Mannerist painters at a glance
El Greco (1541–1614) is the most famous Mannerist painter, best known for The Burial of the Count of Orgaz and Opening of the fifth seal (The vision of Saint John the Divine). Then Jacopo Tintoretto, Giuseppe Arcimboldo, Bronzino and Sofonisba Anguissola. The list covers 71 painters born between 1475 and 1577 in 9 countries, from Amico Aspertini to Cristofano Allori.
Method. Scope: artists filed under Mannerist in our catalogue. Order: our artist fame ranking. Excluded: artists born after 1955 without a Wikidata identifier. Wikipedia figure: languages with an article, out of our 32.
Key data
Ranked list
1/ 71
b. Heraklion Wikipedia 31/32
Doménikos Theotokópoulos, known to history as El Greco, began his life in 1541 on the island of Crete. At that time, the island was a Venetian possession, a fact that would later allow him to bridge the gap between Eastern and Western traditions. In the Venetian Republic, he encountered the works of Titian and Tintoretto, absorbing their mastery of color and the use of light to define form.
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Italian b. Venice Mannerist, Venetian school Wikipedia 31/32
The Origin of the Milky Way (Scuola Grande di San Rocco, Venice). The early momentum of his career found expression in the church of the Carmine, Venice, with The Presentation of Jesus in the Temple, painted about 1542.
Location The Scuola Grande di San Rocco remains the most concentrated repository of his output, housing over sixty canvases that transform the building's halls into a cinematic experience of biblical narratives.
3/ 71
b. Milan Wikipedia 30/32
He specialized in grotesque symbolical compositions, where the anatomy of a face was reimagined through the arrangement of fruits, vegetables, flowers, animals, books, and various inanimate objects. The artist’s most distinctive approach reached a public milestone on New Year’s Day in 1569, when he premiered his composite heads to Maximilian II.
Location The physical remnants of Arcimboldo’s imagination are scattered across Europe, preserved within the halls of institutions that once served the very courts he once entertained.
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Italian b. Florence Mannerism Wikipedia 29/32
Agnolo di Cosimo, known to history as Bronzino, emerged from the vibrant artistic landscape of Renaissance Florence in 1503, a period already brimming with genius. This early period was also influenced by studies with Andrea del Sarto, exposing him to the legacies of Michelangelo and Leonardo da Vinci, foundational influences that would subtly permeate his mature style.
Trained by Pontormo #6 · Trained Alessandro Allori #20
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Italian b. Cremona Renaissance, Mannerism Wikipedia 29/32
“ Self-Portrait at the Easel ” (1556) is particularly iconic, presenting Sofonisba confidently engaged in her craft, challenging viewers to acknowledge her artistic authority.
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Italian b. Parma Mannerism Wikipedia 28/32
Parmigianino’s artistic journey led him to Florence around 1524, where he absorbed the influence of masters like Raphael and Leonardo da Vinci, though he quickly began to forge his own distinct path. Similarly, Vision of Saint Jerome (1527), completed during his time in Rome, showcases his mastery of anatomy and perspective, while simultaneously embracing the Mannerist penchant for dramatic compositions and emotional intensity.
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Italian b. Arezzo Mannerism Wikipedia 31/32
Giorgio Vasari, born in Arezzo, Tuscany, on July 30, 1511, was more than simply a painter; he was a quintessential embodiment of the Italian Renaissance spirit. Immersing himself within the dynamic circle of Andrea del Sarto and absorbing the influences of Rosso Fiorentino and Jacopo Pontormo, Vasari began a journey that would see him become one of the most influential figures of his era.
Trained Jacopo Zucchi #54, Federico Zuccari #41
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Italian b. Rome Mannerism Wikipedia 28/32
Beyond Palazzo Te, Giulio also undertook significant renovations to Mantua’s ducal palace and cathedral, leaving an indelible mark on the city's urban landscape.
