Untitled 59
The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.
This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.
Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting
Switch to Digital Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
Worldwide Delivery () in 2 weeks instead of standard 4/5 weeks. (25 October)
Free Worldwide Express Shipping
High-Quality Linen Canvas
Full Shipping Insurance
Customs Tax Refund Guarantee
True Color Matching Guarantee
100-Day Return Policy (Defects Only)
100% Money-Back Guarantee
Bulk Discount Offer
Untitled 59
Giclée / Art Print
Reproduction Size
-
Total Price
$ 65
Mark Rothko’s Exploration of Emotion Through Color
Mark Rothko (1903 – 1970), born Markus Yakovlevich Rothkowitz in Dvinsk, Latvia, stands as a monumental figure in Abstract Expressionism. His life was marked by early trauma—the loss of his father during the family’s emigration to Portland, Oregon—and a lifelong preoccupation with confronting existential anxieties. These experiences profoundly influenced his artistic vision, propelling him toward a singular approach that prioritized conveying emotion through the deliberate orchestration of color.
- Early Influences: Rothko's formative years were steeped in Jewish tradition and intellectual discourse within the Pale of Settlement. Witnessing pogroms instilled a visceral understanding of persecution and suffering, themes that would permeate his artistic output.
- Portland Years & Artistic Development: The arrival of his family in Portland presented challenges of assimilation alongside exposure to American culture. Despite the difficulties, Rothko cultivated an environment rich in debate and learning, nurturing his burgeoning talent for painting.
- The Shift Towards Color Field Painting: By the late 1930s, Rothko began experimenting with color field painting—a technique characterized by large expanses of pigment applied to canvas without discernible brushstrokes or representational imagery. This method allowed him to bypass traditional artistic conventions and directly access emotional states.
Technique and Material Considerations
Rothko’s distinctive style hinged on meticulous attention to material properties. He favored layering thin washes of color onto canvas, creating luminous blocks that seemed to emanate from within. This technique—often described as “absorption”—involved applying pigment in multiple layers, allowing it to seep into the fabric and achieve a velvety surface texture. The careful selection of pigments—primarily reds, yellows, and blues—was paramount; Rothko painstakingly calibrated their hues and saturations to evoke specific feelings.
- Pigment Choice: Rothko utilized cadmium red, yellow ochre, and ultramarine blue extensively, selecting pigments known for their vibrancy and stability.
- Layering Process: He applied pigment in successive washes, building up color gradually to achieve a harmonious blend that prioritized tonal relationships over precise color matches.
- Canvas Preparation: Rothko meticulously prepared his canvases with gesso—a mixture of plaster and pigment—creating a smooth surface receptive to multiple layers of paint.
Symbolism and Emotional Resonance
Rothko’s paintings transcend mere visual aesthetics; they are imbued with profound symbolic significance. Critics have interpreted his works as meditations on spirituality, grief, and the human condition. The monumental scale of his canvases—often reaching several feet in height—creates an immersive experience for viewers, inviting contemplation and emotional engagement.
- Color as Emotion: Rothko believed that color possessed inherent expressive power, capable of conveying feelings without resorting to figurative representation. He sought to capture the essence of human emotion—joy, sorrow, fear—through the manipulation of chromatic hues.
- Geometric Forms & Spiritual Depth: While his canvases lack recognizable shapes or forms, Rothko’s use of geometric rectangles—often stacked horizontally—suggested a connection to sacred geometry and an aspiration toward transcendence.
- The Viewer's Role: Rothko intentionally left the interpretation open to the viewer, asserting that each individual brings their own experiences and emotions to bear on the artwork.
Historical Context and Legacy
Rothko emerged during the crucible of Abstract Expressionism—a movement that revolutionized American painting in the postwar era. Artists like Jackson Pollock and Willem de Kooning embraced spontaneity and gesture, rejecting academic conventions in favor of visceral expression. Rothko’s unwavering commitment to color field painting distinguished him from his contemporaries and solidified his place as one of the most influential figures in 20th-century art.
- Postwar Artistic Shift: The devastation of World War II spurred a dramatic rethinking of artistic priorities, prioritizing emotional intensity over intellectual rigor.
