Famous Post Impressionism Paintings: The Top 100

81 × 65 cm1888Oil on canvasKröller-Müller Museum, Otterlo

The café itself can be seen as a symbol of refuge and community in the darkness. It also foreshadows the expressive power of 20th-century art movements like Fauvism and Expressionism.

Detailsstarry skyartificial lightingcafé terrace

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180 × 220 cm1908Oil on canvasHermitage Museum, Saint Petersburg

This creates a shimmering, textured effect that enhances the vibrancy of the palette. Originally titled “Harmony in Blue,” the artist deliberately altered the background to red, demonstrating his commitment to exploring the emotional impact of color itself.

Detailswoman peeling an orangestill life arrangementbold color use (red)

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139.1 × 374.6 cm1897Oil on canvasMuseum of Fine Arts, Boston

This painting reflects Gauguin's deep fascination with non-Western cultures, particularly that of Polynesia. The inclusion of a Tahitian idol hints at the spiritual beliefs of the region and Gauguin’s own exploration of alternative philosophies.

Detailspolynesian religious imageryflattened aestheticnon-traditional composition (reads right to left)

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32 × 25 cm1886Oil on canvasVan Gogh Museum, Amsterdam

Vincent van Gogh’s “Skull with Burning Cigarette” (1886) is a strikingly intimate and unconventional work from his early period, offering a glimpse into the artist's developing style and fascination with existential themes.

Detailsdefiancedark humorsymbolism of mortality

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129.5 × 200.7 cm1897Oil on canvasMOMA - Museum of Modern Art, New York City

Created during the Post-Impressionist era, this painting reflects a growing interest in subjective experience and symbolic representation. Rousseau’s work emerged alongside movements like Symbolism and early Fauvism, challenging established artistic norms.

Detailsjuxtaposition of vulnerabilitypowerdreamlike atmosphere

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91 × 71 cm1888Oil on canvasBayerische Staatsgemaldesammlungen, Munich

Van Gogh moves beyond merely representing reality; he uses vibrant color and expressive brushwork to convey his subjective experience. This duality reflects Van Gogh’s own internal struggles and his awareness of life's impermanence.

Detailsthick brushstrokeswilting flowersvibrant colors

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97 × 130 cm1893Oil on canvasMusée d'Orsay, Paris

Created in Aix-en-Provence, France, during a period of significant social change, "The Card Players" reflects Cézanne’s fascination with the lives of rural laborers. The pipe smoked by one figure adds to the atmosphere of quiet contemplation and introspection.

Detailsearthy tonesquiet contemplationsomber mood

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82 × 114 cm1885Oil on canvasVan Gogh Museum, Amsterdam

Despite its somber mood, the painting radiates a powerful humanity that makes it one of Van Gogh's most compelling works. Van Gogh considered The Potato Eaters his most successful painting at the time, though it was initially criticized by contemporaries.

Detailssubdued lightingintense focus on figures' faces and expressionsdark, earthy tones

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1891Oil on canvasMusée d'Orsay, Paris

Seated on what appears to be a woven mat, their postures suggest contemplation and quiet connection. This work reflects his fascination with Polynesian culture, though it’s important to acknowledge that his interpretation was filtered through a Western lens.

Detailsbold colorssimplified shapesdirect gaze of one figure

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110 × 110 cm1903Oil on canvasAustrian Gallery Belvedere, Vienna

"Birch Forest" (1903) by Gustav Klimt captures the tranquil beauty of an autumn forest, where tall birch trees stand sentinel amidst a carpet of fallen leaves. "Birch Forest" was created in 1903, a pivotal year for Gustav Klimt.

Detailsvertical birch treesfallen autumn leavesblue flowers

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140 × 95 cm1911Oil on canvasPushkin State Museum, Moscow

Painted in 1911, "Goldfish" exemplifies Matisse's Post-Impressionist style, characterized by bold colors and expressive brushstrokes. "Goldfish" was created during a reflective period in Matisse's career when he explored new spatial configurations and incorporated elements from his travels to Morocco.

