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      Atelier · Est. 2015 · Paris, France
      AllPaintingsStore
      allpaintingsstore.com
      Catalogue entry

      Will he do it

      .

      Fig. 1. George Elgar Hicks, Will he do it. Shown as the reproduction you are specifying: , .

      § 1Catalogue data

      § 2Abstract

      Collectible Description

      Discover 'Will He Do It' by George Elgar Hicks – a dramatic 19th-century oil painting of a rugby match. Explore its impasto texture, muted tones & nostalgic scene.

      Artist Biography

      George Elgar Hicks (1824-1914) was a Victorian painter known for large genre scenes emulating William Powell Frith & society portraiture. Explore his depictions of modern life, bustling markets, and family portraits.

      § 3Commentary

      § 4The artist

      George Elgar Hicks

      George Elgar Hicks

      1824 - 1914, United Kingdom

      Quick facts about George Elgar Hicks

      • Artistic Movement Or Style: Victorian Painting; Frith Imitation
      • Artists Who Influenced This Artist: ['William Powell Frith']
      • Date Of Birth: 1824
      • Date Of Death: 1914
      • Full Name: George Elgar Hicks
      • Nationality: English
      • Notable Artworks:
        • Dividend Day at the Bank of England
        • The General Post Office
        • Billingsgate Fish Market
        • Changing Homes
        • Three Young Cricketers
        • The Orphans
      • Place Of Birth: Lymington, United Kingdom

      Artist Biography

      The Visionary of Victorian Life: The Journey of George Elgar Hicks

      In the heart of the Victorian era, a period defined by rapid industrial expansion and profound social shifts, there emerged an artist capable of capturing the very pulse of modern existence. George Elgar Hicks (1824–1914) was not merely a painter of scenes, but a chronicler of the human condition within the bustling landscapes of nineteenth-century Britain. Born in Lymington, Hampshire, to a wealthy magistrate, Hicks’s early path seemed destined for the clinical precision of medicine. He spent several years immersed in arduous medical studies at University College London, yet the calling of the brush proved far more irresistible than the stethoscope. This transition from science to art brought with it a unique perspective—a meticulous eye for detail and an almost anatomical understanding of the social fabric he would later depict.

      The early years of Hicks’s career were marked by a quiet struggle, as he balanced the heavy responsibilities of a burgeoning family with his artistic ambitions. Following his marriage to Maria Hariss in 1847, the arrival of eight children within a short span created a domestic whirlwind that often left his studio time sparse. He himself reflected on this period with a touch of melancholy, describing his early works as “small and unimportant.” However, it was precisely this intimate connection to family life and social dynamics that would eventually infuse his larger-than-life compositions with a profound psychological depth. He learned to observe the subtle nuances of emotion—the tenderness of a mother, the exhaustion of a laborer, and the quiet dignity of the working class—elements that would become the soul of his later masterpieces.

      Mastery of the Genre: Emulating Greatness and Finding a Voice

      Hicks’s artistic identity was inextricably linked to the dramatic, panoramic style pioneered by William Powell Frith. While some critics might have viewed him as a mere imitator, Hicks achieved something far more significant: he took the template of the large-scale genre painting and applied it to subjects that were uniquely his own. He possessed an uncanny ability to populate vast canvases with a diverse array of social classes, creating a theatrical stage where the mundane and the monumental met. His breakthrough came in 1859 with “Dividend Day at the Bank of England,” a work that captured the collective anticipation and social hierarchy of a pivotal moment in British commerce.

      As his confidence grew, so did the scope of his subjects. Hicks ventured into the crowded, noisy corners of London life that many of his contemporaries avoided. His repertoire included:

      • The General Post Office: One minute to 6 – A frantic, detailed exploration of urban urgency and bureaucratic rhythm.
      • Billingsgate Fish Market – A sensory immersion into the grit, movement, and commerce of London’s most famous market.
      • Changing Homes – A poignant look at the domestic transitions and social mobility of the era.
      Through these works, he utilized a rich, textured technique that emphasized the tactile reality of his subjects, from the sheen of silk garments to the damp cobblestones of a London street.

      A Lasting Legacy in the Victorian Tapestry

      Beyond the grand, crowded panoramas, Hicks also demonstrated a remarkable versatility, moving between the monumental and the intimate. His ability to pivot toward society portraiture allowed him to capture the elegance of the upper echelons, while his smaller works, such as the tender watercolor “Good Night,” showcased a softer, more romantic side of his talent. This duality—the ability to command a massive canvas with social drama and to whisper through a delicate pastel—is what defines his historical significance.

      Ultimately, George Elgar Hicks remains a vital figure for understanding the Victorian zeitgeist. He did not just paint people; he painted the movement of an era. His work serves as a visual archive of a world in transition, documenting the intersection of tradition and progress. Though his style was rooted in the traditions of his predecessors, his dedication to portraying the authentic, unvarnished details of everyday life ensured that his place in the pantheon of British art would remain secure, offering a window into a vanished world that continues to captivate the modern imagination.

      § 5Comparanda

      § 6Questions

      § 7Cite this entry

      AllPaintingsStore.com, “George Elgar Hicks, Will he do it”, https://allpaintingsstore.com/en/art/george-elgar-hicks-will-he-do-it-9HTP6R-en/ (accessed 3 October 2026).

      § 8The reproduction

      Hand Made Oil Reproduction

      Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

      It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

      Will he do it

      Reproduction Medium

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      Professional assembly required - this is not a DIY product.
      The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

      • All solid wood bars are included, precisely cut to size.

      • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

      • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

      Important:
      The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

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      Total Price

      $ 383

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