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Italian b. Florence Mannerism Wikipedia 27/32
Giovanni Battista di Jacopo, known to the world as Rosso Fiorentino – “The Red Florentine” – was a name whispered with both admiration and a touch of unease during the Italian Renaissance. Born in Florence on March 8th, 1495, his very nickname alluded to the fiery spirit that would come to define not only his appearance but also his intensely emotional and innovative art.
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Italian b. Venice High Renaissance, Mannerism Wikipedia 23/32
His early Roman works, such as the frescoes in the Villa Farnesina – notably Polyphemus – demonstrate a masterful assimilation of classical motifs and a burgeoning confidence in handling large-scale compositions. The Raising of Lazarus: A powerful altarpiece blending Venetian color with Roman form.
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Dutch b. Bracht Northern Mannerism & Baroque engraving Wikipedia 19/32
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Italian b. Castelnuovo Berardenga Mannerism, Renaissance Wikipedia 21/32
Born around 1486 in the small Tuscan town of Montaperto, near Siena, Beccafumi’s artistic journey was one of remarkable development, culminating in a style that bridged the High Renaissance and the burgeoning complexities of Mannerism. The Trinity Triptych, housed in the Pinacoteca Nazionale di Siena, showcases his mastery of oil painting and his ability to convey religious devotion with both grandeur and intimacy.
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Dutch b. Amsterdam Northern Mannerism Wikipedia 28/32
Pieter Aertsen, a name often whispered in the halls of art history, stands as a pivotal figure bridging the gap between Northern Mannerism and the burgeoning realism of the Dutch Golden Age. Here, he joined the esteemed Guild of Saint Luke, earning the moniker “Langhe Peter,” or Tall Peter, reflecting his imposing stature, a detail often incorporated into his portraits.
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Flemish b. Antwerp Northern Mannerism Wikipedia 18/32
Spranger’s style is a quintessential example of Northern Mannerism, characterized by elongated figures, complex poses, and a deliberate emphasis on elegance and refinement.
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Italian b. Bologna Mannerism, Baroque Wikipedia 26/32
Other significant pieces include “ Venus and Cupid ” (1592), a Baroque portrait brimming with symbolic beauty, and “ Newborn Baby in a Crib ” (1583), a poignant depiction of maternal tenderness and domestic life.
17/ 71
Italian b. Urbino Renaissance, Baroque Wikipedia 24/32
He was invited by Pope Pius IV to assist in the decoration of the Vatican Belvedere Palace at Rome, where he painted the Virgin Mary and infant, with several saints and a ceiling in fresco, representing the Annunciation. Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées Royaux des Beaux-Arts de Belgique) - Showcases Barocci's attention to detail and expression.
Key works · Top 100 works
The nativity
Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)
Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)19/ 71
Italian b. Florence Mannerism Wikipedia 23/32
In the twilight of the Renaissance, as the balanced harmonies of the previous century gave way to the restless energy of Mannerism, Cristofano Allori emerged as a vital voice in the Florentine school. Born in 1577 into a city steeped in artistic prestige, Allori was destined for the brush.
Trained by Alessandro Allori #20
20/ 71
Italian b. Florence Mannerism Wikipedia 24/32
Critics often noted his tendency to draw heavily from pre-existing art, refining and reinterpreting the works of masters like Michelangelo and Raphael through the lens of Bronzino’s aesthetic. A notable example is “ Allegory of Human Life,” housed in the Uffizi Gallery, which encapsulates the Renaissance humanist ideals prevalent during his time.
Trained by Bronzino #4 · Trained Cristofano Allori #19
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Italian b. Modena Mannerism Wikipedia 25/32
These landscapes frequently served as the setting for dramatic scenes featuring figures from classical mythology – tales of Orpheus and Eurydice, Proserpine’s abduction, and the Judgment of Paris.
22/ 71
b. Albino Wikipedia 16/32
A pivotal moment occurred during his stay in Trento where he encountered Titian and the Count-Bishop Cristoforo Madruzzo. Among Moroni’s most renowned paintings are: The Tailor: Currently housed in the National Gallery, London, this painting exemplifies his realistic portrayal of everyday life and character.