Detailspatterned wallpapercircular compositionvibrant red fish

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201 × 301.5 cm1884Oil on canvasNational Gallery, London

The composition is balanced with a horizontal orientation, featuring figures scattered across the foreground and middle ground. "Bañistas en Asnieres" exemplifies Seurat's Post-Impressionist style, characterized by its emphasis on color, expressive brushwork, and a departure from strict realism.

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72 × 92 cm1888Oil on canvasYale University Art Gallery, New Haven

Van Gogh’s deliberate distortion of perspective further enhances this sense of unease and psychological depth. Yet, within this seemingly mundane setting, Van Gogh explores themes of isolation, alienation, and the darker aspects of human existence.

Detailsdistorted perspectivebilliard tablesymbolic isolation

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210.5 × 250.8 cm1898–1905Oil on canvasPhiladelphia Museum of Art

The painting presents thirteen nude female figures arranged in a woodland setting, seemingly lost in quiet contemplation near a body of water. Large Bathers (Philadelphia) emerged during a period of radical artistic experimentation.

Detailsdappled lightflattened perspectivenude figures

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110 × 110 cm1911Oil on canvas

Born in 1862 near Vienna, Austria, Gustav Klimt (1862-1918) rose to prominence as a rebellious force within the Austrian art scene. Initially focused on decorative murals, he increasingly sought artistic freedom, culminating in his pivotal role in the Vienna Secession.

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91 × 73 cm1889Oil on canvasBuffalo AKG Art Museum

At its core, the work depicts Jesus Christ on the cross, yet Gauguin deliberately subverts expectations. The figure’s yellowish-green skin tone and elongated form immediately challenge conventional portrayals of Christ's suffering.

Detailsbreton figuressymbolic landscapeyellowish-green skin tone of Christ

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72 × 92 cm1888Oil on canvasVan Gogh Museum, Amsterdam

This technique wasn't merely stylistic; it was integral to Van Gogh’s desire to express his inner turmoil and passion through paint. Notably, the painting showcases “The Yellow House,” where Van Gogh hoped to establish an artist’s colony with Paul Gauguin.

Detailsswirling blue skylamppostcobblestone street

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90 × 116 cm1923Oil on canvasCentre Pompidou, Paris

Executed with Valadon’s signature expressive brushwork, this painting exemplifies Post-Impressionism’s emphasis on subjective vision and emotional resonance. Unlike the smooth finishes favored by earlier artists, Valadon embraces visible strokes and a textured surface, lending a tactile quality to the work.

Detailsbold colorsexpressive brushstrokescigarette

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62 × 79 cm1895Oil on canvasArt Institute of Chicago

Cézanne's work bridges the gap between Impressionism and Cubism, characterized by bold brushstrokes and a focus on geometric forms. From living rooms to offices, "Basket of Apples" is a versatile piece that can enhance any decor style.

Detailsvibrant contrast between warm fruits and cool backgroundbold colors and loose brushstrokesdynamic composition with fruits, bread, and a bottle

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72 × 90 cm1888Oil on canvasVan Gogh Museum, Amsterdam

This painting is a quintessential example of Van Gogh's distinctive Post-Impressionist style. Even within his self-created sanctuary, Van Gogh couldn’t fully escape his inner demons. 72 x 90 cm Date: 1888

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60 × 73 cm1904Oil on canvasPushkin State Museum, Moscow

The painting's creation occurred during a period of intense artistic experimentation for Cézanne. This pursuit led him to repeatedly revisit Mont Sainte-Victoire, transforming it into a series of paintings that explored different perspectives and compositional arrangements.

Detailsmountain rangetrees

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70 × 99 cm1908–1910Oil on canvasKunstmuseum Den Haag, The Hague

Classifying “Avond (Evening): The Red Tree” as purely Post-Impressionist feels somewhat reductive. However, unlike Van Gogh's intensely subjective approach, Mondrian sought to distill nature down to its essential geometric forms, stripping away all extraneous detail.

Detailsblue backgroundred tree

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50 × 103 cm1890Oil on canvasVan Gogh Museum, Amsterdam

The symbolism within Wheatfield with Crows is rich and open to interpretation. Offices/Studies: To inspire creativity and provide a moment of pause amidst work. 50 x 103 cm Date: 1890

Detailsturbulent skycrowswheat field

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100 × 155 cm1888Oil paint or pastelsMetropolitan Museum of Art, New York

During this period, Seurat was at the forefront of the Post- Impressionist movement, pioneering techniques that would influence generations of artists. As an investment, "Circus Sideshow" is a valuable addition to any collection.