- Influence on Subsequent Artists: Rothko’s pioneering technique continues to inspire painters today, demonstrating the enduring power of color as a vehicle for conveying profound psychological states.
- Rothko's Enduring Appeal: His paintings resonate with audiences across cultures and generations, offering solace, contemplation, and an invitation to explore the depths of human experience.
Rothko’s legacy extends beyond the realm of art history; his work embodies a timeless quest for beauty and meaning—a testament to the transformative potential of artistic vision.
Questions & Answers
Does "Untitled 59" have an augmented reality preview?
"Untitled 59" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.
Is a high-resolution download of "Untitled 59" available?
A digital image of "Untitled 59" by Mark Rothko can be purchased on its Digital Image page: a high-resolution digital image download.
What is the dominant color of "Untitled 59" by Mark Rothko?
The dominant color of "Untitled 59" by Mark Rothko is driftwood (#937549).
Related Artworks
Artist Biography
A Life Shaped by Displacement
Mark Rothko arrived in the United States as a young boy, part of a family moving from Dvinsk, Latvia, to Portland, Oregon, in 1913. His early years were marked by the heavy atmosphere of the Pale of Settlement, where his family lived amidst political unrest and the fear of pogroms. This sense of instability followed him across the ocean. The loss of his father, Jacob, shortly after their arrival in America added a layer of personal grief to the challenges of settling in a new culture. While he studied at Yale University, the pull of New York City eventually led him to leave formal academics behind for the Art Students League.
His upbringing was one of intellect and debate. His father, a pharmacist with socialist leanings, fostered a home where learning was central. This environment, combined with the hardships of the immigrant experience, created a deep sensitivity to human suffering. These early experiences of loss and the struggle to find a place in a chaotic world became the quiet foundation for everything he would later paint.
From Figures to Fields of Color
In his early years in New York, Rothko focused on realism, painting portraits and urban scenes with careful attention to detail. As the 1940s brought the horrors of World War II, his work began to shift. He moved away from recognizable objects, looking instead toward Surrealism and mythology to find a way to express universal human emotions. During this period, his canvases featured biomorphic shapes that seemed to float between being figures and being abstract forms.
By the late 1940s, he had developed the style that would define his career. He stripped away all imagery, leaving only large-scale canvases with rectangular blocks of color. These forms appeared to hover and resonate against one another. He used thin washes of paint to create subtle changes in tone and texture, making the edges of his shapes appear blurred. He often avoided titles, using simple numbers like No. 1 or No. 6 so that viewers could face the work without any preconceived ideas.
The Search for Emotional Truth
Rothko’s mature period is associated with Color Field painting. His goal was to use color to speak directly to the human soul, bypassing the intellect to reach deep emotions such as tragedy, ecstasy, and despair. He meticulously layered paint to create a sense of depth and light that seemed to come from within the canvas itself. These large works were intended to envelop the viewer in an immersive experience.
His commitment to this emotional honesty led to several significant projects:
- The Seagram Murals, which he originally intended for a New York restaurant but later donated to the Tate Gallery after feeling the setting would compromise the work.
- The Rothko Chapel in Houston, Texas, a non-denominational space containing fourteen of his paintings in varying shades of black, designed as a place for quiet reflection.
- The Harvard Mural series, which were donated to a dining room at the Holyoke Center.
Despite his immense influence on Abstract Expressionism and the later Minimalist movement, Rothko struggled with depression throughout his life. He died by suicide in 1970. His work remains a central part of modern art history, found in permanent collections such as the Museum of Modern Art in New York and the Tate Modern in London.
Mark Rothko
1903 - 1970 , Latvia
Quick Facts
- Artistic Movement Or Style: Abstract Expressionism, Color Field Painting
- Artists Or Movements Influenced By This Artist: ['Minimalist art']
- Full Name: Markus Yakovlevich Rothkowitz
- Nationality: American
- Notable Artworks:
- No. 10
- Seagram Murals
- Untitled
- Place Of Birth: Daugavpils, Latvia
- Date Of Birth: 1903
- Date Of Death: 1970

Glass option is only available in size under 110 CM