23/ 71
Italian b. Florence Mannerism
His early years were not without incident; at sixteen, he became embroiled in an affray with companions, leading to banishment from Florence and a period working in Siena under goldsmith Fracastoro. Gold Medallion of Leda and the Swan: Created for Gonfaloniere Gabriello Cesarino, this medallion demonstrates Cellini's ability to blend classical mythology with exquisite craftsmanship.
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Italian b. Florence Mannerism” Wikipedia 17/32
Salviati’s artistic style is characterized by a distinctive blend of influences – the realism of del Sarto, the dynamism of Michelangelo, and the elegance of Raphael, all filtered through the lens of Mannerism.
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Flemish b. Douai Mannerist Sculpture
Dynamic Composition & Anatomical Precision: Unlike the idealized forms of Michelangelo, Giambologna's figures possessed an unsettling realism —a deliberate distortion of anatomical proportions designed to heighten expressive tension and convey psychological depth. Among his crowning achievements are: Neptune Fountain (Bologna): Collaborating with Tommaso Laureti on this ambitious project—the centerpiece of Bologna’s Piazza Nettuno—Giambologna created a colossal bronze sculpture depicting Neptune, god of the sea, surrounded by subsidiary figures embodying various elements of maritime mythology.
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Flemish b. Meulebeke Northern Mannerism Wikipedia 20/32
Vienna: During a return journey from Italy, he collaborated with Bartholomeus Spranger and Hans Mont on creating a triumphal arch for Emperor Rudolf II's royal entry.
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Italian b. Volterra Mannerism Wikipedia 17/32
Sybil (c. 1540–1545); Hermitage Museum, Saint petersburgdescent from the cross (c. 1545), before its 2004 restoration; trinità dei monti, romedescent from the cross (detail, before restoration)descent from the cross (detail, after restoration)
28/ 71
French b. Normandy Mannerism
Moving to Paris in 1544, Goujon entered into a pivotal partnership with Pierre Lescot, the architect overseeing the ambitious reconstruction of Saint-Germain-l'Auxerrois cathedral.
29/ 71
Italian b. Bologna Late Renaissance & Mannerism Wikipedia 18/32
His work also includes significant contributions to the decoration of the Santa Maria del Baraccano church in Bologna, including a captivating “Disputa di Santa Caterina.” His daughter, Lavinia Fontana, who herself became a successful painter, undoubtedly benefited from her father’s tutelage and artistic guidance.
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Dutch b. Utrecht Mannerism Wikipedia 14/32
A pivotal period arrived when he embarked on travels through Italy and France starting in 1586.
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Italian b. Bologna Mannerism Wikipedia 22/32
Francesco Primaticcio stands as a towering figure of the Italian Mannerist tradition, a polymath whose creative reach extended far beyond the canvas to encompass the realms of architecture and sculpture. Born in Bologna, Italy, his artistic journey began under the rigorous guidance of Giulio Romano in Mantua, where he absorbed the complex, tension-filled aesthetics that would later define his career.
Trained by Giulio Romano #9
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Flemish b. Leiden Mannerism Wikipedia 15/32
Born around 1556 in Leiden, Netherlands, into a family of prominence—his father served as burgomaster—Van Veen’s life was one of shifting allegiances and artistic evolution. His subsequent journey to Rome around 1574 or 1575 proved pivotal; immersing himself in the heart of the Italian Renaissance, he absorbed the stylistic nuances that would define his mature work—the elegance, the refined compositions, and the emphasis on idealized forms characteristic of Mannerism.
Trained by Federico Zuccari #41
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Italian b. Moneglia Genoese School, Mannerism Wikipedia 15/32
He was influenced by Correggio and Raphael, absorbing their dynamism and compositional brilliance while developing his own unique voice. His journey to Spain in 1583, invited by Philip II to complete frescoes at the Escorial, highlights both his international recognition and his personal ambitions.
34/ 71
Italian b. Arpino Mannerist Wikipedia 14/32
His style is often described as polished and somewhat mannered, lacking the raw emotional intensity of later Baroque artists like Caravaggio.
