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The travels of Marco Polo Series

This serene landscape painting, part of Lee Ungno’s acclaimed series commissioned for a book about Marco Polo’s voyages, embodies the fusion of Eastern and Western artistic traditions. Ungno skillfully employs triangular shapes to convey depth and perspective, mirroring techniques prevalent in East Asian art while subtly hinting at the explorer's journey. Explore Lee Ungno's captivating 'The Trav

Explore Yi Eungro's (Lee Ungno) innovative art: Korean-French painter blending Eastern & Western styles, known for abstract ink collages & crowd paintings.

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The travels of Marco Polo Series

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Quick Facts

  • Artistic style: East Asian painting
  • Artist: yi eungro
  • Notable elements or techniques: Bird’s-eye view; Triangular forms; Architectural red figures
  • Title: The travels of Marco Polo Series
  • Subject or theme: Landscape; Exploration; East & West perspectives
  • Medium: Painting

Art Quiz

There is only one correct answer for each question.

Question 1:
What is the primary theme explored in Lee Ungno’s ‘The Travels of Marco Polo Series’?
Question 2:
The triangular forms in the painting represent:
Question 3:
What artistic style did Lee Ungno primarily learn from Yeomjae Song Tae-hoe?
Question 4:
Where was Lee Ungno’s artwork ‘The Travels of Marco Polo Series’ exhibited?
Question 5:
What is notable about the architectural red figures seen among the triangular forms in the painting?

Artwork Description

A Journey Across Horizons: Exploring Lee Ungno’s “The Travels of Marco Polo Series”

Lee Ungno (Yi Eungro), born in Seoul in 1904, was a Korean-born French painter and printmaker whose artistic journey spanned decades of exploration between East and West. His formative years were spent at Hongseong Botong Hakyo before he embarked on intensive training under Yeomjae Song Tae-hoe from 1920, establishing himself firmly within the influential ‘haegang style,’ a movement that sought to modernize Korean painting traditions while retaining their core aesthetic values. This dedication to mastering brushwork and composition would prove invaluable as Ungno pursued his artistic ambitions across continents.
  • Early Influences & Artistic Training: Ungno’s initial exposure to art came through Hongseong Botong Hakyo, where he honed foundational skills in drawing and color theory. However, it was Song Tae-hoe's tutelage that truly shaped his artistic vision, immersing him in the techniques of traditional Korean ink wash painting – specifically the haegang style—characterized by its meticulous attention to detail and harmonious blending of colors.
  • The Bamboo Motif: Ungno’s celebrated mukjuk (묵죽), or bamboo painting, exemplifies this stylistic approach. Winning a prize at the 3rd Joseon Art Exhibition solidified his reputation as a gifted artist and demonstrated his ability to capture subtle nuances of light and shadow within a deceptively simple composition. The bamboo itself holds profound symbolic significance in Korean culture – representing resilience, humility, and longevity—mirroring Ungno’s own unwavering commitment to artistic excellence.

A Series Dedicated to Exploration & Perspective

“The Travels of Marco Polo Series,” conceived during the colonial era, represents a pivotal moment in Korean art history. Recognizing the limitations faced by Eastern ink painters attempting to engage with Western influences, Ungno deliberately adopted a bird’s-eye view—a technique borrowed from East Asian painting—to convey a sense of expansive distance and panoramic grandeur. This stylistic choice reflects Ungno's desire to transcend conventional artistic boundaries and capture the essence of intercultural dialogue. The triangular forms dominating the landscape subtly evoke mountainous terrains, mirroring the geographical realities encountered by Marco Polo during his expeditions.

Architectural Echoes & Symbolic Representation

The inclusion of miniature architectural figures amongst the triangular landscapes is particularly noteworthy. These stylized representations hark back to East Asian architectural traditions—specifically those observed by European travelers—adding another layer of complexity and visual interest to the artwork. Ungno’s masterful use of color – predominantly red and white – contributes to a striking aesthetic impact, symbolizing vitality and purity respectively. The overall composition invites contemplation on themes of exploration, discovery, and the merging of cultures.

Legacy & Rediscovery

Despite Ungno's ambition to publish his series, it remained largely unknown until its donation to the Lee Ungno Museum in Daejeon, where it now resides as a testament to Korean artistic heritage. “The Travels of Marco Polo Series” stands as an enduring symbol of Ungno’s pioneering spirit and his unwavering belief in the transformative power of art—a captivating piece that continues to inspire admiration for its innovative technique and evocative imagery.

Artist Biography

**early life and training**

lee ungno, also known as yi eungro, was a korean-born french painter and printmaker born in séoul, south korea in 1904. his early life was marked by a brief stint at the hongseong botong hakyo (홍성보통학교, 홍城초등학교, 洪城普通學校), after which he dedicated himself to studying painting under yeomjae song tae-hoe from 1920.

**artistic career in korea and japan**

lee ungno's artistic career began in earnest when he moved to seoul in 1922, becoming an apprentice to celebrated calligrapher-painter-photographer haegang kim gyu-jin. he primarily learned to paint the four gentlemen in the 'haegang style.' notably, his inkwash painting of a bamboo, mukjuk (묵죽, 墨竹, ink bamboo), won a prize in the 3rd annual joseon art exhibition. lee ungno consecutively won prizes in the joseon art exhibition throughout the colonial period. however, he believed that eastern ink painters should modernize their style. in the early 1930s, lee began producing inkwash landscapes influenced by new, modern eastern ink painting styles and naturalistic renditions found in western-style paintings.

**international recognition and later life**

after training in traditional inkwash painting in korea from the 1920s to the 1930s, lee gradually experimented with western-style painting techniques in japan. his works from the 1950s showcase creative attempts at merging eastern medium and brushstrokes with western perspective and forms. lee ungno relocated to france in 1958, where he fully established his standing as an abstract artist. he is most known for his series of ink and paper collage, abstract letters, and crowd paintings that developed during his stay in france.
  • view yi eungro's artworks on AllPaintingsStore: [https://AllPaintingsStore.com/@/yi-eungro](https://AllPaintingsStore.com/@/yi-eungro)
  • explore the musée national jean-jacques henner, a museum featuring a vast collection of art pieces, including those inspired by eastern styles: [https://AllPaintingsStore.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia](https://AllPaintingsStore.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia)
  • discover more about the ilkhanid art movement, which also blends eastern and western influences: [https://AllPaintingsStore.com/art.nsf/o/a@d3cq2m](https://AllPaintingsStore.com/art.nsf/o/a@d3cq2m)
**legacy** lee ungno is credited for forming part of the first generation of korean abstract artists and contributing to the diversification in the use of eastern material in modern and contemporary art. the lee ungno museum, opened in 2007 in daejeon, south korea, preserves, displays, and promotes artworks and materials related to the artist. **sources:** * [https://AllPaintingsStore.com/@/yi-eungro](https://AllPaintingsStore.com/@/yi-eungro) * [https://en.wikipedia.org/wiki/yi_eungro](https://en.wikipedia.org/wiki/yi_eungro)
yi eungro

yi eungro

1904 - 1989 , South Korea

Quick Facts

  • Artistic Movement Or Style: Eastern & Western Expressionism
  • Artists Or Movements Influenced By This Artist: ['Haegang Style']
  • Artists Who Influenced This Artist: ['Yeomjae Song Tae-hoe']
  • Date Of Birth: January 12, 1904
  • Date Of Death: January 10, 1989
  • Full Name: Yi Eungro (Lee Ungno)
  • Nationality: Korean-French
  • Notable Artworks: ['Composition']
  • Place Of Birth: Seoul, South Korea
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