Detailsuse of pointillist technique for textured effectvibrant color palette with warm tones

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73 × 92 cm1892Oil on canvasBarnes Foundation, Philadelphia

“Mont Sainte-Victoire” firmly establishes Cézanne as a pivotal figure in the transition from Impressionism to Cubism. It suggests that Cézanne was never entirely satisfied with his representation of Mont Sainte-Victoire, constantly striving to capture its elusive essence.

Detailscolorbrushstrokes

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1899Pen and brush and ink, watercolor and pencilHastings Museum Art Gallery

The café was opened by Pere Romeu, who had previously operated a similar establishment in Paris called Le Chat Noir. The work exhibits elements of Post-Impressionism, a movement that emerged in the late 19th century as a reaction against Impressionism.

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40 × 31 cm1889Oil on canvasArt Institute of Chicago

This oil on canvas painting, measuring 40 x 31 cm, is a quintessential example of Post-Impressionism, characterized by bold colors and expressive brushwork. Van Gogh’s work was influenced by various artistic movements, including Impressionism and Expressionism.

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1905Oil on canvas

Emerging in the early 20th century, Fauvism (“wild beasts” in French) shocked the art world with its radical use of color. This emphasis on surface pattern and decorative effect foreshadows Matisse's later explorations in abstraction.

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72.4 × 92.4 cm1892Oil on canvasBuffalo AKG Art Museum

At its heart lies Teha'amana, a young Tahitian girl lying prone on a bed, her gaze directed sideways towards the viewer. The choice of burlap as a canvas itself speaks volumes about Gauguin’s intentions.

Detailsspirit of the dead

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24 × 15 cm1889Oil on panelFine Arts Museums of San Francisco

Measuring just 24 x 15 cm, this intimate painting—currently housed at the Fine Arts Museums of San Francisco —packs an enormous visual punch, offering a unique perspective on one of the world's most recognizable landmarks.

Detailspointillist techniqueatmospheric perspective

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50 × 65 cm1909Oil on cardboard

The painting features a central table draped with a red-and-white checkered cloth, surrounded by various dishes and utensils. Kandinsky's use of bold, unnatural colors and expressive strokes infuses the scene with a strong emotional and psychological presence.

Detailscentral table with a red-and-white checkered clothlarge wooden cabinet adorned with various objectstwo open doorways revealing glimpses of adjacent areas

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59 × 72 cm1894Oil on canvasWhitney Museum of American Art, New York

The painting features a simple yet evocative arrangement of objects: a large jug, a bowl of fruit, and a draped curtain. In "Curtain, Jug and Fruit," he employs loose, expressive brushwork that conveys a sense of spontaneity and movement.

Detailsloose brushworkeveryday objects arranged casuallyvibrant yet muted color palette

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82 × 66 cm1901Oil on canvasPushkin State Museum, Moscow

"Sabartes" showcases Picasso's distinctive Post-Impressionist style, characterized by bold outlines, flat planes of color, and expressive brushstrokes. Created in 1901, "Sabartes" reflects Picasso's early exploration of themes such as solitude, introspection, and melancholy.

Detailscontemplative expressionmuted palettethick expressive brushstrokes

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39 × 31 cm1890Oil on canvas (presumed)

Flowers in Van Gogh's oeuvre frequently represent fragility, fleeting beauty, or remembrance. Created towards the end of Van Gogh's tragically short life, this portrait reflects his ongoing experimentation with color and form.

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72 × 59 cm1905Oil on canvasMOMA - Museum of Modern Art, New York City

The scattered apples symbolize fertility and abundance, subtly enriching the painting’s visual vocabulary.

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101 × 77 cm1892Oil on canvasKunstmuseum Basel

This gesture suggests a bond of affection and mutual respect, but also hints at the passage of time and the wisdom accumulated through experience. Gauguin’s deliberate use of color is particularly significant.

Detailssymbolic figures

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1886Oil on canvasPhiladelphia Museum of Art

This artwork will undoubtedly spark conversation and add a layer of sophistication and intrigue to both contemporary and traditional interiors. Consider pairing with furniture featuring natural materials like wood and linen to echo the organic elements within the painting.