35/ 71
Italian b. Bassano del Grappa Venetian Renaissance Wikipedia 12/32
Conversely, in more mythologically charged pieces like ' The Forge of Vulcan ', he demonstrated a masterful command over light and shadow, using the glow of the forge to create a dramatic, theatrical atmosphere that captivated viewers.
36/ 71
Flemish Late Mannerism
Early Life & Training: De Clerck’s formative years are shrouded in obscurity, though evidence suggests he received training under Jan Brueghel the Elder, a titan of Flemish landscape painting and a pivotal influence on de Clerck's artistic approach. Collaborations with Jan Brueghel the Elder on landscapes such as “ Paradise ” further cemented De Clerck’s reputation as a visionary artist who skillfully blended tradition and innovation.
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Italian b. Bassano del Grappa Mannerism Wikipedia 13/32
Born in 1494 in the small Tuscan town of Pontorme near Empoli, he wasn’t destined for a conventional artistic upbringing. Orphaned at a young age and shuttled between various Florentine workshops – first with Leonardo da Vinci, then with Mariotto Albertinelli and Piero di Cosimo, before finally finding a home with Andrea del Sarto – his early training was characterized by the rigorous discipline of the High Renaissance.
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Italian b. Florence Mannerist Painting Wikipedia 15/32
Pietro Buonaccorsi, known to history through the evocative moniker Perino del Vaga, remains one of the most captivating figures of the transition from the High Renaissance to the intricate complexities of Mannerism. Born in Florence around 1501 into a lineage of artistic talent, his very name— Vaga, meaning wandering or idle—suggests a restless creative energy that would eventually carry him far beyond the borders of his native Tuscany.
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Flemish b. Bruges Renaissance, 16th Century Painting Wikipedia 15/32
His arrival coincided with a period of immense artistic patronage and experimentation within the court, orchestrated by Grand Duke Cosimo I de’ Medici and his advisor, Giorgio Vasari.
Trained Antonio Tempesta #56
40/ 71
Italian b. Pordenone Renaissance Painting Wikipedia 16/32
The years from 1527 until his untimely death in 1539 were spent primarily in Venice, a city teeming with artistic innovation. “ Christ and Mary Magdalen ” (1532) exemplifies his ability to convey profound religious devotion through vibrant color and expressive figures.
41/ 71
Italian b. Sant'Angelo in Vado Mannerism Wikipedia 18/32
Their collaborative spirit yielded masterpieces such as “The Holy Family ” in Palazzo Vecchio, a work that serves as a testament to their unified artistic language.
Trained by Giorgio Vasari #8
42/ 71
Italian b. Florence Mannerist Painting
Born in Florence around 1510 into a lineage of creative talent—his father being the painter Francesco Rossi—Cecchino was destined for a life steeped in the aesthetic complexities of the Italian Renaissance.
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Dutch b. Gouda Mannerism Wikipedia 13/32
Cornelis Ketel, born in Gouda, Netherlands in 1548, occupies a fascinating, transitional space within the history of Dutch art. He spent time in Paris with Jean de la Hame, a glass-painter serving King Charles IX, before securing a position at Fontainebleau during the twilight years of the School of Fontainebleau.
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Flemish b. Hulst Mannerism, Renaissance Wikipedia 8/32
Perhaps his most famous work, The Haywain (Allegory on Worldly and Clerical Abuses), exemplifies this inspiration.
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Italian b. Florence Florentine Mannerism Wikipedia 11/32
He frequently incorporated elements from contemporary prints – particularly Venetian scenes – into his paintings, reflecting the artistic exchange that characterized Renaissance Florence. His " Madonna and Child " is held by the Metropolitan Museum of Art in New York, a painting that exemplifies his ability to infuse religious subjects with intense emotion and psychological depth.
46/ 71
b. Gaeta Wikipedia 11/32
He skillfully balanced Renaissance ideals with emerging Baroque sensibilities. Religious Commissions: Notable religious works include the “Assumption with the Apostles” for San Silvestro al Quirinale, a “Pietà” for the Gesù church, and a “Crucifixion” for Santa Maria in Vallicella.
