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Catalogue entry

Jerusalem (Edward Lear, 1865)

1865. Acrylic On Canvas, 121.0 x 200.0 cm. The Ashmolean Museum of Art And Archaeology.

Jerusalem by Edward Lear, hand-painted oil painting on linen
Fig. 1. Edward Lear, Jerusalem, 1865. Shown as the reproduction you are specifying: , .

Hand-painted in oil from $170 at 22.4 x 44.6 cm, up to $979 at 120.3 x 239.5 cm.

Prefer a canvas or fine art print? From $42

§ 1Catalogue data

Dimensions
121.0 x 200.0 cm

§ 2Abstract

Collectible Description

Edward Lear's "Jerusalem" captures the beauty of the Holy Land with vibrant colors and evocative detail. A stunning watercolor from 1865, perfect for art lovers.

Artist Biography

Victorian ornithological draughtsman and poet of whimsical nonsense verse, known for delicate watercolor landscapes and bird illustrations.

§ 3Commentary

Edward Lear’s “Jerusalem”: A Vision of Pilgrimage and Isolation

Edward Lear's "Jerusalem," painted in 1865, isn't merely a landscape; it’s a carefully constructed meditation on pilgrimage, the weight of history, and the quiet solitude of an artist observing a sacred city. This oil-on-canvas work, now available as a fine art print, transports the viewer to the slopes of the Mount of Olives, offering a breathtaking vista of Jerusalem bathed in the golden light of sunset. Lear, already renowned for his whimsical poetry and delightfully peculiar illustrations, was undergoing a period of intense introspection during this journey, a time he often described as “the Morbids,” marked by bouts of melancholy and a profound sense of isolation – feelings that subtly permeate the painting’s atmosphere.

The composition is remarkably controlled, yet imbued with an almost dreamlike quality. The foreground is dominated by a modest olive grove, its gnarled trees rendered in meticulous detail, hinting at centuries of weathering and silent witness to countless prayers and processions. Beyond lies the city itself – the Dome of the Rock and the Al-Aqsa Mosque rising majestically against the deepening blue of the sky. Lear’s use of color is masterful; he employs a rich palette of ochres, browns, and golds to capture the warmth of the setting sun, casting long shadows that emphasize the depth and scale of the landscape. The brushstrokes are loose and expressive, suggesting movement and light rather than precise representation – a characteristic of his later work where observation was secondary to emotional response.

The Artist’s Journey and the Shadow of Melancholy

Lear's decision to paint "Jerusalem" during this period of personal struggle is significant. He had recently concluded a lengthy sojourn in Italy, documenting its landscapes and people with his characteristic blend of observation and imaginative embellishment. However, returning to Jerusalem brought him face-to-face with the weight of history – the layers of faith, conflict, and loss that have shaped this ancient city for millennia. As he himself noted, “every step bringing fresh beauty to the city uprising behind.” This sentiment reflects a desire to find solace and perspective amidst his own internal turmoil.

The painting’s emotional core lies in its quiet contemplation of solitude. Lear wasn't seeking to depict a bustling scene of religious fervor; instead, he captured a moment of serene detachment – an artist observing the sacred from a distance, perhaps wrestling with his own place within the grand narrative of faith and history. The small figures scattered across the foreground—shepherds tending their flocks, pilgrims making their way towards the city—suggest the ongoing human drama unfolding beneath the vast expanse of the sky, yet Lear remains largely detached, an almost spectral presence absorbed in his artistic endeavor.

Symbolism and Historical Context

“Jerusalem” is deeply rooted in its historical context. The painting directly references the biblical narrative of Jesus’s ascension to heaven from the Mount of Olives, a pivotal event in Christian theology. The inclusion of landmarks like the Dome of the Rock – a site sacred to both Judaism and Islam – subtly acknowledges the complex religious landscape of the city. Lear's choice to depict the scene at sunset—a time often associated with reflection and transition—further reinforces this sense of contemplation and spiritual yearning.

Beyond its religious significance, the painting also speaks to the broader theme of pilgrimage. The act of traveling to a sacred site, seeking solace or enlightenment, is a universal human experience. Lear’s depiction captures not just the physical journey but also the internal one—the process of confronting one's own doubts and searching for meaning in a world filled with both beauty and suffering. The painting can be interpreted as an allegory for the artist’s own personal quest for understanding, mirroring the spiritual journeys undertaken by countless pilgrims throughout history.

A Timeless Vision: Reproduction and Artistic Legacy

Today, “Jerusalem” remains a powerfully evocative work of art, offering a glimpse into the mind of one of Victorian England's most eccentric and insightful artists. The availability of high-quality reproductions allows viewers to experience Lear’s vision firsthand, bringing this serene landscape—and its underlying themes of pilgrimage and isolation—into their own homes or studios. Whether displayed as a statement piece in a contemporary setting or cherished as a historical artifact, “Jerusalem” continues to resonate with audiences who appreciate the beauty of observation, the power of symbolism, and the enduring allure of the sacred.

Questions & Answers

Is this reproduction of Jerusalem painted by hand or printed?

Painted by hand: a trained painter copies Jerusalem in oil on linen canvas.

What size should I choose for Jerusalem?

The original measures 121 x 200 cm. Sizes run from 22.4 x 44.6 cm ($170) to 120.3 x 239.5 cm ($979); the table on this page lists the main steps and their prices.

How long does delivery take?

Delivery takes 4 to 5 weeks, with free worldwide express shipping; an urgent production option is offered on this page. You can return it within 100 days for a full refund, with no condition.

Where is the original Jerusalem?

The original is in the collection of the The Ashmolean Museum of Art And Archaeology, Oxford.

What medium did Edward Lear use for Jerusalem?

Acrylic On Canvas.

§ 4The artist

Edward Lear

Edward Lear

1812 - 1888, United Kingdom

Quick facts about Edward Lear

  • Full Name: Edward Lear
  • Nationality: British
  • Date Of Birth: 1812
  • Date Of Death: 1888
  • Place Of Birth: London, United Kingdom
  • Notable Artworks:
    • The Owl and the Pussycat
    • The Dong with luminous nose
    • Illustrations of Parrots
  • Artistic Movement Or Style: Victorian, Nonsense

§ 5Comparanda

§ 6Questions

Quick Facts

  • Date: 1865
  • Dimensions: 121 x 200 cm
  • Location: Ashmolean Museum
  • Influences: Lear's travels
  • Artist: Edward Lear
  • Medium: Oil on canvas
  • Subject or theme: Holy Land landscape
  • Title: Jerusalem

Quiz

There is only one correct answer for each question.

Question 1:
What is the primary subject depicted in Edward Lear’s painting ‘Jerusalem’?
Question 2:
In what year was Edward Lear’s painting ‘Jerusalem’ created?
Question 3:
Edward Lear was known for his work in which of the following fields besides painting?
Question 4:
The painting ‘Jerusalem’ is considered part of which artistic movement?
Question 5:
What specific vantage point does Lear utilize in ‘Jerusalem’ to create the depicted landscape?

§ 7Cite this entry

AllPaintingsStore.com, “Edward Lear, Jerusalem (1865)”, https://allpaintingsstore.com/en/art/edward-lear-jerusalem-AQS7CS-en/ArtistReproduction/ (accessed 28 October 2026).

§ 8The reproduction

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Prefer a canvas or fine art print? From $42 Switch to Digital Image)

It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

Jerusalem

Reproduction Medium

Reproduction Size

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Elite Senior Artist

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Reproduction Frame

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For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.

Professional assembly required - this is not a DIY product.
The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

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Total Price

$ 258

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