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45 × 33 cm

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35.2 × 46.2 cm1890Oil on canvasHermitage Museum, Saint Petersburg

The painting features a table set with various fruits, including apples, oranges, and lemons, arranged in a harmonious composition. Still life with Apples Paul Cézanne: A pioneering French Post-Impressionist artist.

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73 × 92 cm1888Oil on canvasMusée d'Orsay, Paris

Starry Night Over the Rhone was painted during a prolific period in Van Gogh's life when he was living in Arles. The painting was first exhibited in 1889 at the annual exhibition of the Société des Artistes Indépendants in Paris.

Detailsexpressive brushworkreflections in the watertwo figures standing by the river

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64 × 54 cm1888Oil on canvasThe Norton Simon Museum of Art, Pasadena

Arriving in Arles in 1888, Van Gogh sought to establish an artistic community inspired by the vibrant light and simple beauty of the southern French countryside.

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69 × 91.5 cm1890Oil on canvasOrsay Museum, Paris

The painting arrived at a pivotal moment in art history —the waning days of Impressionism and the burgeoning excitement surrounding Symbolism —marking Gauguin’s decisive break from academic conventions.

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1916Oil on canvas

Known in its original language as Le Retour de pêche au Croisic, the piece captures a specific maritime scene. This work originates from a period in the artist's life spent in the coastal regions of France.

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73 × 92 cm1922Oil on canvasEredità Bardini Museum

Like Picasso, Matisse championed a radical departure from traditional representational conventions, prioritizing expressive color over accurate depiction. The early 20th century witnessed a seismic shift in artistic sensibilities—a rejection of academic formalism in favor of experimentation and innovation.

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73 × 60 cm1888Oil on canvasDallas Museum of Art

The composition is anchored by a large tree that dominates the background, creating a vertical axis that draws the eye upward. Pissarro's Post-Impressionist style is evident in the vibrant colors, thick brushstrokes, and emphasis on form and texture.

Detailsthick, textured brushstrokeslarge central treefigures engaged in apple picking

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91 × 72 cm1888Oil on canvasPhiladelphia Museum of Art

This Post-Impressionist still life showcases a bouquet of sunflowers arranged in a simple vase, exuding warmth, vitality, and an unmistakable sense of joy. Van Gogh's distinctive style is on full display in this artwork.

Detailsdynamic compositionthick paint applicationvibrant colors

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99 × 100 cm1905Oil on canvasMetropolitan Museum of Art, New York City

The warm oranges, reds, and yellows are balanced by cooler blues and greens, creating a dynamic visual experience. The guitarist in the background represents Frédéric Gérard, the owner of the Lapin Agile cabaret.

Detailsgermaine Pichot depicted as the woman in orange dressfrédéric Gérard depicted as the guitaristself-portrait as a harlequin

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1923Oil painting

The painting firmly establishes itself within the Fauvist movement, championed by Matisse alongside André Derain and Maurice Denis. Matisse sought to convey feeling rather than precise observation, prioritizing visual impact over photographic accuracy.

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1893Oil on canvasKröller-Müller Museum, Otterlo

At first glance, the viewer is greeted by the commanding presence of two dark, verdant cypress trees that pierce the sky like silent sentinels. In Signac’s hands, these trees become icons of resilience, standing steadfast against the turbulent Mistral wind.

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1918–1927Oil on canvasPhiladelphia Museum of Art

The painting, executed in oil on canvas, immediately draws the viewer into its complex world through bold color choices and fragmented forms. Duchamp’s style here is a precursor to his later explorations in Cubism and Surrealism.

Detailseveadam

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73 × 92 cm1904Oil on canvasMOMA - Museum of Modern Art, New York City

During this era, Post-Impressionist painters like Cézanne sought to move beyond the fleeting impressions of Impressionism, emphasizing structure, volume, and underlying geometric forms.

Detailsbold formsvibrant colorstextured brushwork

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90 × 130 cm1891Oil on canvasChrysler Museum of Art, Norfolk

The landscape may represent a utopian or mythical world, where humans and nature coexist in harmony. This symbolic depth adds layers of meaning to the piece, making it a fascinating subject for contemplation.