47/ 71
Italian b. Florence Proto-Baroque & Counter-Maniera Wikipedia 14/32
In the vibrant, shifting landscape of late 16th-century Italy, few figures played as pivotal a role in redefining the visual language of Florence as Santi di Tito. Between 1558 and 1564, di Tito’s presence was felt in the grand halls of Rome, where he worked alongside talented peers such as Giovanni de’ Vecchi and Niccolò Circignani.
48/ 71
Italian b. Caravaggio Mannerism Wikipedia 10/32
Polidoro quickly distinguished himself not within the confines of panel painting or fresco but in a remarkably innovative arena: the decoration of Roman palace facades.
49/ 71
Italian b. Cremona Flemish Style / Lombard Naturalism Wikipedia 13/32
His works often feature: Market Scenes: Lively, bustling compositions filled with fishmongers, butchers, and peasants, where every scale on a fish or fold in a linen apron is rendered with startling precision.
50/ 71
Italian b. Zadar Baroque Sculpture; Mannerism Wikipedia 14/32
In the vibrant, sun-drenched tapestry of the sixteenth-century Venetian Republic, few names evoke as much intrigue and stylistic complexity as Andrea Schiavone. Born Andrea Meldolla, his very moniker—meaning "Andrew the Slav"—serves as a poetic testament to his dual identity. Though his roots lay in the Dalmatian city of Zara, now Zadar, Croatia, his artistic spirit was forged in the heart of Venice.
51/ 71
Italian b. Verona Late Renaissance & Mannerism Wikipedia 11/32
Born in Verona in 1547 to the respected artist Giovanni Ermano Ligozzi, Jacopo was immersed from birth in a world where craftsmanship and visual storytelling were paramount.
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Italian b. Bologna Mannerism Wikipedia 10/32
In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras.
53/ 71
Italian b. Vicenza Late Renaissance/Mannerist Wikipedia 5/32
Under the watchful eye and expert tutelage of Giovanni Battista Maganza, Vicentino developed a command over monumental compositions and refined aesthetics that would later define his career. Known variously as Andrea Michieli or Michelli, his movement toward Venice in the mid-1570s marked a transformative era in his development. By 1583, he had officially registered with the Fraglia, the prestigious Venetian guild of painters.
54/ 71
Italian b. Florence Mannerist Painting Wikipedia 11/32
Allegorical Narrative: His masterpiece, Age of Silver, demonstrates his command over the Florentine Baroque style, weaving intricate details of justice and angelic presence into a complex tapestry of meaning.
Trained by Giorgio Vasari #8
55/ 71
Italian b. Venice Mannerism Wikipedia 9/32
The historical significance of Domenico Robusti lies in his role as a bridge between the high drama of the late Renaissance and the more refined, poised sensibilities of the following era.
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Italian b. Florence Mannerism Wikipedia 11/32
Narrative Allegories: Utilizing complex symbolism to communicate religious and political themes, such as in his evocative work The Expulsion of Heliodorus from the Temple.
Trained by Stradanus #39
57/ 71
Italian b. Bologna Mannerism Wikipedia 11/32
Aspertini’s family history was steeped in art; his father, Giovanni Antonio Aspertini, was himself a recognized painter. These works, along with frescoes in the Oratory of Santa Cecilia and his contributions to the Lucca Basilica, reveal a painter who was constantly pushing the boundaries of artistic convention.
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German b. Vienna Northern Mannerism
Notably, he studied alongside Euclid's Elements and Plato’s Timaeus, texts considered foundational for geometric reasoning and philosophical contemplation – influences that would profoundly shape his later artistic pursuits.
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Italian b. Vicenza
Born in Vicenza, Italy, he emerged from a lineage of builders, being the son of Gian Domenico Scamozzi, a surveyor and contractor who served as his first teacher. Following Palladio's death in 1580, Scamozzi found himself entrusted with several unfinished projects, most notably the prestigious Teatro Olimpico at Vicenza.
60/ 71
Italian b. Melide Late Renaissance
Domenico Fontana, a name often overshadowed by the titans of the High Renaissance, stands as a pivotal figure in 16th-century Italian architecture and engineering.
