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Catalogue entry

Self Portrait (David)

1937. Oil On Canvas, 61.0 x 51.0 cm. Arts Council Collection.

Fig. 1. David Bomberg, Self Portrait (David), 1937. Shown as the reproduction you are specifying: , .

§ 1Catalogue data

Dimensions
61.0 x 51.0 cm

§ 2Abstract

Collectible Description

Vibrant red tones dominate this striking 1937 self-portrait by David Bomberg, capturing bold color and depth; discover this masterpiece today.

Artist Biography

David Bomberg (1890-1957): From Cubist beginnings to expressive landscapes, explore the journey of this influential British painter & 'Whitechapel Boy'.

§ 3Commentary

The Intensity of Self: David Bomberg's Portraiture

To stand before a self-portrait by David Bomberg is to encounter not merely an image, but a profound confrontation with the artist’s own gaze. This 1937 work, titled Self Portrait (David), pulses with an almost visceral energy. The subject matter—the artist himself—is rendered with a striking immediacy that pulls the viewer into the intimate space of creation. Bomberg, a key figure among the 'Whitechapel Boys,' channeled the restless spirit of early 20th-century London onto his canvas. Here, the self is presented not as a polished ideal, but as a study in raw, vibrant existence.

A Symphony in Red and Shadow

Technically, the painting commands attention through its audacious use of color. The background, an overwhelming field of deep, saturated red, acts less like a backdrop and more like an emotional atmosphere—a curtain drawn around the figure. This bold chromatic choice immediately establishes a dramatic tension that permeates every inch of the composition. Against this fiery expanse, the man’s face emerges, illuminated by a masterful interplay of light and shadow. The artist has enveloped his form in what appears to be a rich red robe or garment, creating a powerful echo between the subject's attire and the surrounding void. This deliberate repetition of color unifies the piece while simultaneously heightening the contrast that defines the portrait’s drama.

Historical Echoes and Artistic Lineage

Bomberg’s career was marked by an absorption of major artistic movements, from the structured lessons learned under Walter Sickert to the revolutionary currents of Cubism. This Self Portrait stands as a testament to his mature style—a place where academic training meets raw emotional outpouring. While some of his contemporaries explored abstraction or narrative scenes, Bomberg often returned to the figure, grounding his avant-garde explorations in palpable human presence. The painting feels both deeply rooted in the tradition of portraiture and startlingly modern in its chromatic intensity, reflecting a pivotal moment in British art history.

Emotional Resonance for the Modern Collector

For those who collect art not just for beauty but for narrative weight, this piece offers deep contemplation. The bold color scheme ensures that it functions as a powerful focal point in any interior space, lending an air of sophisticated drama. It speaks to themes of identity, visibility, and the intense act of self-examination. Owning a reproduction of this work allows one to bring home a piece charged with such palpable artistic struggle and vibrant life force. It is art that does not whisper; it resonates, demanding that you pause, look closer, and engage with the compelling spirit captured by David Bomberg.

Questions & Answers

How do medium and movement combine in "Self Portrait (David)"?

In "Self Portrait (David)", the oil on canvas technique meets the Modernism movement.

Where can I see a preview of "Self Portrait (David)"?

A preview of "Self Portrait (David)" by David Bomberg is available on the artwork's Preview page.

How much light do the colors of "Self Portrait (David)" appear to reflect?

"Self Portrait (David)" by David Bomberg has a dark luminance. Luminance describes how much light the colors appear to reflect.

§ 4The artist

David Bomberg

David Bomberg

1890 - 1957, United Kingdom

Quick facts about David Bomberg

  • Full Name: David Garshen Bomberg
  • Nationality: British
  • Date Of Birth: 1890
  • Date Of Death: 1957
  • Place Of Birth: Birmingham, United Kingdom
  • Notable Artworks:
    • Self Portrait (1937)
    • Kitty, the Artist’s Sister (1929)
    • Study for a Painting
    • Jerusalem
  • Artistic Movement Or Style:
    • Cubism
    • Futurism
    • Expressionism
  • Artists Who Influenced This Artist:
    • Paul Cézanne
    • Walter Sickert
    • Wyndham Lewis
  • Artists Or Movements Influenced By This Artist:
    • Frank Auerbach
    • Leon Kossoff

Artist Biography

Early Life and Artistic Training

  • Born: Birmingham, United Kingdom (December 5, 1890)
  • Died: London, United Kingdom (August 19, 1957)
  • One of the 'Whitechapel Boys' – a group of East End artists who emerged in the early 20th century.

Born to Polish-Jewish immigrant parents, Abraham and Rebecca Bomberg, initially studied at the City and Guilds Technical Art School before training as a lithographer in Birmingham.

Studied under Walter Sickert at Westminster School of Art (1908-1910), influenced by Sickert's focus on form and urban life. Significant exposure to Paul Cézanne through the 1910 Roger Fry exhibition "Manet and the Post-Impressionists." Attended the Slade School of Art (1911), winning the Tonks Prize for his drawing of fellow student Isaac Rosenberg.

The Avant-Garde Years: Cubism, Futurism, and Controversy

  • At the Slade, Bomberg was part of a remarkable generation including Mark Gertler, Stanley Spencer, C.R.W. Nevinson, and Dora Carrington.
  • Influenced by the 1912 London exhibitions of Italian Futurists and Fry's second Post-Impressionist exhibition (Picasso, Matisse, Fauvists, Wyndham Lewis).
  • Developed a distinctive style combining Cubism and Futurism – characterized by geometric compositions, limited color palettes, angular figures, and grid-like structures.
  • His radical approach led to expulsion from the Slade School of Art in 1913, deemed too audacious for the institution's conventional methods.
  • Briefly associated with Bloomsbury Group’s Omega Workshops and exhibited with the Camden Town Group. Showed affinity with Wyndham Lewis’s Vorticist movement but remained independent, refusing full involvement.

From War to Landscape: A Shift in Style

Experiences as a private soldier during World War I profoundly impacted his artistic vision, leading to a move away from abstraction.

The 1920s saw Bomberg adopt a more figurative style, focusing on portraits and landscapes drawn directly from nature. Developed an increasingly expressionist technique, marked by textured impasto and emotional intensity.

Extensive travels through the Middle East (particularly Palestine) and Europe significantly influenced his later work. His depictions of Jerusalem are particularly notable.

Later Years and Legacy

  • From 1945 to 1953, taught at Borough Polytechnic (now London South Bank University), influencing a generation of artists including Frank Auerbach, Leon Kossoff, Philip Holmes, Cliff Holden, Edna Mann, Dorothy Mead, Gustav Metzger, Dennis Creffield, Cecil Bailey and Miles Richmond.
  • Married landscape painter Lilian Holt.
  • Despite periods of relative obscurity during his lifetime, Bomberg's work has gained increasing recognition in recent decades as a significant contribution to British modern art.
  • David Bomberg House at London South Bank University is named in his honor.
  • His legacy lies in his unique synthesis of European avant-garde movements and his later development of a powerful, expressive landscape style that captured the essence of place and human experience.

§ 5Comparanda

§ 6Questions

Quick Facts

  • Dimensions: 61 x 51 cm
  • Artist: David Bomberg
  • Title: Self Portrait
  • Year: 1937

§ 7Cite this entry

AllPaintingsStore.com, “David Bomberg, Self Portrait (David) (1937)”, https://allpaintingsstore.com/en/art/david-bomberg-self-portrait-david-AQSFYJ-en/ArtistReproduction/ (accessed 9 October 2026).

§ 8The reproduction

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

Self Portrait (David)

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The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

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