Detailsreclining human-like figure with an animal headvibrant colorsdreamlike atmosphere

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1924Oil

Two figures walk along the edge of the sand, their silhouettes softening as the light fades. The colors are deep and saturated, mirroring the intense shifts of a coastal sunset. The subtle textures of the sand and the sea foam.

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71 × 93 cm1889Oil on canvasJ. Paul Getty Museum, Los Angeles

Measuring 71 x 93 cm, “Irises” is a powerful expression of beauty found amidst personal turmoil, and remains one of his most beloved and recognizable works. This immersive composition draws the viewer into a vibrant garden scene.

Detailsemotional intensitypathwayswirling brushstrokes

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59 × 59 cm1903Oil on canvasLenbachhaus, Munich

Painted in 1903, this work predates the official formation of Der Blaue Reiter (The Blue Rider), the influential art movement co-founded by Kandinsky and Münter. The group emphasized spiritual expression through color and form, laying the groundwork for abstract art.

Detailsexpressive brushwork creating texture and movementvibrant color palette with earthy tones and bright accents

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99 × 100 cm1905Oil on canvasMetropolitan Museum of Art, New York City

“At ‘Lapin Agile’” marks a pivotal moment in Picasso’s artistic development, firmly situated within his Rose Period (1904-1906). Created in 1905, this painting reflects a period of significant artistic experimentation and social change.

Detailsself-portrait (possibly)le Lapin Agile cabaretharlequin figure

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1922Oil on canvas

Despite its categorization within Surrealism, “Olive Trees” retains traces of Impressionistic influences. Painted during Dalí’s formative years in Paris alongside Pablo Picasso, “Olive Trees” reflects the broader artistic currents of the time.

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1901Oil on canvasArtsDot.com

The skull, centrally positioned and holding an apple in its skeletal hand, immediately draws the viewer's attention. Still Life with Skull is a quintessential example of Cézanne’s Post- Impressionistic style.

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92 × 73 cm1888Oil on canvas

Painted during Van Gogh's prolific period in Arles, France, this artwork exemplifies his Post-Impressionist approach. Unlike the Impressionists who focused on capturing fleeting moments of light, Van Gogh infused his work with emotional intensity and bold, expressive brushstrokes.

Detailscontrast between warm and cool colorsvibrant and dynamic representationbold, expressive lines

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Oil on canvas on board

The work depicts a Parisian street scene, focusing on the urban landscape and the activity surrounding a theater. This specific composition captures a moment of city life within a metropolitan setting.

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61 × 50 cm1902Oil on canvasPhiladelphia Museum of Art

Marcel Duchamp, a pioneer of conceptual art, is renowned for his innovative and thought-provoking works. Duchamp's Landscape at Blainville reflects his early fascination with capturing natural beauty. Experience the tranquility of Marcel Duchamp's 'Landscape at Blainville' with AllPaintingsStore.com.

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72 × 47 cm1908InkGemeentemuseum den Haag, The Hague

Post-Impressionism arose as a reaction against Impressionists' preoccupation with capturing fleeting moments of light and color. Artists like Cézanne, Gauguin, and Van Gogh sought to express emotions and ideas through art—a conscious rejection of Impressionistic objectivity.

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113.7 × 87.6 cm1891Oil on canvasMetropolitan Museum of Art, New York

This work encapsulates Gauguin’s radical departure from European artistic conventions and his quest to capture spirituality outside the confines of Western tradition. First exhibited in Paris in 1893, “Ia Orana Maria” immediately sparked conversation and controversy.

Detailsapparition of Maryjesus as Tahitianstahitian women

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1920Oil on canvas

Created in 1920, this work reflects the post-World War I era’s exploration of human emotion and identity. The artist’s approach captures the zeitgeist of a society grappling with change, vulnerability, and resilience.

Detailsabstract and figurative blendvivid interplay of color, texture, and linerich textured surface

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81 × 101 cm1905Oil on canvasNational Gallery of Art, Washington

Created during a pivotal moment in art history, Still Life with Apples and Peaches reflects Cézanne's departure from traditional artistic conventions. Post-Impressionism Key Features: Planes of color, deliberate brushstrokes, geometric forms.

