piece retains a raw, emotional immediacy characteristic of his later work. His technique here suggests a masterful handling of paint, where form is suggested through bold planes of color rather than minute detail. The presence of other figures—one subtly placed in the upper left and another near the bottom right—suggests that the central subject exists within a larger social or psychological tableau. These secondary elements do not distract; rather, they frame the primary emotion, giving the scene depth beyond a simple portrait.

      Symbolism and Emotional Resonance

      The title, Diana, evokes classical associations with the huntress and the goddess of the moon—figures often linked to mystery, independence, and feminine power. Yet, Bomberg grounds this mythological echo in a very human moment. The red jacket can be interpreted as passion or vitality against the backdrop of the fading orange light, perhaps symbolizing memory or the passage of time itself. The woman’s gesture is universally understood: it speaks of secrets held close, of beauty observed from within. For the collector or designer, this painting offers more than mere decoration; it offers a conversation piece—a meditation on introspection that resonates deeply in contemporary life.

      Bringing the Art Home

      Reproducing the power of Diana allows one to integrate a piece steeped in artistic history and emotional weight into any interior space. The rich palette, dominated by the fiery contrast of red and orange, makes it an exceptional focal point for rooms seeking depth and character. Whether displayed above a console table or as a centerpiece in a gallery wall, this reproduction captures Bomberg’s unique ability to infuse everyday subjects with monumental feeling. It is a piece that demands a pause, inviting quiet contemplation amidst the bustle of modern living.

      Questions & Answers

      What print size of "Diana" by David Bomberg fits the recommended room?

      The recommended pairing for "Diana" by David Bomberg: a medium print in a lounge.

      What space is suggested for "Diana" by David Bomberg?

      The recommended space for "Diana" by David Bomberg is a lounge. The suggestion can of course be adapted to your interior.

      What type of artwork is "Diana" by David Bomberg?

      "Diana" by David Bomberg is classified as wall art. The category describes the kind of artwork the original is.

      § 4The artist

      David Bomberg

      David Bomberg

      1890 - 1957, United Kingdom

      Quick facts about David Bomberg

      • Full Name: David Garshen Bomberg
      • Nationality: British
      • Date Of Birth: 1890
      • Date Of Death: 1957
      • Place Of Birth: Birmingham, United Kingdom
      • Notable Artworks:
        • Self Portrait (1937)
        • Kitty, the Artist’s Sister (1929)
        • Study for a Painting
        • Jerusalem
      • Artistic Movement Or Style:
        • Cubism
        • Futurism
        • Expressionism
      • Artists Who Influenced This Artist:
        • Paul Cézanne
        • Walter Sickert
        • Wyndham Lewis
      • Artists Or Movements Influenced By This Artist:
        • Frank Auerbach
        • Leon Kossoff

      Artist Biography

      Early Life and Artistic Training

      • Born: Birmingham, United Kingdom (December 5, 1890)
      • Died: London, United Kingdom (August 19, 1957)
      • One of the 'Whitechapel Boys' – a group of East End artists who emerged in the early 20th century.

      Born to Polish-Jewish immigrant parents, Abraham and Rebecca Bomberg, initially studied at the City and Guilds Technical Art School before training as a lithographer in Birmingham.

      Studied under Walter Sickert at Westminster School of Art (1908-1910), influenced by Sickert's focus on form and urban life. Significant exposure to Paul Cézanne through the 1910 Roger Fry exhibition "Manet and the Post-Impressionists." Attended the Slade School of Art (1911), winning the Tonks Prize for his drawing of fellow student Isaac Rosenberg.

      The Avant-Garde Years: Cubism, Futurism, and Controversy

      • At the Slade, Bomberg was part of a remarkable generation including Mark Gertler, Stanley Spencer, C.R.W. Nevinson, and Dora Carrington.
      • Influenced by the 1912 London exhibitions of Italian Futurists and Fry's second Post-Impressionist exhibition (Picasso, Matisse, Fauvists, Wyndham Lewis).
      • Developed a distinctive style combining Cubism and Futurism – characterized by geometric compositions, limited color palettes, angular figures, and grid-like structures.
      • His radical approach led to expulsion from the Slade School of Art in 1913, deemed too audacious for the institution's conventional methods.
      • Briefly associated with Bloomsbury Group’s Omega Workshops and exhibited with the Camden Town Group. Showed affinity with Wyndham Lewis’s Vorticist movement but remained independent, refusing full involvement.

      From War to Landscape: A Shift in Style

      Experiences as a private soldier during World War I profoundly impacted his artistic vision, leading to a move away from abstraction.

      The 1920s saw Bomberg adopt a more figurative style, focusing on portraits and landscapes drawn directly from nature. Developed an increasingly expressionist technique, marked by textured impasto and emotional intensity.

      Extensive travels through the Middle East (particularly Palestine) and Europe significantly influenced his later work. His depictions of Jerusalem are particularly notable.

      Later Years and Legacy

      • From 1945 to 1953, taught at Borough Polytechnic (now London South Bank University), influencing a generation of artists including Frank Auerbach, Leon Kossoff, Philip Holmes, Cliff Holden, Edna Mann, Dorothy Mead, Gustav Metzger, Dennis Creffield, Cecil Bailey and Miles Richmond.
      • Married landscape painter Lilian Holt.
      • Despite periods of relative obscurity during his lifetime, Bomberg's work has gained increasing recognition in recent decades as a significant contribution to British modern art.
      • David Bomberg House at London South Bank University is named in his honor.
      • His legacy lies in his unique synthesis of European avant-garde movements and his later development of a powerful, expressive landscape style that captured the essence of place and human experience.

      § 5Comparanda

      § 6Questions

      Quick Facts

      • Artistic style: Modernism
      • Year: 1943
      • Subject or theme: Woman with hand on face

      Art Quiz

      There is only one correct answer for each question.

      Question 1:
      What is the title of the artwork?
      Question 2:
      Which artist created this painting, 'Diana'?
      Question 3:
      What prominent color is noted in the description of the main subject's clothing?
      Question 4:
      In what year was 'Diana' painted?
      Question 5:
      David Bomberg was associated with which group of East End artists?

      § 7Cite this entry

      AllPaintingsStore.com, “David Bomberg, Diana (1943)”, https://allpaintingsstore.com/en/art/david-bomberg-diana-AQSFY2-en/ArtistReproduction/ (accessed 1 October 2026).

      § 8The reproduction

      Hand Made Oil Reproduction

      Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

      It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

      Diana

      Reproduction Medium

      Reproduction Size

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      Elite Senior Artist

      More detail, finesse, and extra production time

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      Reproduction Frame

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      For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.

      Professional assembly required - this is not a DIY product.
      The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

      • All solid wood bars are included, precisely cut to size.

      • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

      • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

      Important:
      The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

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      Glossy Varnish (enhances colors, protects against light/moisture)

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      Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.

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      Total Price

      $ 258

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