1948. Painting, 99.0 x 119.0 cm. Buenos Aires Museum of Modern Art.
§ 1Catalogue data

- 99.0 x 119.0 cm
This Artwork Is Under Copyright Protection
The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.
As a respectful and legal alternative, we offer custom, hand-painted artworks inspired by the original. Our skilled and professional artists carefully study the original's style, mood, and artistic essence to create a new, unique piece that evokes the same feeling - while remaining an original creation in its own right.
This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.
§ 2Abstract
Collectible Description
Vibrant geometric triangles dance across a green field in this 1948 concrete art masterpiece by Elbio Raúl Lozza, offering a bold glimpse into Argentine abstraction that you can bring to your private collection.
Artist Biography
A pioneer of Argentine Concrete Art, Elbio Raúl Lozza revolutionized geometric abstraction through works like Invention no. 150 and the Perceptivist movement, inviting you to discover a world of pure structural truth.
§ 3Commentary
A Symphony of Geometry: Discovering Elbio Raúl Lozza’s Work 171
In the vast landscape of mid-century abstraction, few works capture the rhythmic precision and vibrant energy of Argentine Concrete Art quite like Work 171. Created in 1948 by the visionary Elbio Raúl Lozza, this masterpiece serves as a window into a period of profound geometric experimentation. The canvas is an orchestrated dance of color and form, where a deep, verdant green background provides a lush stage for a constellation of sharp, intersecting triangles. Each shape—rendered in striking hues of crimson, azure, sun-drenched yellow, and royal purple—seems to vibrate against its neighbor, creating a sense of perpetual motion that draws the viewer into a hypnotic, optical experience.
The technique employed by Lozza in this piece reflects his mastery over the principles of Madí and Concrete art movements. Rather than relying on representational imagery, the artist utilizes the inherent tension between geometric shapes to build a structural narrative. The way the triangles overlap and orient themselves suggests a complex architectural blueprint, yet it remains fluid and organic. This interplay of sharp angles and bold pigments creates an illusion of depth, making the flat surface of the wood-based medium feel as though it possesses its own internal dimension. For the discerning collector, this work represents a pinnacle of mathematical beauty married to painterly intuition.
Beyond its formal qualities, Work 171 carries a significant historical weight. Emerging from the intellectual ferment of post-war Argentina, Lozza’s work was part of a larger movement seeking to strip art of its decorative illusions and return it to its fundamental, structural truths. The painting does not merely depict shapes; it celebrates the autonomy of color and line. There is an inherent optimism in this 1948 composition—a belief that through order, clarity, and balance, one can find a universal language that transcends borders and eras.
For interior designers and lovers of modernism, this artwork offers unparalleled versatility and emotional resonance. Its commanding presence, measuring 99 x 119 cm, makes it an ideal focal point for a sophisticated contemporary space. Whether placed in a minimalist gallery setting or used to add a burst of structured color to a curated residential collection, the piece evokes a sense of intellectual rigor and aesthetic joy. Owning a high-quality reproduction of this Lozza masterpiece allows one to bring the legacy of Argentine abstraction into the modern home, providing a timeless conversation piece that inspires contemplation and admiration.
Questions & Answers
Is "Work 171" by Elbio Raúl Lozza kept in the artist's home country?
Yes - the artwork is kept in the artist's home country. "Work 171" is held in Argentina, while Elbio Raúl Lozza was born in Argentina.
Where can I buy a print of "Work 171" by Elbio Raúl Lozza?
"Work 171" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.
What feeling is "Work 171" associated with?
The emotional tone recorded for "Work 171" by Elbio Raúl Lozza is energetic. It summarizes the feeling the work expresses.



For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.



