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Catalogue entry

Landscape with trees in the wind

1919. Oil On Canvas. The Ema Klabin House Museum.

Fig. 1. Chaim Soutine, Landscape with trees in the wind, 1919. Shown as the reproduction you are specifying: , .

§ 1Catalogue data

§ 2Abstract

Collectible Description

Chaim Soutine’s "Landscape with trees in the wind" (1919) – a dynamic Expressionist oil painting showcasing layered textures & emotive brushwork. Explore this unique artwork's symbolism and artistic legacy.

Artist Biography

Discover Chaim Soutine (1893-1943): a master of Expressionism whose turbulent landscapes & portraits bridge tradition and modernity with raw emotion.

§ 3Commentary

Chaim Soutine’s Evocative Response to Nature's Fury

This arresting landscape, titled “Landscape with trees in the wind,” offers a profound glimpse into the artistic world of Chaim Soutine (1894-1943), a painter whose intensely personal and emotionally charged works continue to resonate deeply with viewers. Executed in 1919, during a period of significant upheaval and artistic experimentation, the painting captures a raw, almost violent encounter between nature and the human spirit. The scene unfolds as a densely wooded hillside under a brooding, cloudy sky – a composition dominated by the earthy tones of green and brown, punctuated by flashes of red and pink that hint at distant, obscured elements. Soutine’s brushwork is anything but delicate; it's assertive, almost frantic, conveying a sense of movement and turbulence as if the trees themselves are battling against an unseen wind.

  • Impressionistic Roots with Expressionist Intensity: While rooted in Impressionism’s focus on capturing fleeting moments of light and color, Soutine transcends this style through his deeply expressive application of paint. The visible brushstrokes aren't merely a stylistic choice but an integral part of the work’s emotional core.
  • A Flattened Perspective: Rejecting traditional perspective, Soutine prioritizes the immediate impact of the scene, creating a flattened space that intensifies the feeling of being enveloped by the landscape.

Technique and Materiality – A Layered Approach

The painting’s power resides not only in its subject matter but also in Soutine's masterful technique. He employs a layered approach, building up texture and color intensity through multiple applications of oil paint. Thick impasto strokes create a palpable sense of physicality, inviting the viewer to almost feel the roughness of the bark and the sway of the branches. The diffused lighting contributes to a somber mood, further emphasizing the painting’s emotional weight. The use of color is particularly striking – the reds and pinks aren't merely decorative; they suggest an underlying tension, perhaps reflecting Soutine’s own turbulent personal life.

Symbolic Resonance: Trees as Vessels of Emotion

Beyond a simple depiction of a landscape, “Landscape with trees in the wind” is laden with symbolic meaning. The dense forest, rendered with such raw energy, can be interpreted as representing mystery, resilience, or even the subconscious – themes frequently explored by Soutine. The trees themselves become almost archetypal figures, embodying strength and endurance against an unseen force. The painting’s emotional impact suggests solitude or contemplation, inviting viewers to confront their own inner landscapes.

Historical Context and Artistic Influence

Created in 1919, this work reflects the broader artistic currents of the early 20th century. Soutine's style was influenced by Post-Impressionism and Expressionism, yet he forged a unique path, characterized by his intensely personal vision and his unflinching exploration of emotional truth. His work anticipated many of the developments in abstract art that would emerge later in the century. Soutine’s brief but impactful career cemented his place as one of the most important figures of modern art.

Questions & Answers

What type of artwork is "Landscape with trees in the wind" by Chaim Soutine?

"Landscape with trees in the wind" by Chaim Soutine is classified as wall art. The category describes the kind of artwork the original is.

How is the mood of "Landscape with trees in the wind" by Chaim Soutine described?

"Landscape with trees in the wind" by Chaim Soutine is described as earthy in mood. This classification can help match the work to a setting.

What technique and style characterize "Landscape with trees in the wind" by Chaim Soutine?

"Landscape with trees in the wind" by Chaim Soutine combines the oil on canvas technique with the Expressionism style. Technique and movement describe the making and the style of the work.

