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Catalogue entry

Untitled (480)

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Fig. 1. Isabel Bishop, Untitled (480). Shown as the reproduction you are specifying: , .

§ 1Catalogue data

§ 2Abstract

Collectible Description

Explore Isabel Bishop’s "Untitled (480)", a dynamic oil painting bursting with emotion & texture. Capturing urban life's unfixity, this Expressionist work offers a unique visual experience.

Artist Biography

Isabel Bishop (1902-1988): American realist painter of NYC's Union Square & modern women. A Fourteenth Street School artist capturing urban 'unfixity'.

§ 3Commentary

§ 4The artist

Isabel Bishop

Isabel Bishop

1902 - 1988

Quick facts about Isabel Bishop

  • Name: Isabel Bishop
  • Movement: Fourteenth Street School, American Realism
  • Birth Date: 1902
  • Death Date: 1988
  • Birth Place: Cincinnati, Ohio
  • Nationality: American
  • Date Of Birth: 1902
  • Date Of Death: 1988
  • Influenced By: Guy Pène du Bois, Kenneth Hayes Miller, Peter Paul Rubens, Dutch and Flemish painters
  • Notable Works: Paintings of Union Square scenes, depictions of women in urban settings

Artist Biography

Isabel Bishop: A Life in Urban Realism

Early Life and Education

  • Born: 1902, Cincinnati, Ohio.
  • Isabel Bishop came from a background of intellectual privilege; her parents descended from established East Coast mercantile families. Her father was a scholar of Greek and Latin, while her mother pursued writing and early women’s suffrage activism.
  • The family relocated to Detroit, where Bishop began formal art training at age 12 with life drawing classes at the John Wicker Art School.
  • She initially moved to New York City at 16 to study illustration at the New York School of Applied Design for Women, but quickly transitioned to painting.
  • Bishop attended the Art Students League from 1920-1924, studying with influential artists like Guy Pène du Bois and Kenneth Hayes Miller. From Miller, she adopted techniques rooted in Baroque Flemish painting.
  • She also studied with Max Weber and Robert Henri, absorbing elements of early modernism. Time spent painting in Woodstock, New York during the 1920s further shaped her artistic development.

Artistic Development and Style

  • Throughout the 1920s and 30s, Bishop developed a distinctive realist style focused on depicting women in their everyday lives within the bustling streets of Manhattan.
  • Her work was deeply influenced by Old Masters, particularly Peter Paul Rubens and other Dutch and Flemish painters discovered during European travels. This influence is evident in her sensitive modeling of form and atmospheric density.
  • Bishop’s style is characterized by a focus on capturing “unfixity”—the sense of movement, mobility, and fleeting moments within the urban landscape.
  • She explored the interaction between form and ground, creating compositions that convey a dynamic energy. Her paintings often possess what has been described as "a submarine pearliness and density of atmosphere."

Themes and Subject Matter

  • Urban Life: Bishop’s primary subject matter was the vibrant life of New York City, particularly around Union Square.
  • Women in Modernity: She is celebrated for her sensitive and insightful portrayals of American women navigating modern urban existence. Her work often depicts their interactions and experiences within public spaces.
  • Portraits & Nudes: Bishop created both individual portraits, emphasizing the subject’s expression, and solitary nude studies.
  • Multiple-Figure Compositions: She pioneered compositions featuring two or more women engaged in everyday activities.

Career and Recognition

  • Bishop began exhibiting frequently in the midtown galleries of New York City in 1932, establishing a consistent presence throughout her career.
  • She maintained a loft studio near Union Square at 9 West Fourteenth Street from 1934 until 1984, despite residing in Riverdale with her husband, Dr. Harold G. Wolff (a neurologist), whom she married in 1934.
  • Bishop was included in the first three Whitney Biennials (1932, 1934, and 1936) and participated in ten subsequent annual exhibitions at the Whitney Museum of American Art.
  • She taught at the Art Students League from 1936 to 1937.
  • In 1940, she was elected an associate member of the National Academy of Design and became a full member in 1941.
  • Bishop created a post office mural, Great Men Came from the Hills, for New Lexington, Ohio, in 1938 through the Section of Painting and Sculpture.

Legacy and Historical Significance

  • Isabel Bishop is a significant figure within the Fourteenth Street School, a loosely affiliated group of artists working around Union Square, including Reginald Marsh and the Soyer brothers.
  • Her work contributes to discussions surrounding feminism and the representation of the “new woman” emerging in urban landscapes during the 20th century.
  • In the mid-1940s, she illustrated a new edition of Jane Austen’s Pride and Prejudice, with her original drawings now held at the Pierpont Morgan Library.
  • Bishop's paintings offer valuable insights into American social life during the 1930s-1970s, capturing the energy and complexities of a rapidly changing urban environment.

§ 5Comparanda

§ 6Questions

§ 7Cite this entry

AllPaintingsStore.com, “Isabel Bishop, Untitled (480)”, https://allpaintingsstore.com/en/art/isabel-bishop-untitled-480-A25F72-en/ArtistReproduction/ (accessed 3 October 2026).

§ 8The reproduction

Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

It is specified on the order sheet in the margin; the present state of that sheet reads as follows.

Untitled (480)

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The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

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Total Price

$ 333

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