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73 × 93 cm1888Oil on canvasKröller-Müller Museum, Otterlo

Van Gogh’s signature technique – impasto – is powerfully evident here. During his time in Arles, Van Gogh sought refuge and inspiration in the rural landscape, hoping to establish an artist's colony.

Detailstextured brushstrokesrural scenevibrant colors

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1905Oil on canvasNational Gallery of Art, Washington

Matisse deliberately avoids the deep, illusionistic space favored by the Impressionists, opting instead for a more decorative and rhythmic arrangement. Ultimately, Matisse’s vision remains as potent today as it was over a century ago.

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69 × 105 cm1907Oil paint

The woman’s hand is visible in the lower portion of the scene, making contact with her child. Painted in 1907, this work reflects the stylistic evolution of Nicolas Tarkhoff following his time in Paris.

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76 × 107 cm1920Oil

Carline, born in London, United Kingdom, in 1888, brought a unique perspective to the canvas, shaped by his direct experiences during the First World War. The scene captures the aftermath of a destroyed Turkish aerodrome at Rayak, Lebanon, in 1919.

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72.4 × 90.5 cm1894Oil on canvasMetropolitan Museum of Art, New York

Farm in Brittany, painted by Paul Gauguin in 1894, is a quintessential example of Post-Impressionism. This beautiful oil on canvas painting is housed at the Metropolitan Museum of Art in New York, United States.

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75 × 93 cm1888Oil on canvasPushkin State Museum, Moscow

Furthermore, Van Gogh’s artistic development during this period was significantly shaped by Japanese woodblock prints (Ukiyo-e). AllPaintingsStore offers meticulously hand-painted reproductions of “The Red Vineyard,” capturing the essence of Van Gogh’s original vision with exceptional detail and fidelity.

Detailshorsegrapesworkers

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53.5 × 72.4 cm1879Oil on canvasNational Gallery, London

Mountains in Provence near L'Estaque, painted around 1870-1871, is a remarkable example of Cezanne's early work and his transition from Impressionism to Post-Impressionism. For more information on Paul Cezanne and his works, visit AllPaintingsStore's artist page.

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1912Oil on canvasPushkin Museum

Rejecting naturalistic representation, Matisse embraced pure color—unmixed pigments applied directly to the canvas—creating an audacious visual experience that prioritized feeling over observation. This bold chromatic palette, reminiscent of landscapes from Morocco, immediately distinguishes “Entrance to the Kasbah” from its contemporaries.

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81 × 65 cm1890Oil on canvasOhara Museum of Art, Kurashiki

Measuring 81 x 65 cm, it's a quintessential example of his mature style – a pivotal moment bridging Impressionism and the burgeoning Cubist movement. Born and largely based in Aix-en-Provence, France, Cézanne held a lifelong fascination with his native landscape.

Detailsthick impastoloose brushstrokesflattened perspective

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67 × 56 cm1890Oil on canvas

Van Gogh painted "Portrait of Dr. Gachet" during a prolific period in Auvers-sur-Oise, where he produced over seventy paintings in just two months. The swirling background could represent the artist's emotional state, adding layers of meaning beyond the literal depiction.

Detailsbold brushstrokesvivid color paletteswirling background patterns

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67 × 54 cm1896OilMusée d'Orsay, Paris

The floor, covered in a geometrically patterned rug, adds a layer of tactile depth to the scene. As light filters through an unseen window, it illuminates the woman’s skin and the soft drapery around her, creating a cocoon of comfort.

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75 × 97 cm1909Oil on canvasHermitage Museum, Saint Petersburg

Wassily Kandinsky, a Russian painter and art theorist, is renowned for his pivotal role in the development of abstract art. The painting is now housed at the Hermitage Museum in Saint Petersburg, Russia.

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140 × 91 cm1898Oil on canvasMusée d'Orsay, Paris

Born Eugène Henri Paul Gauguin in Paris in 1848, Gauguin experienced a formative childhood in Peru before returning to France due to financial difficulties stemming from his unsuccessful stockbroker career.

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46 × 38 cm1877Oil on canvas (presumed)Virginia Museum of Fine Arts, Richmond

This technique, a hallmark of Cézanne’s mature style, emphasizes structure and solidity over surface appearance. It’s a snapshot of bourgeois life in late 19th-century France, meticulously observed and translated onto canvas.