61/ 71
b. Antwerp Antwerp Mannerism Wikipedia 9/32
Active primarily in Antwerp, he was a central protagonist in a loose but influential group of painters known as the Antwerp Mannerists. By 1504, he had achieved the prestigious status of master within the Antwerp Guild of Saint Luke, eventually rising to the esteemed position of dean. The work of Jan De Beer is characterized by a breathtaking marriage of Northern Renaissance realism and a burgeoning sense of theatricality.
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Italian b. Mazzo di Valtellina Mannerist Wikipedia 10/32
Born near Como in the rugged terrain of Mazzo di Valtellina around 1512, Venusti emerged from the Italian foothills to become a vital conduit for the Mannerist aesthetic. This formative connection anchored him within the sophisticated stylistic currents of Rome, preparing him to translate the monumental language of the High Renaissance into the more stylized, elongated, and emotive vocabulary of Mannerism.
63/ 71
French b. Paris Second School Fontainebleau; Mannerism; Italian Art Influence Wikipedia 8/32
He found endless inspiration in the epic tales of Homer, the poetic explorations of Pierre de Rationale, and the dramatic narratives of Torquato Tasso.
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Swiss b. Schaffhausen Mannerism Wikipedia 7/32
These drawings, often illustrating biblical scenes or exploring complex allegories, were widely disseminated thanks to prominent printers like Sigmund Feyerabend in Frankfurt am Main and Bernhart Jobin in Strasbourg, significantly expanding his reach and influence across Europe.
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Italian b. Florence Mannerist Wikipedia 10/32
The “Virgin and Child with Saint Elizabeth and John the Baptist ” (1535), now housed in the Uffizi Gallery, exemplifies this evolution, showcasing a masterful command of perspective, drapery, and emotional expression.
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Flemish b. Antwerp Landscape with mythological and allegorical Wikipedia 8/32
The story of Paolo Fiammingo, born Pauwels Franck, is a captivating tale of artistic migration and the seamless blending of Northern precision with Italian grandeur. Emerging from the vibrant artistic traditions of Antwerp around 1540, this master crossed the Alps to find his true calling in the shimmering atmosphere of Venice.
67/ 71
French b. Bassigny Northern Mannerism Wikipedia 9/32
A master of the Northern Mannerist style, his life was lived in the twilight of the late Renaissance, a period defined by elongated forms, theatrical tension, and an almost feverish psychological intensity. Born around 1575 in the Bâse-les-Vosges region of France, Bellange emerged from a landscape of shifting borders and intense religious fervor, eventually finding his creative home within the sophisticated courtly circles of Nancy.
68/ 71
Italian b. Parma Mannerist Painting Wikipedia 8/32
In the vibrant, swirling currents of the Italian Mannerist period, few names capture the elegance and stylistic complexity of the Parma school quite like Girolamo Mazzola Bedoli. Born in Viadana around 1500, Bedoli emerged from a landscape deeply enriched by the artistic legacies of Lombardy and the sophisticated atmosphere of Parma.
69/ 71
Italian b. Novellara Mannerist Wikipedia 7/32
In the twilight of the Italian Renaissance, as the harmonious balance of High Renaissance classicism began to fracture into the restless energy of Mannerism, there emerged a voice from the fertile plains of Emilia-Romagna that captured the profound anxieties of a changing world. Born in the small town of Novellara around 1508 or 1511, Orsi navigated an era defined by shifting theological certainties and the complex intellectual currents of humanism.
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Italian b. Florence Renaissance and Mannerism Wikipedia 5/32
He was an artist who did not merely witness the transition from the High Renaissance to Mannerism but actively participated in its shaping.
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Spanish b. Mascaraque Renaissance, Mannerism Wikipedia 6/32
The altarpiece for the church of Almonacid de Zorita, tragically destroyed during the Spanish Civil War in 1936-39, stands as a testament to his skill and ambition.