§ 4The artist

Chaim Soutine

Chaim Soutine

1894 - 1943, Russia

Quick facts about Chaim Soutine

  • Full Name: Chaim Soutine
  • Nationality: French
  • Date Of Birth: 1894
  • Date Of Death: 1943
  • Place Of Birth: Smilovichi, Russia
  • Notable Artworks:
    • Suburban Landscape...
    • Untitled (2161)
    • Study for the Dance...
  • Artistic Movement Or Style: Expressionism
  • Artists Who Influenced This Artist:
    • Rembrandt
    • Chardin
    • Courbet
  • Artists Or Movements Influenced By This Artist:
    • Willem de Kooning
    • Francis Bacon
    • Abstract Expressionism

Artist Biography

A Life Forged in Turmoil: The World of Chaim Soutine

Born into a large, impoverished Jewish family in Smilovichi, Russia (present-day Belarus) in 1893, Chaim Soutine’s early life was steeped in hardship. This formative experience—a childhood marked by both material scarcity and the restrictions imposed upon his Orthodox community—would profoundly shape his artistic vision. Though figural representation was discouraged within his religious upbringing, a nascent talent for drawing blossomed nonetheless, hinting at the passionate intensity that would come to define his work. He received formal training at an art academy in Vilna (now Vilnius, Lithuania) from 1910 to 1913, but it was his emigration to Paris in 1913 that proved truly pivotal. Enrolling at the École des Beaux-Arts under Fernand Cormon, Soutine found himself amidst a vibrant artistic community, yet he remained largely outside of prevailing trends, forging a path uniquely his own. His initial years in Paris were characterized by extreme poverty, a struggle that mirrored the emotional turbulence simmering beneath the surface of his canvases.

An Expressionist Apart: Style and Influences

While often categorized as an Expressionist, to label Soutine solely within this framework feels limiting. His style was profoundly individual, a compelling synthesis of traditional European painting—particularly the Dutch Masters like Rembrandt and Chardin, and the Realism of Courbet—filtered through a lens of raw emotional intensity. He didn’t simply mimic these masters; he absorbed their techniques and compositional strategies, then violently reinterpreted them to convey his own inner world. Bold colors, applied with thick impasto – a textured application of paint that gives his surfaces a palpable physicality – and agitated brushwork are hallmarks of his style. Soutine wasn’t interested in precise representation; he sought to capture the emotional essence of his subjects, often imbuing them with a sense of unease or psychological tension. Landscapes, portraits, and still lifes became his preferred vehicles for this exploration, recurring themes like food and animals reflecting both personal experiences and his Jewish heritage. These weren’t merely depictions; they were visceral expressions of feeling, painted with an almost desperate energy.

Development and Defining Works

Soutine's artistic development unfolded through distinct periods, each marked by unique stylistic explorations. The early Parisian years (1913-1917) saw him grappling with his voice amidst financial hardship. The period spent in Céret between 1919 and 1922 proved crucial. It was here, surrounded by the dramatic landscapes of southern France, that he produced many of his most celebrated works. These paintings are characterized by vibrant colors, distorted forms, and a sense of almost violent energy. Trees, cliffs, and fields become swirling masses of paint, reflecting not just what Soutine saw but how he *felt* in their presence. His portraits, too, stand apart for their psychological depth. He often depicted working-class individuals with a raw honesty that challenged conventional portraiture, revealing the dignity and vulnerability of his subjects. Similarly, his still lifes—arrangements of food and objects—convey a sense of vitality, but also an unsettling energy, as if even inanimate objects are imbued with life and emotion. Notable works from this period include studies related to “The Dance of Life,” alongside numerous landscapes capturing the essence of Céret, and poignant portraits of Russian émigrés in Paris.

Recognition, Legacy, and Lasting Impact

Soutine was a key figure within the School of Paris, a diverse group of artists working in the city during the early 20th century. However, his path to recognition wasn’t straightforward. The art dealer Leopold Zborowski played an instrumental role in promoting Soutine's work and securing his financial stability, recognizing the unique power of his vision. Initial critical reception was mixed, but his reputation grew steadily over time. His expressive use of paint and emotional intensity profoundly influenced later artists, including Willem de Kooning and Francis Bacon, who saw in Soutine a kindred spirit—an artist willing to push the boundaries of representation in pursuit of authentic expression. Today, Chaim Soutine is rightfully recognized as a major figure in Expressionism and a significant contributor to 20th-century art. His works are held in prestigious museums worldwide, testaments to his enduring legacy. He represents a crucial bridge between traditional European painting techniques and the emerging forms of Abstract Expressionism, prioritizing emotional expression over objective representation and developing an artistic voice that transcended typical Expressionist concerns. His innovative style paved the way for future generations of artists seeking to explore the depths of human emotion through the power of paint.

§ 5Comparanda

§ 6Questions

Quick Facts

  • Artist: Chaim Soutine
  • Title: Landscape with trees
  • Artistic style: Impressionist/Expressionist
  • Year: 1919

§ 7Cite this entry

AllPaintingsStore.com, “Chaim Soutine, Landscape with trees in the wind (1919)”, https://allpaintingsstore.com/en/art/chaim-soutine-landscape-with-trees-in-the-wind-D7SHM6-en/ArtistReproduction/ (accessed 13 October 2026).

§ 8The reproduction

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Landscape with trees in the wind

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