Detailsformal compositiondistinctive brushworktextured surface

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24 × 33 cm1907OilCentre Pompidou, Paris

In “Park von Saint-Cloud, Waldlichtung,” these principles are brilliantly applied. “Park von Saint-Cloud, Waldlichtung” was created during a period of significant artistic ferment in Europe. Reproductions of this work offer a remarkable opportunity to experience Kandinsky’s artistic vision firsthand.

Detailsforest landscape

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32 × 35 cm1888OilKröller-Müller Museum, Otterlo

The painting features a horizontal layout with tall, slender cypress trees dominating the foreground. "Willows at Sunset" was created during Van Gogh's time in Arles, France, a period marked by intense creativity and experimentation.

Detailsbold colors and expressive brushworkdynamic composition with radiating linesthick impasto textures

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1892Oil on canvasMetropolitan Museum of Art, New York

Some scholars interpret the scene as a veiled allusion to ancient Polynesian rituals involving fertility and purification. “Tahitian Women Bathing” wasn’t an immediate success upon its completion, but it quickly gained recognition after Gauguin's death.

Detailssynthetist style

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46.3 × 56.5 cm1893Oil on canvasMOMA - Museum of Modern Art, New York City

There is a fascinating tension between stability and dissolution within the technique. The presence of the mother—a widow who navigated the challenges of life with strength—adds a layer of biographical poignancy that enriches the viewing experience.

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22 × 30 cm

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1914Oil on canvasThe Phillips Collection, Washington, D.C.

Prendergast, a master of the Post-Impressionist movement, moves far beyond the mere naturalistic depiction of light. Instead, he employs a technique that feels almost mosaic-like, utilizing bold, saturated colors and simplified geometric shapes to construct his vision.

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1890

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1914PaintingSoares dos Reis National Museum, Porto

In 1905, he moved to Paris to further his education, studying under Jean-Paul Laurens at the Julian Academy. To understand the trajectory of this artist, one might look toward his 1915 work, Tableware from Barcelos.

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72 × 58 cm1904Oil on canvasIsabella Stewart Gardner Museum

Alongside André Derain, Matisse spearheaded this revolutionary art movement which lasted from 1905 to 1908. Other notable artworks by Henri Matisse include “Odalisque” (1917), “Fatma (II)” (1912), and “Still Life with Lemon” (1917).

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52 × 56 cm1878Oil on canvasNorton Simon Museum, Pasadena

Nestled within the picturesque setting of the Jas de Bouffan estate near Aix-en-Provence—a place deeply intertwined with Cézanne’s family history—the painting captures a tranquil scene dominated by a shimmering pond reflecting the sky above.

Detailsgeometric formscolor

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95 × 73 cm1889Oil on canvasNational Gallery, London

The style is characterized by bold colors, expressive brushwork, and a departure from realistic representation. This period marked a significant shift in Van Gogh's style, as he embraced brighter colors and more expressive techniques.

Detailsdynamic compositionexpressive brushworkvibrant yellows

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1899

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1900Oil on canvas

This oil on canvas, measuring 58 x 71 cm, captures a fleeting moment along the Seine, transforming an everyday scene into a symphony of color and form. For more information about Henri Matisse and his artistic legacy, please visit AllPaintingsStore.com.

Detailsbold colorsdynamic brushstrokes

Oil painting from $170 Print — from $42

72.2 × 91 cm1888Oil on canvasScottish National Gallery, Edinburgh

Gauguin, a restless spirit driven by a desire to escape European conventions, had already begun to dismantle established artistic norms, seeking inspiration in the art of Japan and the raw energy of his own experiences – particularly those spent in Tahiti.

Detailsdistorted shapesbold color

Oil painting from $170 Print — from $42

92 × 73 cm1889Oil on canvasMinneapolis Institute of Art

The painting depicts a serene rural landscape dominated by twisted olive trees under a radiant yellow sky. Van Gogh found solace in nature, and his olive tree paintings represent life, the divine, and the cycle of life.

Detailsswirling yellow skywarm color palettetwisted olive trees

Oil painting from $170 Print — from $42