Best-known works
Chronology
Statistics
| Italy | 49 |
|---|---|
| Netherlands | 5 |
| Belgium | 5 |
| France | 4 |
| Germany | 2 |
| Switzerland | 2 |
| Greece | 1 |
| Croatia | 1 |
| 1470s | 2 |
|---|---|
| 1480s | 3 |
| 1490s | 5 |
| 1500s | 11 |
| 1510s | 10 |
| 1520s | 8 |
| 1530s | 7 |
| 1540s | 11 |
| 1550s | 7 |
| 1560s | 4 |
| 1570s | 3 |
| Kunsthistorisches Museum | 16 |
|---|---|
| Hermitage Museum | 10 |
| Bavarian State Painting Collections | 8 |
| Museo del Prado | 7 |
| National Gallery | 6 |
| The Louvre | 6 |
| Galleria degli Uffizi | 6 |
| Rijksmuseum | 5 |
Index
El Greco1541–1614Jacopo TintorettoItalian · 1519–1594Giuseppe Arcimboldo1527–1593BronzinoItalian · 1503–1572Sofonisba AnguissolaItalian · 1532–1625
PontormoItalian · 1494–1556ParmigianinoItalian · 1503–1540Giorgio VasariItalian · 1511–1574Giulio RomanoItalian · 1499–1546Rosso FiorentinoItalian · 1494–1540Sebastiano del PiomboItalian · 1485–1547Hendrik GoltziusDutch · 1558–1617Domenico BeccafumiItalian · 1484–1551Pieter AertsenDutch · 1508–1575Bartholomeus SprangerFlemish · 1546–1611Lavinia FontanaItalian · 1552–1614Federico BarocciItalian · 1535–1612
Hans von AachenGerman · 1552–1615Cristofano AlloriItalian · 1577–1621Alessandro AlloriItalian · 1535–1607Niccolò Dell' AbbateItalian · 1512–1571Giovanni Battista Moroni1525–1578Benvenuto CelliniItalian · 1500–1571Francesco SalviatiItalian · 1510–1563GiambolognaFlemish · 1529–1608Karel van Mander the ElderFlemish · 1548–1606Daniele da VolterraItalian · 1509–1566Jean GoujonFrench · 1510–1567Prospero FontanaItalian · 1512–1597Joachim WtewaelDutch · 1566–1638Francesco PrimaticcioItalian · 1504–1570Otto van VeenFlemish · 1556–1629Luca CambiasoItalian · 1527–1585Giuseppe CesariItalian · 1568–1640Francesco Bassano the YoungerItalian · 1549–1592Hendrick De ClerckFlemish · 1570–1630Leandro BassanoItalian · 1557–1622Perino del VagaItalian · 1501–1547StradanusFlemish · 1523–1605Il PordenoneItalian · 1484–1539Federico ZuccariItalian · 1539–1609Cecchino Del SalviatiItalian · 1510–1563Cornelis KetelDutch · 1548–1616Gillis MostaertFlemish · 1528–1598Francesco BacchiaccaItalian · 1494–1557Scipione Pulzone1550–1598Santi di TitoItalian · 1536–1603Polidoro Da CaravaggioItalian · 1499–1543Vincenzo CampiItalian · 1536–1591Andrea SchiavoneItalian · 1522–1563Jacopo LigozziItalian · 1547–1627Bartolomeo PassarottiItalian · 1529–1592Andrea VicentinoItalian · 1542–1617Jacopo ZucchiItalian · 1542–1596Domenico TintorettoItalian · 1560–1635Antonio TempestaItalian · 1555–1630Amico AspertiniItalian · 1475–1552Wenzel JamnitzerGerman · 1507–1585Vincenzo ScamozziItalian · 1548–1616Domenico FontanaItalian · 1543–1607Jan De Beer1475–1528Marcello VenustiItalian · 1510–1579Toussaint DubreuilFrench · 1561–1602Tobias StimmerSwiss · 1539–1584Jacopino del ConteItalian · 1510–1598Paolo FiammingoFlemish · 1540–1596Jacques BellangeFrench · 1575–1616Girolamo Mazzola BedoliItalian · 1500–1569Lelio OrsiItalian · 1508–1587Michele TosiniItalian · 1503–1577Juan Correa De VivarSpanish · 1510–1566FAQ
El Greco (#1) comes first, ahead of Jacopo Tintoretto (#2) and Giuseppe Arcimboldo (#3).
