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Giclée / Art Print
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St Proculus
Giclée / Art Print
Reproduction Size
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Total Price
$ 65
St Proculus by MICHELANGELO Buonarroti
The Basilica of San Domenico in Bologna stands as a testament to artistic grandeur, housing treasures that illuminate the history of Italian Renaissance sculpture. Among these masterpieces is *St Proculus*, sculpted by Michelangelo Buonarroti between 1494 and 1495—a work that embodies the artist’s revolutionary approach to form and emotion, marking an early pivotal moment in his illustrious career. This marble statue, measuring approximately 58.5 centimeters, captures Saint Proculus, a Roman martyr venerated for his unwavering faith during Diocletian's persecution of Christians. Michelangelo’s fascination with classical ideals—particularly the human figure—is palpable in *St Proculus*. Unlike earlier sculptural traditions that prioritized stylized representations, Michelangelo sought to achieve anatomical accuracy and naturalistic expression, drawing inspiration from sculptures by Donatello and Niccolò dell’Arca. The statue's pose—a standing figure with his hands clasped together—echoes the monumental sculptures of antiquity, demonstrating Michelangelo’s profound understanding of sculptural principles. The sculpture’s surface is characterized by meticulous polishing and carving techniques, revealing an astonishing level of detail. Michelangelo skillfully rendered musculature, drapery folds, and skin texture, capturing the essence of human anatomy with unprecedented realism. The artist's mastery of marble craftsmanship—a skill honed during his apprenticeship—is evident in every aspect of the statue’s execution. Beyond its technical brilliance, *St Proculus* holds significant symbolic importance. Representing Saint Proculus as a martyr symbolizes Christian piety and resilience in the face of adversity. Michelangelo’s depiction conveys a sense of solemn dignity and spiritual contemplation, inviting viewers to contemplate themes of faith, sacrifice, and divine grace. The statue's placement within the Basilica—a sacred space dedicated to religious devotion—further underscores its symbolic resonance. Michelangelo Unterberger, Michael Angelo Unterberger (1695–1758): Explore the dramatic Baroque altarpieces & paintings of this South Tyrolean artist, known for his masterful chiaroscuro and imperial commissions. Discover his legacy!- Michelangelo Buonarroti
- Saint Proculus
- Marble Sculpture
- Renaissance Art
- Basilica of San Domenico, Bologna
- Saint Proculus
- Sculptor
- Renaissance Master
- Classical Influence
- Symbolism: Martyrdom & Faith
- David
- Pietà
- The Last Judgment
- Laurentian Library
Questions & Answers
How is the mood of "St Proculus" by Michelangelo Buonarroti described?
"St Proculus" has a dramatic atmosphere.
Can I see an X-ray view of "St Proculus" by Michelangelo Buonarroti?
The X-Ray view of "St Proculus" by Michelangelo Buonarroti is on the artwork's X-Ray page: an interactive examination of the image through eleven optical layers.
Is Michelangelo Buonarroti, creator of "St Proculus", known under other names?
Michelangelo Buonarroti is also known as Michelangelo Di Lodovico Buonarroti Simoni, Michelagnolo Di Lodovico Buonarroti Simoni, Michelangelo Di Lodovico Di Lionardo Di Buonarroto, Michelangelo.
Related Artworks
Artist Biography
The Hands of Caprese
In the hills of Caprese, a boy learned the weight of stone and the grit of marble dust. Born in 1475, Michelangelo di Lodovico Buonarroti Simoni spent his early years near Settignano, where his father owned a quarry. The smell of damp earth and the sound of hammers against rock were part of his childhood. He did not start with brushes but with the chisel. His apprenticeship under Domenico Ghirlandaio in Florence brought him into contact with the city's growing interest in the human form, yet it was the Medici gardens that truly shaped his eyes. There, among the ancient Greek and Roman fragments, he studied how light falls across muscle and bone.
His work began to take shape through a deep study of anatomy. He looked at the way a limb carries weight and how skin stretches over a joint. This focus on the physical reality of the body became his primary language. By the time he reached Rome in 1496, he was already carving figures that possessed a heavy, palpable presence. The Pietà, completed in 1499, shows this early ability to make marble appear as soft as flesh, even as it carries the weight of a dead man.
The Weight of the Sistine Ceiling
The task of the Sistine Chapel ceiling was not something he sought. He saw himself as a sculptor, someone who pulls life out of stone rather than spreading pigment on plaster. Yet, for four years, he worked in the high reaches of the chapel, painting over 300 figures from the Book of Genesis. The physical toll was visible in his daily life. He spent hours in difficult positions, his body strained by the reach and the heavy application of fresco technique. In panels like The Creation of Adam, the tension is found in the small gap between two fingers, a moment of near-contact that holds the viewer's attention through pure composition.
As time passed, his style moved away from the balanced ideals of the High Renaissance toward something more restless. His later works, such as The Last Judgment on the altar wall, show a shift toward Mannerism. The figures became more elongated and the compositions more crowded and dramatic. This change reflected a shifting spiritual climate in Rome. He continued to work with an intensity that many found overwhelming, often leaving projects unfinished as his mind moved toward new architectural or sculptural problems.
Architecture and Final Years
In his later decades, Michelangelo turned much of his attention to the structure of buildings. At age 71, he took over the work on St. Peter's Basilica, altering the plans to create a more massive, imposing design. He also designed the Laurentian Library, where his use of architectural elements broke from tradition, creating a sense of movement within the stone itself. His work on the Piazza del Campidoglio in Rome showed how he could organize a public space using symmetry and classical motifs to guide the eye through the square.
He died in Rome in 1564, leaving behind a legacy written in marble, fresco, and stone. His life was defined by several key roles:
- Sculptor: Carving works like David from single blocks of Carrara marble.
- Painter: Executing the vast narrative cycles of the Sistine Chapel.
- Architect: Redesigning the foundations of St. Peter's Basilica and the Laurentian Library.
- Poet: Expressing his inner thoughts through verse.
Michelangelo Buonarroti
1475 - 1564 , Italy
Quick Facts
- Artistic Movement Or Style:
- High Renaissance
- Mannerism
- Artists Or Movements Influenced By This Artist: ['Mannerism']
- Artists Who Influenced This Artist:
- Domenico Ghirlandaio
- Donatello
- Masaccio
- Full Name: Michelangelo di Lodovico Buonarroti Simoni
- Nationality: Italian
- Notable Artworks:
- Pietà
- David
- The Creation of Adam
- The Last Judgment
- Moses
- Place Of Birth: Caprese Michelangelo, Italy
- Date Of Birth: 1475
- Date Of Death: 1564
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