El Greco (#1), Jacopo Tintoretto (#2), Giuseppe Arcimboldo (#3), Bronzino (#4) and Sofonisba Anguissola (#5).
Italy: 49 of the 71 painters in this list were born there, then Netherlands (5) and Belgium (5).
The highest-ranked painters born in Italy are Jacopo Tintoretto (#2), Giuseppe Arcimboldo (#3), Bronzino (#4), Sofonisba Anguissola (#5) and Pontormo (#6).
Florence: 14 of the painters in this list were born there.
The museums holding the most key works of this list are Kunsthistorisches Museum (16), Hermitage Museum (10) and Bavarian State Painting Collections (8).
The earliest-born painter in this list is Amico Aspertini (#57), born in 1475.
“He learned to move away from the rigid lines of his youth, embracing a more fluid brushwork and a sense of dynamism.” — from our biography of El Greco (#1).
2 women are in this ranking: Sofonisba Anguissola (#5) and Lavinia Fontana (#16).
Most painters in this list were born in the 1540s (11 of 71), between 1475 and 1577 overall.
The highest-ranked painters born in the Netherlands are Pieter Aertsen (#14), Joachim Wtewael (#30), Otto van Veen (#32), Cornelis Ketel (#43) and Gillis Mostaert (#44).
Our catalogue holds 5,179 works by these painters. Each one can be ordered as a hand-painted oil reproduction or a print.
Guides
Other lists
Famous Baroque artistsNight Watch · Rembrandt
Famous Contemporary Realist artistsThe Gleaners · Jean-François Millet
Famous Impressionist artistsStarry Night (New York, MoMA) · Vincent van Gogh
Famous Romanticist artistsSaturn Devouring His Son · Francisco Goya
Famous Neoclassicist artistsThe Death of Marat · Jacques-Louis David
Famous Realist artistsThe origin of the world · Gustave Courbet
Famous Renaissance artistsMona Lisa (La Gioconda) · Leonardo da Vinci
Famous Dutch Golden Age artistsThe Girl with a Pearl Earring · Johannes Vermeer
Famous Expressionist artistsComposition VII · Wassily Kandinsky
Famous Rococo artistsThe Embarkation for Cythera · Jean-Antoine WatteauBy period
Famous Early Medieval artistsSnowy River · Wang Wei
Famous High Medieval artistsMadonna in Maest (Ognissanti Madonna) · Giotto
Famous Late Medieval artistsThe Annunciation and Two Saints · Simone Martini
Famous Renaissance artistsThe Creation of Adam · Michelangelo
Famous Early Modern artistsThe Calling of Saint Matthew · Caravaggio
Famous 19th Century artistsWater Lilies (or Nympheas) · Claude Monet
Famous Modern artistsGuernica · Pablo Picasso
Famous Contemporary artistsWind Sculpture III (one in a series of nine) · Yinka ShonibareFamous paintings
Famous Impressionism paintingsWater Lilies · Claude Monet
Famous Baroque paintingsLas Meninas · Diego Velázquez
Famous Romanticism paintingsLiberty Leading the People · Eugène Delacroix
Famous Realism paintingsNighthawks · Edward HopperFamous Post-Impressionism paintingsStarry Night · Vincent van Gogh
Famous Expressionism paintingsThe Scream · Edvard Munch
Famous Surrealism paintingsThe Persistence of Memory · Salvador Dalí
Famous Neoclassicism paintingsNapoleon at the St. Bernard Pass · Jacques-Louis DavidFamous Renaissance paintingsMona Lisa · Leonardo da Vinci
Famous Symbolism paintingsThe Birth of Venus · William-Adolphe Bouguereau
Famous Rococo paintingsThe Swing · Jean-Honoré Fragonard
Famous Art Nouveau paintingsThe kiss · Gustav KlimtRelated lists
